Malamaal Weekly 2 EXCLUSIVE: Riteish Deshmukh, Elvish Yadav, Paresh Rawal and Rajpal Yadav locked in leads, shoot begins in November

In February, Bollywood Hungama exclusively revealed that Priyadarshan’s 2006 comedy Malamaal Weekly is getting a sequel. Since then, we have been regularly updating about the film and we recently also unveiled the leading female cast, which includes Parineeti Chopra, Raveena Tandon and Shilpa Shirodkar. Now, we can reveal the male leads of the project. Bollywood Hungama has exclusively learned that Riteish Deshmukh, Elvish Yadav, Paresh Rawal and Rajpal Yadav have been locked for Malamaal Weekly 2. Though Riteish is leading the film, sources close to the production have said that he is still reading the script and is yet to sign on the dotted line. The sequel is moving ahead with the original trio of Riteish, Paresh and Rajpal returning for the leads, along with Elvish Yadav joining as a new casting addition to the principal cast. Yadav is a popular YouTube content creator and the winner of Big Boss OTT Season 2 (2023), and this film will mark his second Bollywood outing following his...

Olivia Colman and Jessie Buckley: ‘Never repress a woman – because it will come out’

The actors star in a true-life 1920s tale of a snobbish small town upset by poison-pen letters. They discuss falling in love with one another, the f-word and the parallels with today’s internet trolling

On 23 September 1921, a letter arrived at the home of Edith Swan, a laundress in the seaside town of Littlehampton, addressed to “the foxy ass whore 47, Western Rd”. One of the milder letters that had been plaguing the Sussex community for three years, it continued: “You foxy ass piss country whore you are a character.” Swan blamed a neighbour, Rose Gooding. But the post-office clerk and the local police had other suspicions, which drove them to rig up a periscope to spy on deliveries to the town’s post box and marking postage stamps with invisible ink.

The combination of filthy poison pen letters and DIY sleuthing in a quaint small-town setting is a gift for the star pairing of Olivia Colman and Jessie Buckley. Directed by Thea Sharrock with a screenplay by Jonny Sweet, and stuffed with classy character actors, Wicked Little Letters blows a raspberry at the Agatha Christie tradition of cosy crime stories. It also undercuts the Downton Abbey image of British social history which, says Buckley, “gives everybody the idea that people are kind of lovely when actually there’s a little bit of dirt under everybody’s pretty teacup. Everyone loves a good swear, even the ones that say they don’t.”

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