Streaming: Steven Soderbergh’s Presence and the best haunted house films

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The director’s witty supernatural thriller joins Psycho, Hereditary, The Brutalist and more – films in which buildings are characters in their own right The first more-or-less horror movie in the lengthy, genre-skimming career of director Steven Soderbergh , Presence is a film about grief, trauma, familial dysfunction and abusive masculinity. But it’s also, to a significant and compelling extent, about property. Beginning with a family’s first viewing of a handsome Victorian home in an unidentified stretch of suburbia, the film never ventures outside its walls for the next 85 minutes, as the ensuing chills make us consider the merits of that purchase. Wittily and unnervingly shot from the perspective of the restless spirit roaming its halls, it’s a haunted house film in which much of the tension feels determined by the shape and flow and light and shade of the house itself. It’s a while since I’ve seen a film where I could quite so exactly draw the floor plan of its primary location,...
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‘Sin is fun!’ Martin Scorsese on brutality, love – and his rebirth on TikTok

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At 81, the great film director suddenly has a second career as a social media star. He talks about working with his daughter, the Oscar-nominated Killers of the Flower Moon and his journey from the mean streets of 1940s New York

I have been talking to Martin Scorsese for two minutes and apparently the interview is already over. We’re discussing his most recent movie, Killers of the Flower Moon, which has been nominated for 10 Oscars, including a record 10th best director nomination for Scorsese. But he has been promoting the film since last April, he says. “For the most part, the reaction to the film is beyond encouraging. It’s very, very appreciated. However, I think I want to get back to making something as soon as possible. Like now. Right now. Today.”

Then he makes to get up from his chair and walk off. “Yes, right now. I’m going to leave right now.”

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