The Fabulous Gold Harvesting Machine review – scavenger’s story reveals a rich seam to mine

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Alfredo Pourailly De La Plaza’s absorbing documentary about an ageing Chilean gold panner is meticulously detailed and doubles as its own act of visual prospecting Out on the remote archipelago of Tierra del Fuego in Chile, Toto Gesell holds on to a profession that hails from bygone times: gold prospecting. Every day, come rain or shine, he puts on his rubber boots and heads to a local creek, where he searches for specks of gold the old-fashioned way: with a pan, a shovel and a homemade sluice. His daily routines are documented with great tenderness in Alfredo Pourailly De La Plaza’s absorbing documentary, shot over nearly a decade. The camera often lingers on Toto’s wrinkled hands, as he carefully handles tiny flecks of the precious metal, or writes down his hopes and dreams in a neatly kept diary. Despite his contentment with this simple way of life, his body is etched with the physical toil of the demanding work. When Jorge, Toto’s worried son, decides to build a trommel from scratc...
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Sasquatch Sunset review – Riley Keough and Jesse Eisenberg suit up for ingenious Bigfoot comedy

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Four mythical hairy creatures, communicating in grunts, inhabit what could be a post-apocalyptic world in the Zellner brothers’ witty and unnerving film

The Zellner brothers, David and Nathan, take their absurdism and futurism to the next level with a brilliant and radical comedy about the secret life of the legendary Sasquatch, AKA Bigfoot, creatures rumoured to be living in the North American wilderness. Sasquatch Sunset is a film to compare with Planet of the Apes, or Watership Down, or even the days of silent cinema. Nonverbal cinema anyway. It’s a plaintive, echoing wail of fear in that big empty forest where no one is around to hear a falling tree; fear of climate catastrophe, fear of the ongoing environmental destruction in which we don’t even fully know what’s getting destroyed; fear of humanity’s own extinction.

And as the movie begins, maybe humanity is already extinguished. We see four Sasquatch loping across a forest clearing: great, hairy, grunting, whooping, ape-like creatures: a female and three males, played without dialogue and in full prosthetic makeup by Riley Keough, Jesse Eisenberg, Nathan Zellner and Christophe Zajac-Denek. Two are in a couple and their sexual activity is observed impassively by the other two. One would-be dominant alpha appears to make a sexual move on another, having observed them in the midst of masturbatory self-discovery. He also bullies the others away from a blackberry bush he wants all for himself, on which he appears to get drunk and then hungover. Mushrooms are another dangerous stimulant. At moments of drama and stress they shriek and caper and clap their clenched fists together.

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