Why F1 the Movie should win the best picture Oscar

-
It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium Could, should, would F1 the Movie win the best picture Oscar? Well, we have to be realistic here: F1 is currently a massive outsider, at 200-1 along with The Secret Agent , which has no chance either but for very different reasons. It’s not hard to see why: this is a swaggeringly mainstream film, where tech and branding dwarf the human input, with the film itself acting as a front-end battering ram for a sports organisation desperate to break into the promised land of the US auto racing circuit. (I mean it’s right there in the title.) So even the most reactionary, conservative Academy voter is going to find it hard to mark F1 with their tick. So no, I don’t think it could win. That’s not to say F1 doesn’t have quite a bit going for it. The Oscars, as we know, have historically had a problem with so-called “popular” ...
Post a Comment

Drive-Away Dolls review – Ethan Coen’s lesbian road trip is a cheerfully nonsensical caper

-

Geraldine Viswanathan lends a quiet seriousness to her role that anchors this otherwise flimsy, silly story

Here is a saucy, silly, queer road-movie caper from director Ethan Coen and his partner, co-writer and co-producer Tricia Cooke; it’s Coen’s second film without his brother, Joel, following his Jerry Lee Lewis documentary in 2022. Drive-Away Dolls is a flimsy lark wrapped up smartly and economically in 84 minutes with a perfunctory (and cheerfully nonsensical) MacGuffiny premise that makes it look like a Xerox of Coen brothers classics such as No Country For Old Men or Fargo. Lead player Margaret Qualley’s twangy down-home accent is moreover something that could have been re-thought in rehearsal. But it rattles along watchably enough. Geraldine Viswanathan nicely underplays her part and Beanie Feldstein delivers the gags with resounding gusto. There’s a nice sprinkling of A-lister cameos, including Colman Domingo, who I wished had been in the action a bit more.

Jamie (Qualley) has just broken up with her formidable girlfriend Sukie (Feldstein) and needs to get away for a while. So she goes on a road trip to Tallahassee, Florida with her strait-laced friend Marian (Viswanathan), having hired a car on a one-way “driveaway” basis from a rental company run by a stolid fellow played by character stalwart Bill Camp. Jamie is on a mission to get Marian laid. But they’ve accidentally got a certain something in their boot, which some very unsavoury characters want to get their hands on.

Continue reading...

from Film | The Guardian https://ift.tt/TFy5Lnb
via IFTTT

Comments

Post a Comment

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

-
Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together Who’s up for a golden-hued heartwarmer set in 60s Ireland starring Kathy Bates and Maggie Smith about women with secret fears and dreams going on a church trip to Lourdes and finally finding the real miracle is their new compassion for each other? The answer to this question could well have been … me. I have a liking for a gentle tale and there is nothing necessarily wrong with, just occasionally, showing Ireland and the church of this period with something other than outrage and horror. But The Miracle Club does not at any time, to use a discredited metaphor, throw away its crutches and walk. And it’s painful to note that this is largely because of the way film can’t convincingly use that estimable actor Laura Linney in a central role. She is upstaged by the older, fruitier performances and doesn’t hold her own with a more seri...
Read more

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

-
Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
Read more

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”

-
Bollywood diva Malaika Arora found herself at the center of an unexpected controversy during the filming of Hip Hop India Season 2. The popular dance reality show, judged by Arora alongside choreographer-director Remo D’Souza, took an awkward turn when a 16-year-old contestant made suggestive gestures toward her during his performance. The incident, which left Malaika visibly uncomfortable, was captured on video and has since gone viral. What Happened on Hip Hop India Season 2? The incident unfolded during a recent episode of Hip Hop India Season 2, which streams on Amazon MX Player and showcases India’s top hip-hop talent. While judging a contestant’s performance, Malaika noticed the young dancer directing inappropriate gestures her way, including winking and blowing flying kisses. Clearly taken aback, the actress and fitness icon didn’t hold back her disapproval. In the now-viral footage, she can be heard reprimanding the teenager, sternly demanding, “Mummy ka phone number do!” (Giv...
Read more