Relationship Goals review – Kelly Rowland and Method Man flirt through breezy romcom

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The Valentine’s Day offerings begin with Amazon’s fast-paced, millennial-coded film that’s a fun enough watch even if its messaging is a little suspect On its face, Relationship Goals is a classic romcom, calibrated for viewers of a certain generation. The perennially resplendent Kelly Rowland is Leah, a boss babe morning TV producer in line to replace her retiring boss (the omnipresent Matt Walsh) as showrunner. Just as she’s poised to break the glass ceiling, the network higher-ups stick her in a bake-off with Jarrett, a ringer from her romantic past played with devil charm by Method Man. The promise of one of Destiny’s Children playing the will they/won’t they game with the hunk of the Wu-Tang Clan could well prove too strong a lure to stop the scores who grew up on their music from clicking on the Prime Video thumbnail just out of nostalgic curiosity. It’s a tractor beam made stronger by director Linda Mendoza’s extraordinarily fast pace. I mean, those 90 minutes just breeze by. ...
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Olivia Colman and Jessie Buckley: ‘Never repress a woman – because it will come out’

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The actors star in a true-life 1920s tale of a snobbish small town upset by poison-pen letters. They discuss falling in love with one another, the f-word and the parallels with today’s internet trolling

On 23 September 1921, a letter arrived at the home of Edith Swan, a laundress in the seaside town of Littlehampton, addressed to “the foxy ass whore 47, Western Rd”. One of the milder letters that had been plaguing the Sussex community for three years, it continued: “You foxy ass piss country whore you are a character.” Swan blamed a neighbour, Rose Gooding. But the post-office clerk and the local police had other suspicions, which drove them to rig up a periscope to spy on deliveries to the town’s post box and marking postage stamps with invisible ink.

The combination of filthy poison pen letters and DIY sleuthing in a quaint small-town setting is a gift for the star pairing of Olivia Colman and Jessie Buckley. Directed by Thea Sharrock with a screenplay by Jonny Sweet, and stuffed with classy character actors, Wicked Little Letters blows a raspberry at the Agatha Christie tradition of cosy crime stories. It also undercuts the Downton Abbey image of British social history which, says Buckley, “gives everybody the idea that people are kind of lovely when actually there’s a little bit of dirt under everybody’s pretty teacup. Everyone loves a good swear, even the ones that say they don’t.”

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