Archana Puran Singh reveals why she hid her marriage for 4 years

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Indian actress and television personality Archana Puran Singh has revealed that she kept her marriage to actor Parmeet Sethi a secret for nearly four years, citing industry pressures that once discouraged married women from pursuing acting careers. Archana, known for her work in several iconic Bollywood films, married Parmeet Sethi in 1992. However, she chose not to make the marriage public at the time. Speaking recently, the actress said that during that phase in the film industry, marriage was often seen as a setback for female actors, leading to fewer opportunities. She described this mindset as a “nonsense trend” and said it played a major role in her decision to keep her marital status private while continuing to work. She also shared that the secrecy around the marriage was influenced by several personal and social challenges. Parmeet was younger than her, which contributed to resistance from family members, and there was disapproval from both sides regarding the relationship. ...
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‘I wanted to humanise those lost in the statistics’: four directors on their new movies depicting refugee journeys

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How does it feel to risk trafficking and torture to seek a better life in a strange land? Ahead of four films telling migrant stories, we hear from directors including Matteo Garrone and Milad Alami about tackling one of the most pressing issues of our time

The telling of stories is an act of profound hospitality. Story is an ancient form of generosity, one that will always tell us everything we need to know about the contemporary world. It is fundamental to the communicative survival of the human species and has always been a welcoming-in; always, one way or another, a gracious meeting of the needs of self and other. The narratives we exchange don’t just validate all of us, they represent us much more truly than data or statistics or a passport ever will. Our individual selves transform in the telling into something shared and communal. This is because story is the opposite of an exclusion zone; by its nature, it’s always an inclusion zone, because a story that sets out to exclude won’t work as a story at all, its agenda being something else altogether.

A glance at recent UK news is as telling about the inhumanity of our country’s treatment of refugees as ever. If I’m an asylum seeker here living in the care of the Home Office, and I die, then no one in the Home Office will care to notify my family. If I’m a rough sleeper on the streets of England, then the chances are more likely than not I’m a refugee who’s been evicted from Home Office temporary accommodation. (That’s just last week’s news.)

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