Delhi High Court restrains Ilaiyaraaja from streaming songs from 134 films in copyright case filed by Saregama

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In a significant development in a long-running copyright dispute, the Delhi High Court has passed an interim order in favour of music label Saregama India Ltd., restraining legendary composer Ilaiyaraaja from broadcasting or communicating songs from 134 films until further orders. The order was passed by Justice Tushar Rao Gedela, who observed that while Ilaiyaraaja continues to hold rights over his original musical compositions, those rights do not automatically extend to the sound recordings incorporated into cinematograph films. According to the court, the copyright in such sound recordings rests with the producer and, where assigned, with Saregama. As per the court's observations, Ilaiyaraaja's rights under the Copyright Act are limited to the musical work itself, which refers to the composition independent of the lyrics and the sound recording. The court noted that these rights cannot be interpreted as ownership over the complete film soundtrack. The dispute arose after S...
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Sasquatch Sunset review – Riley Keough and Jesse Eisenberg suit up for ingenious Bigfoot comedy

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Four mythical hairy creatures, communicating in grunts, inhabit what could be a post-apocalyptic world in the Zellner brothers’ witty and unnerving film

The Zellner brothers, David and Nathan, take their absurdism and futurism to the next level with a brilliant and radical comedy about the secret life of the legendary Sasquatch, AKA Bigfoot, creatures rumoured to be living in the North American wilderness. Sasquatch Sunset is a film to compare with Planet of the Apes, or Watership Down, or even the days of silent cinema. Nonverbal cinema anyway. It’s a plaintive, echoing wail of fear in that big empty forest where no one is around to hear a falling tree; fear of climate catastrophe, fear of the ongoing environmental destruction in which we don’t even fully know what’s getting destroyed; fear of humanity’s own extinction.

And as the movie begins, maybe humanity is already extinguished. We see four Sasquatch loping across a forest clearing: great, hairy, grunting, whooping, ape-like creatures: a female and three males, played without dialogue and in full prosthetic makeup by Riley Keough, Jesse Eisenberg, Nathan Zellner and Christophe Zajac-Denek. Two are in a couple and their sexual activity is observed impassively by the other two. One would-be dominant alpha appears to make a sexual move on another, having observed them in the midst of masturbatory self-discovery. He also bullies the others away from a blackberry bush he wants all for himself, on which he appears to get drunk and then hungover. Mushrooms are another dangerous stimulant. At moments of drama and stress they shriek and caper and clap their clenched fists together.

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