Karan Deol calls Sunny Deol “my first hero” on Father's Day 2026 note; shares glimpses from Batwara 1947 ahead of release

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After creating a strong impact with its gripping motion poster, Batwara 1947 has now unveiled a compelling series of character posters that reflect courage, innocence, resilience, and unwavering determination. Presented by Aamir Khan Productions, the film promises a deeply emotional story of sacrifice, hope, and the indomitable human spirit. As excitement for the film continues to build, Karan Deol, son of Sunny Deol, who will be sharing screen space with his father for the first time in Batwara 1947, penned a heartfelt note on Father's Day. Taking to social media, Karan Deol shared some adorable stills from the film and expressed his love and admiration for his father, Sunny Deol. While the duo is set to share screen space in Batwara 1947, Karan conveyed his immense affection and respect for his father through an emotional message. He also shared the caption: "There are moments that feel destined. Telling Papa once on his set about my dream of acting with him was one of them...
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Tell Me About It review – British Asian Gen Z drama bounces between crime and kitchen sink

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Two young women on a jaunt find themselves embroiled with drug gangsters in director Suman Hanif’s uneven feature

Here is a film set in the British-Pakistani community that focuses on two Gen Z girls on the cusp of adulthood: Halima (Nimrah S Zaman) and Amara (Ariya Larker). Halima is the daughter of an MP with plans to get tougher on drug-related crime, while Amara is just trying to get by despite a turbulent family life, with parents who seemingly can’t stand each other and a brother struggling to find his path in life and considering a job in a call centre. So far, so social-realist, but when Halima and Amara plan a weekend away, Amara gets kidnapped by accident by a goon working for a drug kingpin who, claiming “all brown girls look the same to me”, mistakes her for Halima.

The director, Suman Hanif, has said that Tell Me About It is aiming to hold a mirror up to represent the experiences of the British South Asian community; presumably this applies to the family dynamics and friendships more than the kidnap plot. It’s uneven stuff – the way that Hanif blends the contrasting elements of kitchen-sink realism, comedy and kidnap drama lands us somewhere in the same tonal zone of a TV programme like Hollyoaks.

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