Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...

Godzilla x Kong: The New Empire review – breezy, forgettable monster sequel

There’s a likable, light-hearted zip to the monster mash follow-up but energy dissipates when we’re stuck with the humans

It was a strange old time when the creature feature mash-up Godzilla vs Kong was released, the first major blockbuster in cinemas since Covid shuttered them all a year prior. Expectations were low, thanks to how rotten the last two Godzilla films had been, but thirst for something, anything, truly escapist was high and the big screen equivalent of a kid smashing his toys together became an unlikely saviour, both commercially and critically.

Three years later with normality resuming, there’s arguably less audience demand for another instalment, although the industry could definitely do with another monster hit, the strikes leaving the first few months of 2024 a little weakened. There’s enough easily marketable simplicity to Godzilla x Kong: The New Empire that it should become a swift global hit (the film is tracking to make $135m worldwide in its opening weekend) but, especially in the shadow of the Oscar-winning Godzilla Minus One, there will be predictably diminishing returns for those who venture out. It’s a still fun yet far sloppier outing, a second round that’s less of a win for us and more of a draw.

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