EXCLUSIVE: In a SHOCKING development, CBFC deletes a WHOPPING 8 minutes of Sydney Sweeney’s frontal nudity scenes in The Housemaid

The year 2026 will begin on a thrilling and erotic note for Indian cinegoers, thanks to the release of The Housemaid. The film released in the West on December 19 and has been appreciated for its subject, twists and turns and performances, especially that of Sydney Sweeney and Amanda Seyfried. However, Indian audiences may be disappointed to learn that the Central Board of Film Certification (CBFC) has edited out a significant portion of the film’s intimate scenes. The CBFC awarded The Housemaid an ‘A’ certificate on December 4 after asking for some modifications. The words ‘b***h’, ‘c**t’ and ‘motherf****r’ were muted, as per the recommendations of the Examining Committee. Secondly, the studio partner was asked to delete ‘nudity visuals of women's breasts…whenever it occurs’. As a result, a whopping 8 minutes of screen time have been axed, the longest cut due to censor diktats in recent times. Bollywood Hungama has learned that a long, intense lovemaking scene involving Sydney S...

Sasquatch Sunset review – Riley Keough and Jesse Eisenberg suit up for ingenious Bigfoot comedy

Four mythical hairy creatures, communicating in grunts, inhabit what could be a post-apocalyptic world in the Zellner brothers’ witty and unnerving film

The Zellner brothers, David and Nathan, take their absurdism and futurism to the next level with a brilliant and radical comedy about the secret life of the legendary Sasquatch, AKA Bigfoot, creatures rumoured to be living in the North American wilderness. Sasquatch Sunset is a film to compare with Planet of the Apes, or Watership Down, or even the days of silent cinema. Nonverbal cinema anyway. It’s a plaintive, echoing wail of fear in that big empty forest where no one is around to hear a falling tree; fear of climate catastrophe, fear of the ongoing environmental destruction in which we don’t even fully know what’s getting destroyed; fear of humanity’s own extinction.

And as the movie begins, maybe humanity is already extinguished. We see four Sasquatch loping across a forest clearing: great, hairy, grunting, whooping, ape-like creatures: a female and three males, played without dialogue and in full prosthetic makeup by Riley Keough, Jesse Eisenberg, Nathan Zellner and Christophe Zajac-Denek. Two are in a couple and their sexual activity is observed impassively by the other two. One would-be dominant alpha appears to make a sexual move on another, having observed them in the midst of masturbatory self-discovery. He also bullies the others away from a blackberry bush he wants all for himself, on which he appears to get drunk and then hungover. Mushrooms are another dangerous stimulant. At moments of drama and stress they shriek and caper and clap their clenched fists together.

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