Western Railway earns RECORD Rs. 1.72 cr through film and ad shoots in 2025-26; spokesperson reveals, "Shoojit Sircar FIRST filmmaker to shoot aboard Vande Bharat; John Abraham’s Maria IPS and Ayushmann Khurrana-Sharvari’s Yeh Prem Mol Liya shot on WR premises"

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The Vande Bharat Express has emerged as one of Indian Railways’ proudest achievements. Launched in February 2019, it remained unseen on celluloid until last year, when Shoojit Sircar became the first filmmaker to shoot aboard the semi-high-speed train. This and a lot more fascinating information were revealed to Bollywood Hungama by Vineet Abhishek, Chief Public Relations Officer, Western Railway (WR). The ad in question is for Independence, an FMCG brand of Reliance Consumer Products Limited. It was released digitally in May last year, and a making video, featuring Shoojit Sircar, was released by Western Railway in January 2025. Western Railway recently announced that it has generated a record Rs 1.72 crore from film and advertisement shoots conducted on its premises between April 1, 2025 and February 15, 2026. Its earlier highest earnings were recorded in 2022–23, when it collected approximately Rs 1.64 crore from film shoots. Vineet Abhishek told Bollywood Hungama, “It is often a...
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Godzilla x Kong: The New Empire review – breezy, forgettable monster sequel

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There’s a likable, light-hearted zip to the monster mash follow-up but energy dissipates when we’re stuck with the humans

It was a strange old time when the creature feature mash-up Godzilla vs Kong was released, the first major blockbuster in cinemas since Covid shuttered them all a year prior. Expectations were low, thanks to how rotten the last two Godzilla films had been, but thirst for something, anything, truly escapist was high and the big screen equivalent of a kid smashing his toys together became an unlikely saviour, both commercially and critically.

Three years later with normality resuming, there’s arguably less audience demand for another instalment, although the industry could definitely do with another monster hit, the strikes leaving the first few months of 2024 a little weakened. There’s enough easily marketable simplicity to Godzilla x Kong: The New Empire that it should become a swift global hit (the film is tracking to make $135m worldwide in its opening weekend) but, especially in the shadow of the Oscar-winning Godzilla Minus One, there will be predictably diminishing returns for those who venture out. It’s a still fun yet far sloppier outing, a second round that’s less of a win for us and more of a draw.

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