Samantha lights up Thassadiya as Maa Inti Bangaaram gears up for release

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The makers of Maa Inti Bangaaram have unveiled the film’s first single, “Thassadiya,” offering a vibrant glimpse into the much-anticipated action-comedy family drama led by Samantha Ruth Prabhu. Backed by Tralala Moving Pictures, the film is slated for a worldwide theatrical release on May 15, 2026. Composed by Santhosh Narayanan, “Thassadiya” is a high-energy wedding track that blends festive beats with a contemporary groove. Penned by Rehman and sung by Chinmayi Sripada and Punya Selva, the song captures the spirit of celebration, love, and togetherness. Samantha commands the screen with dynamic choreography and a striking presence, setting the tone for the film’s lively narrative. Sharing her excitement, Samantha said, “‘Thassadiya’ is pure celebration. It’s the kind of song that instantly lifts your mood, and shooting it was an absolute blast. We wanted it to reflect the warmth and chaos of a big family wedding.” Composer Santhosh Narayanan added, “We aimed to create something ro...
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Olivia Colman and Jessie Buckley: ‘Never repress a woman – because it will come out’

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The actors star in a true-life 1920s tale of a snobbish small town upset by poison-pen letters. They discuss falling in love with one another, the f-word and the parallels with today’s internet trolling

On 23 September 1921, a letter arrived at the home of Edith Swan, a laundress in the seaside town of Littlehampton, addressed to “the foxy ass whore 47, Western Rd”. One of the milder letters that had been plaguing the Sussex community for three years, it continued: “You foxy ass piss country whore you are a character.” Swan blamed a neighbour, Rose Gooding. But the post-office clerk and the local police had other suspicions, which drove them to rig up a periscope to spy on deliveries to the town’s post box and marking postage stamps with invisible ink.

The combination of filthy poison pen letters and DIY sleuthing in a quaint small-town setting is a gift for the star pairing of Olivia Colman and Jessie Buckley. Directed by Thea Sharrock with a screenplay by Jonny Sweet, and stuffed with classy character actors, Wicked Little Letters blows a raspberry at the Agatha Christie tradition of cosy crime stories. It also undercuts the Downton Abbey image of British social history which, says Buckley, “gives everybody the idea that people are kind of lovely when actually there’s a little bit of dirt under everybody’s pretty teacup. Everyone loves a good swear, even the ones that say they don’t.”

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