FACT CHECK: Ramayana distribution rights sold to Karan Johar for Rs. 350 crores - Biggest of all time, defeating King

The Ranbir Kapoor, Sai Pallavi, Yash and Sunny Deol led Ramayana produced by Namit Malhotra is among the most anticipated releases of the years. Mounted on a budget of Rs. 1500 crores, the first part of the epic saga directed by Nitesh Tiwari is all set for a theatrical release this Diwali. But obviously, everyone is making an attempt to grab the headlines with all possible updates on the film. Earlier in the day, it was revealed that the all-India distribution rights of Namit Malhotra produced-Ramayana have been acquired by Dharma Productions for a sum of Rs. 250 crores. Turns out the amount is a lot higher. Reliable sources confirmed that the Hindi distribution rights of Namit Malhotra's Ramayana have been acquired by Karan Johar for a sum of Rs. 350 crores. "It's the biggest theatrical distribution deal of all time. The Rs. 350 crores fetched by Namit Malhotra's Ramayana is higher than the previous best, King, by a margin of Rs. 100 crores. The expectations are sky...

Olivia Colman and Jessie Buckley: ‘Never repress a woman – because it will come out’

The actors star in a true-life 1920s tale of a snobbish small town upset by poison-pen letters. They discuss falling in love with one another, the f-word and the parallels with today’s internet trolling

On 23 September 1921, a letter arrived at the home of Edith Swan, a laundress in the seaside town of Littlehampton, addressed to “the foxy ass whore 47, Western Rd”. One of the milder letters that had been plaguing the Sussex community for three years, it continued: “You foxy ass piss country whore you are a character.” Swan blamed a neighbour, Rose Gooding. But the post-office clerk and the local police had other suspicions, which drove them to rig up a periscope to spy on deliveries to the town’s post box and marking postage stamps with invisible ink.

The combination of filthy poison pen letters and DIY sleuthing in a quaint small-town setting is a gift for the star pairing of Olivia Colman and Jessie Buckley. Directed by Thea Sharrock with a screenplay by Jonny Sweet, and stuffed with classy character actors, Wicked Little Letters blows a raspberry at the Agatha Christie tradition of cosy crime stories. It also undercuts the Downton Abbey image of British social history which, says Buckley, “gives everybody the idea that people are kind of lovely when actually there’s a little bit of dirt under everybody’s pretty teacup. Everyone loves a good swear, even the ones that say they don’t.”

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