Is Warfare the most realistic war film ever made?

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In Alex Garland and Ray Mendoza’s brutal and immersive new film, memory informs the events that take place in real time to a unit of soldiers in Iraq Warfare , Alex Garland and Ray Mendoza’s assiduous new film on a single episode of the American war in Iraq, opens with a title card typical to a war picture: date, location, barebones summary – 11 November 2006, in Ramadi, Iraq. Navy SEAL team alpha one is supporting Marines in insurgents’ territory. And then one final, unusual detail in place of the standard “based on a true story” – “This film uses only their memories.” The “only” is an ominous indicator: this is a film working against the Hollywood tide to gloss, simplify or narrativize. Warfare, based primarily on Mendoza’s memories of that day as a former SEAL, as well as those of fellow soldiers and civilians present, is as much an experiment of translation as a cinematic achievement, a movie defined by both what it shows and what it does not. Much of the press surrounding Warfar...
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‘Sin is fun!’ Martin Scorsese on brutality, love – and his rebirth on TikTok

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At 81, the great film director suddenly has a second career as a social media star. He talks about working with his daughter, the Oscar-nominated Killers of the Flower Moon and his journey from the mean streets of 1940s New York

I have been talking to Martin Scorsese for two minutes and apparently the interview is already over. We’re discussing his most recent movie, Killers of the Flower Moon, which has been nominated for 10 Oscars, including a record 10th best director nomination for Scorsese. But he has been promoting the film since last April, he says. “For the most part, the reaction to the film is beyond encouraging. It’s very, very appreciated. However, I think I want to get back to making something as soon as possible. Like now. Right now. Today.”

Then he makes to get up from his chair and walk off. “Yes, right now. I’m going to leave right now.”

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