Amitabh Bachchan buys fourth property in Ayodhya for Rs 40 crores: Report

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Amitabh Bachchan has deepened his connection with Ayodhya by purchasing yet another plot of land in the temple town—his fourth in recent times. According to reports, the legendary actor acquired a 25,000 square foot plot for Rs 40 crore, close to the sacred Ram Janmabhoomi temple. This latest acquisition is located near the upscale Sarayu real estate project, where Bachchan had earlier invested Rs 14.5 crore. The area has become a hub of premium developments, merging spiritual significance with modern infrastructure. Amitabh Bachchan’s properties in Ayodhya Last year, just days before the grand inauguration of the Ram Mandir, Bachchan had bought a 5,372 square foot property in the same area for ₹4.54 crore. Commenting on his plans at the time, the actor had said, “This is a start of a heartfelt journey into the soul of Ayodhya, where tradition and modernity seamlessly co-exist, creating an emotional tapestry that resonates with me deeply. I am looking forward to building my home in th...
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Tell Me About It review – British Asian Gen Z drama bounces between crime and kitchen sink

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Two young women on a jaunt find themselves embroiled with drug gangsters in director Suman Hanif’s uneven feature

Here is a film set in the British-Pakistani community that focuses on two Gen Z girls on the cusp of adulthood: Halima (Nimrah S Zaman) and Amara (Ariya Larker). Halima is the daughter of an MP with plans to get tougher on drug-related crime, while Amara is just trying to get by despite a turbulent family life, with parents who seemingly can’t stand each other and a brother struggling to find his path in life and considering a job in a call centre. So far, so social-realist, but when Halima and Amara plan a weekend away, Amara gets kidnapped by accident by a goon working for a drug kingpin who, claiming “all brown girls look the same to me”, mistakes her for Halima.

The director, Suman Hanif, has said that Tell Me About It is aiming to hold a mirror up to represent the experiences of the British South Asian community; presumably this applies to the family dynamics and friendships more than the kidnap plot. It’s uneven stuff – the way that Hanif blends the contrasting elements of kitchen-sink realism, comedy and kidnap drama lands us somewhere in the same tonal zone of a TV programme like Hollyoaks.

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