EXCLUSIVE: After OMG Oh My God and 102 Not Out, Umesh Shukla's acclaimed play Madhuri vs Dixit to be made into a film

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Umesh Shukla has been a popular name among Gujarati audiences for several years and since 2012, he has also enjoyed nationwide popularity. That was the year when OMG Oh My God, an adaptation of his cult Gujarati play Kanji Viruddh Kanji, was made as a Bollywood film. Starring Paresh Rawal and Akshay Kumar, the devotional courtroom drama emerged as a sleeper super-hit. Six years later, he made 102 Not Out (2018), an adaptation of the Gujarati play of the same name. The film adaptation, starring Amitabh Bachchan and Rishi Kapoor, was also a success. And now, Umesh Shukla is all set to adapt yet another of his acclaimed plays for the big screen – Madhuri vs Dixit. Madhuri vs Dixit is a Hindi play and its premiere took place on April 26 in Mumbai. Interestingly, it was earlier staged in Gujarati, with the title Madhuri Dixit. It stars Riddhi Shukla and Jaideep Shah in leading roles. Interestingly, the former is also the wife of Umesh Shukla. Unnati Gala and Harshad Patel feature in suppor...
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Eternal Sunshine of the Spotless Mind at 20: a love story that’s impossible to forget

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Jim Carrey and Kate Winslet forget they used to be in love in a wonderfully inventive and moving reminder of why romantic pain is an important thing to remember

The greatest screen romances are usually about failure, not happily ever afters. Love sacrificed. Love unrequited. Love forbidden by social mores or bad timing or the tectonic forces of history. Think Casablanca. Brief Encounter. In the Mood for Love. The Age of Innocence. Moonlight. Considered another way, though, they’re powerful because they end so pristinely, before the banal hassles and petty fissures of everyday life make a mess of things. Give a relationship enough time and Before Sunrise turns into Before Midnight.

One of the reasons why Eternal Sunshine of the Spotless Mind, now 20 years old, ranks among the best love stories of the 21st century is that it makes the unique argument that failure is an essential, precious part of romantic experience. It’s only human to want that pain to go away, but the film suggests that literally making it so would be a wish on a monkey’s paw, offering some short-term relief, perhaps, but with unanticipated long-term consequences. People usually have many more failed relationships before one that succeeds, after all, and the accumulation of experience and memory not only means something, but that meaning isn’t static. Bitter moments can turn bittersweet.

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