Chagrin Valley review – the ins and outs of care home life inside an uncanny artificial paradise

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Beneath painted skies and birdsong, film-maker Nathalie Berger’s observational documentary exposes hidden labour and quiet turmoil In the main hall of the Lantern, a retirement home in Ohio’s Chagrin valley, the ceiling consists of glass panels painted to resemble blue skies. The chirping of birds wafts through the corridors, styled after the front porches of typical mid-century houses, except these are all indoors. Like the lighted roof, the sounds of nature are entirely artificial. For the residents of this care facility, such designs seek to inspire feelings of calm and familiarity, yet they also induce an atmosphere of uncanniness. Exploring the parallel worlds of the inhabitants and their caregivers, Nathalie Berger’s observational documentary finds real love and care in this strange simulacrum of home. Captured in static vignettes, life at the Lantern appears quite tranquil. The retirees live together in a kind of resigned harmony. Some are bewildered as to why they are in a ca...
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Drive-Away Dolls review – Ethan Coen’s lesbian road trip is a cheerfully nonsensical caper

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Geraldine Viswanathan lends a quiet seriousness to her role that anchors this otherwise flimsy, silly story

Here is a saucy, silly, queer road-movie caper from director Ethan Coen and his partner, co-writer and co-producer Tricia Cooke; it’s Coen’s second film without his brother, Joel, following his Jerry Lee Lewis documentary in 2022. Drive-Away Dolls is a flimsy lark wrapped up smartly and economically in 84 minutes with a perfunctory (and cheerfully nonsensical) MacGuffiny premise that makes it look like a Xerox of Coen brothers classics such as No Country For Old Men or Fargo. Lead player Margaret Qualley’s twangy down-home accent is moreover something that could have been re-thought in rehearsal. But it rattles along watchably enough. Geraldine Viswanathan nicely underplays her part and Beanie Feldstein delivers the gags with resounding gusto. There’s a nice sprinkling of A-lister cameos, including Colman Domingo, who I wished had been in the action a bit more.

Jamie (Qualley) has just broken up with her formidable girlfriend Sukie (Feldstein) and needs to get away for a while. So she goes on a road trip to Tallahassee, Florida with her strait-laced friend Marian (Viswanathan), having hired a car on a one-way “driveaway” basis from a rental company run by a stolid fellow played by character stalwart Bill Camp. Jamie is on a mission to get Marian laid. But they’ve accidentally got a certain something in their boot, which some very unsavoury characters want to get their hands on.

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