Television and film actor Dinyar Tirandaz passes away in Mumbai

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Veteran television and film actor Dinyar Tirandaz has reportedly passed away in Mumbai on June 11, 2026. The news of his demise has left members of the entertainment industry and fans saddened, as they remember the actor for his remarkable body of work and memorable performances across television and cinema. The news first surfaced on social media through a post shared by the Facebook group "Parsi Zoroastrians Worldwide - The Hyderabadi Page." The post stated, "Mr Dinyar Tirandaz brother of Late Rustom Tirandaz has left for his heavenly abode. Paidust today at Wadia Bungli, Bombay, at 3:45 pm. Sarosh Yazad Ni Panah. Ashem Vohu." Soon after, the information was widely shared by several social media pages, prompting an outpouring of condolences from admirers, colleagues and members of the Parsi community. According to the Facebook post, Tirandaz passed away at 3:45 pm at Wadia Bungli in Mumbai. At the time of writing, the cause of his death has not been officially di...
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Olivia Colman and Jessie Buckley: ‘Never repress a woman – because it will come out’

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The actors star in a true-life 1920s tale of a snobbish small town upset by poison-pen letters. They discuss falling in love with one another, the f-word and the parallels with today’s internet trolling

On 23 September 1921, a letter arrived at the home of Edith Swan, a laundress in the seaside town of Littlehampton, addressed to “the foxy ass whore 47, Western Rd”. One of the milder letters that had been plaguing the Sussex community for three years, it continued: “You foxy ass piss country whore you are a character.” Swan blamed a neighbour, Rose Gooding. But the post-office clerk and the local police had other suspicions, which drove them to rig up a periscope to spy on deliveries to the town’s post box and marking postage stamps with invisible ink.

The combination of filthy poison pen letters and DIY sleuthing in a quaint small-town setting is a gift for the star pairing of Olivia Colman and Jessie Buckley. Directed by Thea Sharrock with a screenplay by Jonny Sweet, and stuffed with classy character actors, Wicked Little Letters blows a raspberry at the Agatha Christie tradition of cosy crime stories. It also undercuts the Downton Abbey image of British social history which, says Buckley, “gives everybody the idea that people are kind of lovely when actually there’s a little bit of dirt under everybody’s pretty teacup. Everyone loves a good swear, even the ones that say they don’t.”

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