Swindon is not enough – every new housing estate deserves a Dench Close

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Bond Place and Desmond Crescent have been named in honour of the 007 franchise after some scenes were shot nearby in the 90s – why stop there? James Bond fans have endured a rough few years. Ever since No Time to Die walloped off Daniel Craig, we’ve been stuck in a weird kind of limbo. There will eventually be a new James Bond film, directed by Denis Villeneuve, the most exciting director in the franchise’s history. But we don’t know when it will come out, or who will play Bond, or if 007 under Amazon will even be recognisable. In summary, we need something tangible to ground our anxieties. What we need is to pack up our things and head to north Swindon, to the site of the former Motorola manufacturing facility, where a new housing estate has just named a bunch of roads after James Bond. Continue reading... from Film | The Guardian https://ift.tt/9XumsZ2 via IFTTT
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Olivia Colman and Jessie Buckley: ‘Never repress a woman – because it will come out’

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The actors star in a true-life 1920s tale of a snobbish small town upset by poison-pen letters. They discuss falling in love with one another, the f-word and the parallels with today’s internet trolling

On 23 September 1921, a letter arrived at the home of Edith Swan, a laundress in the seaside town of Littlehampton, addressed to “the foxy ass whore 47, Western Rd”. One of the milder letters that had been plaguing the Sussex community for three years, it continued: “You foxy ass piss country whore you are a character.” Swan blamed a neighbour, Rose Gooding. But the post-office clerk and the local police had other suspicions, which drove them to rig up a periscope to spy on deliveries to the town’s post box and marking postage stamps with invisible ink.

The combination of filthy poison pen letters and DIY sleuthing in a quaint small-town setting is a gift for the star pairing of Olivia Colman and Jessie Buckley. Directed by Thea Sharrock with a screenplay by Jonny Sweet, and stuffed with classy character actors, Wicked Little Letters blows a raspberry at the Agatha Christie tradition of cosy crime stories. It also undercuts the Downton Abbey image of British social history which, says Buckley, “gives everybody the idea that people are kind of lovely when actually there’s a little bit of dirt under everybody’s pretty teacup. Everyone loves a good swear, even the ones that say they don’t.”

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