Conan O’Brien jokes about Ted Sarandos, Timothée Chalamet and ‘frightening times’ in Oscars monologue

Host bobs and weaves through a number of third-rail topics in Academy Awards speech that’s at turns silly and sincere Oscars 2026 – follow the action live! The winners: the full list – updating live Conan O’Brien’s opening monologue at the 98th Academy Awards cheekily paid tribute to many nominated films – and then some – while acknowledging the tense US political situation and cracks at Timothée Chalamet, Amazon and US healthcare. After a snappily edited, old-school montage in which O’Brien, dressed as best supporting actress winner Amy Madigan ’s character in Weapons (“I look like Bette Davis with lupus,” he joked), stormed through each of the nominated films trailed by children à la Weapons, the second-time host bobbed and weaved through a number of pressing topics, from political divides to AI to Jeffrey Epstein. “I am Conan O’Brien, and I am honored to be the last human host of the Academy Awards,” he quipped. “Next year it’s going to be a Waymo in a tux.” Continue read...

Eternal Sunshine of the Spotless Mind at 20: a love story that’s impossible to forget

Jim Carrey and Kate Winslet forget they used to be in love in a wonderfully inventive and moving reminder of why romantic pain is an important thing to remember

The greatest screen romances are usually about failure, not happily ever afters. Love sacrificed. Love unrequited. Love forbidden by social mores or bad timing or the tectonic forces of history. Think Casablanca. Brief Encounter. In the Mood for Love. The Age of Innocence. Moonlight. Considered another way, though, they’re powerful because they end so pristinely, before the banal hassles and petty fissures of everyday life make a mess of things. Give a relationship enough time and Before Sunrise turns into Before Midnight.

One of the reasons why Eternal Sunshine of the Spotless Mind, now 20 years old, ranks among the best love stories of the 21st century is that it makes the unique argument that failure is an essential, precious part of romantic experience. It’s only human to want that pain to go away, but the film suggests that literally making it so would be a wish on a monkey’s paw, offering some short-term relief, perhaps, but with unanticipated long-term consequences. People usually have many more failed relationships before one that succeeds, after all, and the accumulation of experience and memory not only means something, but that meaning isn’t static. Bitter moments can turn bittersweet.

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