SCOOP: Sunny Deol-Aamir Khan-Rajkumar Santoshi's Lahore 1947 likely to be renamed Batwara 1947

In February 2026, Bollywood Hungama had reported that the makers of Lahore 1947 are looking for a change of title. We have now learned from sources that the film is likely to be rechristened as Batwara 1947. An article in Mid-Day on April 17 mentioned that the period drama has been tentatively titled as Batwara 1947. A source told Bollywood Hungama, "The makers prefer the title Batwara 1947. In all probability, this would be the title of the film once all the stakeholders agree to it. A clearer picture will emerge in a few weeks on this front." In February 2026, Bollywood Hungama carried a quote from a source that stated, "Lahore 1947 is based on the famous play ‘Jis Lahore Nai Dekhya’. Since the film is set in the Pakistani city and during the Independence period, the title Lahore 1947 was initially deemed suitable. But now the makers feel that there can be a better title that is apt for the story of the film." The film will release in cinemas on August 13, that...

Tell Me About It review – British Asian Gen Z drama bounces between crime and kitchen sink

Two young women on a jaunt find themselves embroiled with drug gangsters in director Suman Hanif’s uneven feature

Here is a film set in the British-Pakistani community that focuses on two Gen Z girls on the cusp of adulthood: Halima (Nimrah S Zaman) and Amara (Ariya Larker). Halima is the daughter of an MP with plans to get tougher on drug-related crime, while Amara is just trying to get by despite a turbulent family life, with parents who seemingly can’t stand each other and a brother struggling to find his path in life and considering a job in a call centre. So far, so social-realist, but when Halima and Amara plan a weekend away, Amara gets kidnapped by accident by a goon working for a drug kingpin who, claiming “all brown girls look the same to me”, mistakes her for Halima.

The director, Suman Hanif, has said that Tell Me About It is aiming to hold a mirror up to represent the experiences of the British South Asian community; presumably this applies to the family dynamics and friendships more than the kidnap plot. It’s uneven stuff – the way that Hanif blends the contrasting elements of kitchen-sink realism, comedy and kidnap drama lands us somewhere in the same tonal zone of a TV programme like Hollyoaks.

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