EXCLUSIVE: Raid 2 distributors request cinemas to avoid Tuesday 99 offer for Ajay Devgn-starrer and to continue with popular pricing in the weekdays

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The Ajay Devgn-starrer Raid 2 has taken a solid start, collecting Rs. 19.71 crores. The opening day number was a surprise as the industry expected the film to open under Rs. 15 crores. It held very well on the second day as well and it is now all set to collect nearly Rs. 70 crores in its four-day weekend. Realizing that the film will hold strongly even on the weekdays, the distributors have taken a significant step, Bollywood Hungama has learned. Yesterday, the distributors of Raid 2 mailed exhibitors throughout the country with a request. A trade source told Bollywood Hungama, “The distributors first thanked their exhibition partners for their support in playing the film. They also informed that Raid 2 is doing exceedingly well in all the territories of the country. They then made two requests. Firstly, they asked them to not drop the prices to normal on weekdays. Raid 2 is playing with popular pricing on the weekdays and cinemas...
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‘I wanted to humanise those lost in the statistics’: four directors on their new movies depicting refugee journeys

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How does it feel to risk trafficking and torture to seek a better life in a strange land? Ahead of four films telling migrant stories, we hear from directors including Matteo Garrone and Milad Alami about tackling one of the most pressing issues of our time

The telling of stories is an act of profound hospitality. Story is an ancient form of generosity, one that will always tell us everything we need to know about the contemporary world. It is fundamental to the communicative survival of the human species and has always been a welcoming-in; always, one way or another, a gracious meeting of the needs of self and other. The narratives we exchange don’t just validate all of us, they represent us much more truly than data or statistics or a passport ever will. Our individual selves transform in the telling into something shared and communal. This is because story is the opposite of an exclusion zone; by its nature, it’s always an inclusion zone, because a story that sets out to exclude won’t work as a story at all, its agenda being something else altogether.

A glance at recent UK news is as telling about the inhumanity of our country’s treatment of refugees as ever. If I’m an asylum seeker here living in the care of the Home Office, and I die, then no one in the Home Office will care to notify my family. If I’m a rough sleeper on the streets of England, then the chances are more likely than not I’m a refugee who’s been evicted from Home Office temporary accommodation. (That’s just last week’s news.)

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