SCOOP: Aamir Khan opts out of Ashneer Grover biopic over creative differences; Rahul Mody and Shraddha Kapoor on hunt for a new actor

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Earlier in the year, there were reports about Aamir Khan teaming up with debutant director Rahul Mody for a film based on the life of controversial start-up king, Ashneer Grover. The news spread like wildfire, leading to all sorts of conversations in the digital world. Soon after, it was revealed that Shraddha Kapoor will play the female lead in the film alongside Aamir and it would go on floors in March 2027, once Aamir is done shooting for a period-drama with Ashutosh Gowarikar. But the latest we learnt that Aamir Khan has decided to opt out of the Ashneer Grover film due to creative differences. "Aamir is fascinated by the world of start-ups, and was keen to get into the zone with the Ashneer Grover biopic. He sat on the script and developed it to the best of his sensibilities. But eventually, he ended up having creative differences with Rahul Mody, leading to the duo parting ways," a source told Bollywood Hungama. The source also informs that Rahul Mody and Shraddha Kapo...
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Olivia Colman and Jessie Buckley: ‘Never repress a woman – because it will come out’

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The actors star in a true-life 1920s tale of a snobbish small town upset by poison-pen letters. They discuss falling in love with one another, the f-word and the parallels with today’s internet trolling

On 23 September 1921, a letter arrived at the home of Edith Swan, a laundress in the seaside town of Littlehampton, addressed to “the foxy ass whore 47, Western Rd”. One of the milder letters that had been plaguing the Sussex community for three years, it continued: “You foxy ass piss country whore you are a character.” Swan blamed a neighbour, Rose Gooding. But the post-office clerk and the local police had other suspicions, which drove them to rig up a periscope to spy on deliveries to the town’s post box and marking postage stamps with invisible ink.

The combination of filthy poison pen letters and DIY sleuthing in a quaint small-town setting is a gift for the star pairing of Olivia Colman and Jessie Buckley. Directed by Thea Sharrock with a screenplay by Jonny Sweet, and stuffed with classy character actors, Wicked Little Letters blows a raspberry at the Agatha Christie tradition of cosy crime stories. It also undercuts the Downton Abbey image of British social history which, says Buckley, “gives everybody the idea that people are kind of lovely when actually there’s a little bit of dirt under everybody’s pretty teacup. Everyone loves a good swear, even the ones that say they don’t.”

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