From Spielberg to Tarantino: the year’s big Super Bowl movie trailers

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This year’s set of $8m TV spots gave us new looks at alien conspiracy thriller Disclosure Day, slasher sequel Scream 7 and an unlikely new David Fincher film Bad Bunny’s Super Bowl half-time show review – a thrilling ode to Boricua joy With Super Bowl spots now up to a reported $8-10m, the market has grown a little less welcoming to Hollywood, an industry still not quite up to pre-pandemic numbers (the global box office for 2025 was down almost $10bn on 2019). So while last night saw us assaulted with ads for beer and, depressingly, AI, there was a continued decrease in the number of major film ads, a harder spend to justify in this weakened climate. But the biggest of guns still came out, from Spielberg to Ghostface to the Minions … Continue reading... from Film | The Guardian https://ift.tt/SQYRogN via IFTTT
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Sasquatch Sunset review – Riley Keough and Jesse Eisenberg suit up for ingenious Bigfoot comedy

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Four mythical hairy creatures, communicating in grunts, inhabit what could be a post-apocalyptic world in the Zellner brothers’ witty and unnerving film

The Zellner brothers, David and Nathan, take their absurdism and futurism to the next level with a brilliant and radical comedy about the secret life of the legendary Sasquatch, AKA Bigfoot, creatures rumoured to be living in the North American wilderness. Sasquatch Sunset is a film to compare with Planet of the Apes, or Watership Down, or even the days of silent cinema. Nonverbal cinema anyway. It’s a plaintive, echoing wail of fear in that big empty forest where no one is around to hear a falling tree; fear of climate catastrophe, fear of the ongoing environmental destruction in which we don’t even fully know what’s getting destroyed; fear of humanity’s own extinction.

And as the movie begins, maybe humanity is already extinguished. We see four Sasquatch loping across a forest clearing: great, hairy, grunting, whooping, ape-like creatures: a female and three males, played without dialogue and in full prosthetic makeup by Riley Keough, Jesse Eisenberg, Nathan Zellner and Christophe Zajac-Denek. Two are in a couple and their sexual activity is observed impassively by the other two. One would-be dominant alpha appears to make a sexual move on another, having observed them in the midst of masturbatory self-discovery. He also bullies the others away from a blackberry bush he wants all for himself, on which he appears to get drunk and then hungover. Mushrooms are another dangerous stimulant. At moments of drama and stress they shriek and caper and clap their clenched fists together.

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