SCOOP: Allu Arjun to play 4 distinct roles in Atlee’s next - grandfather, father, and two sons!

After the historic success of Pushpa 2, Allu Arjun is collaborating with Atlee on a never seen before epic film tentatively titled AA22 x A6. The film has got a solid ensemble cast on board with Allu Arjun, Deepika Padukone, Rashmika Mandanna, Janhvi Kapoor, and Mrunal Thakur. The film is the most discussed of Indian Cinema, as the filmmaker has promised a global film, with visuals like never before. And our news is going to make it all the more exciting for fans. While there is constant speculation about Allu Arjun's dual role in AA22 x A6, we have the most exclusive and inside scoop on the film. Reliable sources have confirmed to Bollywood Hungama that Allu Arjun has 4 different roles in A6. "Allu is playing the entire family tree in Atlee's next film. He will be seen as a grandfather, father, and two sons in the film, making it a quadruple role for Allu. This would mark the first multiple role film of his career," a source told Bollywood Hungama. We hear that Atl...

Cidade Rabat review – elegant, subtle study of a daughter’s grief

Portuguese director Susana Nobre explores the sadness of bereavement with deadpan obliqueness in this story about a woman’s reaction to her mother’s death

There’s a studied impassivity to this elegant Portuguese movie about grief from Susana Nobre. It’s a film that maintains its near-affectless deadpan style from first to last, and declines to offer a conventional emotional payoff, or indeed the usual narrative shape that might lead to such a climax – although there is an emotional outpouring of sorts. It isn’t exactly that sadness finds its outlet in oblique or unusual ways (the heavy drinking we see is, after all, a commonplace symptom) but the way it is represented on screen is indirect.

Helena (Raquel Castro) is a production manager on a film shoot, dealing with a difficult director. She is divorced, sharing custody of a teen daughter, and in a relationship with a musician who is away on tour. Her elderly widowed mother, who lives in a Lisbon apartment block called Cidade Rabat, where Helena grew up, is talking openly about her approaching death and wants Helena to live in the flat after she’s gone – an idea that stirs up oppressive emotions.

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