Cover-Up review – atrocity exposer Seymour Hersh, journalist legend, gets a moment in the spotlight

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Hersh’s record on uncovering the big stories, from My Lai to Abu Ghraib, speaks for itself. This documentary watches him at work: dogged, nonconformist and combative Renowned investigative journalist Seymour Hersh was never played in a film by Robert Redford or Dustin Hoffman, like the Washington Post’s Bob Woodward and Carl Bernstein. But as this documentary portrait argues, he’s probably more important than either. Hersh has a longer record of breaking big stories, from the My Lai massacre in Vietnam to torture by US army personnel at Abu Ghraib prison in Iraq – the latter a historic scoop underscored by the stomach-turning photos which Hersh brought to light. Hersh is asked if Abu Ghraib would have been the story it was without those pictures and replies: “No pictures, no story.” Well, maybe. But his other scoops had no pictures of this kind. One incidental thing Abu Ghraib showed was how ubiquitous digital photography became at the beginning of the century; how easy it was to take...
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Sasquatch Sunset review – Riley Keough and Jesse Eisenberg suit up for ingenious Bigfoot comedy

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Four mythical hairy creatures, communicating in grunts, inhabit what could be a post-apocalyptic world in the Zellner brothers’ witty and unnerving film

The Zellner brothers, David and Nathan, take their absurdism and futurism to the next level with a brilliant and radical comedy about the secret life of the legendary Sasquatch, AKA Bigfoot, creatures rumoured to be living in the North American wilderness. Sasquatch Sunset is a film to compare with Planet of the Apes, or Watership Down, or even the days of silent cinema. Nonverbal cinema anyway. It’s a plaintive, echoing wail of fear in that big empty forest where no one is around to hear a falling tree; fear of climate catastrophe, fear of the ongoing environmental destruction in which we don’t even fully know what’s getting destroyed; fear of humanity’s own extinction.

And as the movie begins, maybe humanity is already extinguished. We see four Sasquatch loping across a forest clearing: great, hairy, grunting, whooping, ape-like creatures: a female and three males, played without dialogue and in full prosthetic makeup by Riley Keough, Jesse Eisenberg, Nathan Zellner and Christophe Zajac-Denek. Two are in a couple and their sexual activity is observed impassively by the other two. One would-be dominant alpha appears to make a sexual move on another, having observed them in the midst of masturbatory self-discovery. He also bullies the others away from a blackberry bush he wants all for himself, on which he appears to get drunk and then hungover. Mushrooms are another dangerous stimulant. At moments of drama and stress they shriek and caper and clap their clenched fists together.

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