Hokum review – Adam Scott dour and grumpy in enjoyably eerie rural horror

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A writer’s retreat to the remote Irish hotel in which his parents spent their honeymoon brings him face-to-face with all manner of creepy goings-on in a gruesome and eccentric black-comic shocker Adam Scott has an unexpectedly dark, unsympathetic character to play in this black-comic supernatural horror which thumps you with some pretty efficient jump scares. He plays Ohm, a successful American writer brooding over the brutally nihilistic ending to his latest novel; he is also lonely, sliding into alcoholism and clearly agonised by some unacknowledged pain in his personal life. Ohm decides the time is right to take the ashes of his dead parents – which he has kept for years – and scatter them in the one place he knows they were happy, and where he perhaps hopes to siphon off some postdated happiness for himself. This is a run-down hotel in remote, rural Ireland where his mum and dad spent their honeymoon. Arriving in this picturesque but faintly disturbing place, where he is the only...
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Calvinia review – jarringly nostalgic look at a South African childhood

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Ran der Merwe’s documentary returns the director to the Northern Cape where he grew up, but glosses over trauma and injustice

Situated in the Northern Cape province of South Africa, Calvinia is a rural town blessed with a magnificently scenic landscape, where towering mountain ranges give way to far-reaching plains. It is also the birthplace of film-maker Rudivan der Merwe, whose documentary ode, with its triptych structure guided by childhood memories, is both a pilgrimage and farewell to his home town.

Van der Merwe first fixes his camera on his parents, who were livestock ranchers. In contrast to the supposed quaintness of farm life, the presence of violence is also emphasised; one scene, for instance, lingers on a goat being slaughtered. There are other forces of violence at play as well. Conversations with a lesbian couple reveal the homophobia that runs deep in the town.

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