Conan O’Brien jokes about Ted Sarandos, Timothée Chalamet and ‘frightening times’ in Oscars monologue

Host bobs and weaves through a number of third-rail topics in Academy Awards speech that’s at turns silly and sincere Oscars 2026 – follow the action live! The winners: the full list – updating live Conan O’Brien’s opening monologue at the 98th Academy Awards cheekily paid tribute to many nominated films – and then some – while acknowledging the tense US political situation and cracks at Timothée Chalamet, Amazon and US healthcare. After a snappily edited, old-school montage in which O’Brien, dressed as best supporting actress winner Amy Madigan ’s character in Weapons (“I look like Bette Davis with lupus,” he joked), stormed through each of the nominated films trailed by children à la Weapons, the second-time host bobbed and weaved through a number of pressing topics, from political divides to AI to Jeffrey Epstein. “I am Conan O’Brien, and I am honored to be the last human host of the Academy Awards,” he quipped. “Next year it’s going to be a Waymo in a tux.” Continue read...

Cidade Rabat review – elegant, subtle study of a daughter’s grief

Portuguese director Susana Nobre explores the sadness of bereavement with deadpan obliqueness in this story about a woman’s reaction to her mother’s death

There’s a studied impassivity to this elegant Portuguese movie about grief from Susana Nobre. It’s a film that maintains its near-affectless deadpan style from first to last, and declines to offer a conventional emotional payoff, or indeed the usual narrative shape that might lead to such a climax – although there is an emotional outpouring of sorts. It isn’t exactly that sadness finds its outlet in oblique or unusual ways (the heavy drinking we see is, after all, a commonplace symptom) but the way it is represented on screen is indirect.

Helena (Raquel Castro) is a production manager on a film shoot, dealing with a difficult director. She is divorced, sharing custody of a teen daughter, and in a relationship with a musician who is away on tour. Her elderly widowed mother, who lives in a Lisbon apartment block called Cidade Rabat, where Helena grew up, is talking openly about her approaching death and wants Helena to live in the flat after she’s gone – an idea that stirs up oppressive emotions.

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