The Battle of Shatrughat: Gurmeet Choudhary, Aarushi Nishank and Siddharth Nigam unite for historic saga

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The wait is finally over! The epic war drama, The Battle of Shatrughat, has been officially announced. Directed by Shahid Kazmi and beautifully written by Sajad Khaki and Shahid Kazmi, the film stars Gurmeet Choudhary, Aarushi Nishank, and Siddharth Nigam, promising plenty of drama, valour, and spectacle. Gurmeet Choudhary recently shared a striking poster on social media, and fans went wild. Everyone is eager to know more about this ambitious project. The movie also features a powerful supporting cast, including Mahesh Manjrekar, Raza Murad, and Zarina Wahab. With Shahid Kazmi at the helm and production by PY Media, Hill Crest Motions, and Shahid Kazmi Films, this project is set to be a cinematic experience that brings a historic war to life. Adding to the film’s grandeur, the costume and styling are helmed by Darshan Bhagwandas Kamwal, ensuring authentic period detailing and a majestic visual aesthetic.   View this post on Instagram   A post shared by Sajad Khaki (@saj...
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‘I wanted to humanise those lost in the statistics’: four directors on their new movies depicting refugee journeys

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How does it feel to risk trafficking and torture to seek a better life in a strange land? Ahead of four films telling migrant stories, we hear from directors including Matteo Garrone and Milad Alami about tackling one of the most pressing issues of our time

The telling of stories is an act of profound hospitality. Story is an ancient form of generosity, one that will always tell us everything we need to know about the contemporary world. It is fundamental to the communicative survival of the human species and has always been a welcoming-in; always, one way or another, a gracious meeting of the needs of self and other. The narratives we exchange don’t just validate all of us, they represent us much more truly than data or statistics or a passport ever will. Our individual selves transform in the telling into something shared and communal. This is because story is the opposite of an exclusion zone; by its nature, it’s always an inclusion zone, because a story that sets out to exclude won’t work as a story at all, its agenda being something else altogether.

A glance at recent UK news is as telling about the inhumanity of our country’s treatment of refugees as ever. If I’m an asylum seeker here living in the care of the Home Office, and I die, then no one in the Home Office will care to notify my family. If I’m a rough sleeper on the streets of England, then the chances are more likely than not I’m a refugee who’s been evicted from Home Office temporary accommodation. (That’s just last week’s news.)

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