Wicked forever: the enduring appeal of The Wizard Of Oz

Musical sequel Wicked: For Good, enchanting audiences across the world, arrives as the 1939 fantasy continues to dominate pop culture Most of the biggest streaming services are notoriously neglectful of any movie released before the 1990s (and in some cases, before the turn of the millennium). Even the big theatrical nostalgia screenings are starting to creep into the 21st century, as movies that, to the older among us, don’t seem ready for a multi-decade anniversary. (Did Batman Begins really just turn 20 ?! Is Mean Girls seriously old enough to drink ?) So it’s all the more impressive that one of the hottest properties of the past few years has been ... The Wizard of Oz , a movie far closer to its 100th anniversary than its 25th. Of course, The Wizard of Oz as (shudder) intellectual property dates well before the 1939 release of the beloved MGM musical. L Frank Baum published The Wonderful Wizard of Oz at the turn of the previous century, in 1900. It spawned 13 increasingly eccentr...

Sasquatch Sunset review – Riley Keough and Jesse Eisenberg suit up for ingenious Bigfoot comedy

Four mythical hairy creatures, communicating in grunts, inhabit what could be a post-apocalyptic world in the Zellner brothers’ witty and unnerving film

The Zellner brothers, David and Nathan, take their absurdism and futurism to the next level with a brilliant and radical comedy about the secret life of the legendary Sasquatch, AKA Bigfoot, creatures rumoured to be living in the North American wilderness. Sasquatch Sunset is a film to compare with Planet of the Apes, or Watership Down, or even the days of silent cinema. Nonverbal cinema anyway. It’s a plaintive, echoing wail of fear in that big empty forest where no one is around to hear a falling tree; fear of climate catastrophe, fear of the ongoing environmental destruction in which we don’t even fully know what’s getting destroyed; fear of humanity’s own extinction.

And as the movie begins, maybe humanity is already extinguished. We see four Sasquatch loping across a forest clearing: great, hairy, grunting, whooping, ape-like creatures: a female and three males, played without dialogue and in full prosthetic makeup by Riley Keough, Jesse Eisenberg, Nathan Zellner and Christophe Zajac-Denek. Two are in a couple and their sexual activity is observed impassively by the other two. One would-be dominant alpha appears to make a sexual move on another, having observed them in the midst of masturbatory self-discovery. He also bullies the others away from a blackberry bush he wants all for himself, on which he appears to get drunk and then hungover. Mushrooms are another dangerous stimulant. At moments of drama and stress they shriek and caper and clap their clenched fists together.

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