Archana Puran Singh reveals why she hid her marriage for 4 years

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Indian actress and television personality Archana Puran Singh has revealed that she kept her marriage to actor Parmeet Sethi a secret for nearly four years, citing industry pressures that once discouraged married women from pursuing acting careers. Archana, known for her work in several iconic Bollywood films, married Parmeet Sethi in 1992. However, she chose not to make the marriage public at the time. Speaking recently, the actress said that during that phase in the film industry, marriage was often seen as a setback for female actors, leading to fewer opportunities. She described this mindset as a “nonsense trend” and said it played a major role in her decision to keep her marital status private while continuing to work. She also shared that the secrecy around the marriage was influenced by several personal and social challenges. Parmeet was younger than her, which contributed to resistance from family members, and there was disapproval from both sides regarding the relationship. ...
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Cidade Rabat review – elegant, subtle study of a daughter’s grief

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Portuguese director Susana Nobre explores the sadness of bereavement with deadpan obliqueness in this story about a woman’s reaction to her mother’s death

There’s a studied impassivity to this elegant Portuguese movie about grief from Susana Nobre. It’s a film that maintains its near-affectless deadpan style from first to last, and declines to offer a conventional emotional payoff, or indeed the usual narrative shape that might lead to such a climax – although there is an emotional outpouring of sorts. It isn’t exactly that sadness finds its outlet in oblique or unusual ways (the heavy drinking we see is, after all, a commonplace symptom) but the way it is represented on screen is indirect.

Helena (Raquel Castro) is a production manager on a film shoot, dealing with a difficult director. She is divorced, sharing custody of a teen daughter, and in a relationship with a musician who is away on tour. Her elderly widowed mother, who lives in a Lisbon apartment block called Cidade Rabat, where Helena grew up, is talking openly about her approaching death and wants Helena to live in the flat after she’s gone – an idea that stirs up oppressive emotions.

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