Deja viewing: the return of the cheapo compilation film

While movie mixtapes served a purpose in the pre-video era, Jackass, Demon Slayer, Peppa Pig and other theatrically released assemblages of old material risk looking like cynical cash grabs today Johnny Knoxville has declared that the fifth Jackass movie, Best and Last, will mark the end of the franchise, and the trailer suggests a victory lap celebrating 25 years of broken bones, injured genitals and general stupidity you shouldn’t try at home. There are new stunts, and conversations with the cast about growing old gracelessly as they enter their 50s, but the most striking thing is how much archive footage there is. And the cast have not been hiding in interviews that it will be heavy on scenes from prior movies. In other words, it’s the cinematic equivalent of a greatest hits album that has a couple of new songs tossed on to entice fans to part with their money. Or a clip show episode of a US sitcom which is based on flashbacks to older episodes, created so that overworked writers ca...

Sasquatch Sunset review – Riley Keough and Jesse Eisenberg suit up for ingenious Bigfoot comedy

Four mythical hairy creatures, communicating in grunts, inhabit what could be a post-apocalyptic world in the Zellner brothers’ witty and unnerving film

The Zellner brothers, David and Nathan, take their absurdism and futurism to the next level with a brilliant and radical comedy about the secret life of the legendary Sasquatch, AKA Bigfoot, creatures rumoured to be living in the North American wilderness. Sasquatch Sunset is a film to compare with Planet of the Apes, or Watership Down, or even the days of silent cinema. Nonverbal cinema anyway. It’s a plaintive, echoing wail of fear in that big empty forest where no one is around to hear a falling tree; fear of climate catastrophe, fear of the ongoing environmental destruction in which we don’t even fully know what’s getting destroyed; fear of humanity’s own extinction.

And as the movie begins, maybe humanity is already extinguished. We see four Sasquatch loping across a forest clearing: great, hairy, grunting, whooping, ape-like creatures: a female and three males, played without dialogue and in full prosthetic makeup by Riley Keough, Jesse Eisenberg, Nathan Zellner and Christophe Zajac-Denek. Two are in a couple and their sexual activity is observed impassively by the other two. One would-be dominant alpha appears to make a sexual move on another, having observed them in the midst of masturbatory self-discovery. He also bullies the others away from a blackberry bush he wants all for himself, on which he appears to get drunk and then hungover. Mushrooms are another dangerous stimulant. At moments of drama and stress they shriek and caper and clap their clenched fists together.

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