EXCLUSIVE: After OMG Oh My God and 102 Not Out, Umesh Shukla's acclaimed play Madhuri vs Dixit to be made into a film

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Umesh Shukla has been a popular name among Gujarati audiences for several years and since 2012, he has also enjoyed nationwide popularity. That was the year when OMG Oh My God, an adaptation of his cult Gujarati play Kanji Viruddh Kanji, was made as a Bollywood film. Starring Paresh Rawal and Akshay Kumar, the devotional courtroom drama emerged as a sleeper super-hit. Six years later, he made 102 Not Out (2018), an adaptation of the Gujarati play of the same name. The film adaptation, starring Amitabh Bachchan and Rishi Kapoor, was also a success. And now, Umesh Shukla is all set to adapt yet another of his acclaimed plays for the big screen – Madhuri vs Dixit. Madhuri vs Dixit is a Hindi play and its premiere took place on April 26 in Mumbai. Interestingly, it was earlier staged in Gujarati, with the title Madhuri Dixit. It stars Riddhi Shukla and Jaideep Shah in leading roles. Interestingly, the former is also the wife of Umesh Shukla. Unnati Gala and Harshad Patel feature in suppor...
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‘He was always voraciously watching’: Scorsese’s secret life as an obsessive VHS archivist

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The Oscar-winning director has donated over 50 storage boxes of tapes that show a devoted interest in recording films and shows from the '80s to the 2000s

In the basement of the University of Colorado Boulder’s main library, an 85-year-old stone fortress built in the Italian rural style, the archives of the school’s Rare and Distinctive Collections occupy rows of shelves as far as the eye can see. Here, amid yellowed books, historical maps and medieval manuscripts, Martin Scorsese has quietly made public a very private preoccupation. More than 50 storage boxes hold thousands of VHS tapes that contain films and television programs Scorsese recorded directly from broadcast television. The renowned director and film preservationist, it turns out, was also, for decades, a prolific guerrilla archivist.

Long before YouTube and Netflix gave the world instant access to a deep repository of media, Scorsese began the project of amassing his own private on-demand video library. In each week’s TV Guide, he would note the movies and shows that caught his interest. A full-time video archivist in Scorsese’s New York office would then record the telecasts from a kind of audiovisual hub made up of multiple VCRs and monitors, which could often be active at all hours. The tapes were meticulously labeled, cataloged initially using a library-like card system and later a computer, and filed away for Scorsese’s personal viewing and research.

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