Krushna Abhishek, Kashmera Shah, Sunita Ahuja reunite on sets of comedy cooking reality show signalling end of family rift

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In a heartwarming turn of events, Krushna Abhishek and his wife Kashmera Shah have officially ended their long-standing feud with his uncle Govinda and aunt Sunita Ahuja. The reconciliation came as a pleasant surprise when Sunita Ahuja made an appearance on the reality comedy-cooking show Laughter Chefs, marking the first public reunion of the family in years. Speaking to the paparazzi after the shoot, Krushna expressed his happiness over the unexpected development and acknowledged how significant the moment was for him and Kashmera. He said, “Mami coming was a very big surprise. Both of us had no idea. Thanks to her for agreeing. All the spice that the media has created over the last 10–12 years—we set it on fire and ended it by coming together today.” Sunita Ahuja, in an emotional and candid statement, reflected on letting go of past grievances and embracing family bonds. She shared, “How long can I stay upset… after all, he is my son and she is my daughter-in-law… now they even ha...
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Olivia Colman and Jessie Buckley: ‘Never repress a woman – because it will come out’

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The actors star in a true-life 1920s tale of a snobbish small town upset by poison-pen letters. They discuss falling in love with one another, the f-word and the parallels with today’s internet trolling

On 23 September 1921, a letter arrived at the home of Edith Swan, a laundress in the seaside town of Littlehampton, addressed to “the foxy ass whore 47, Western Rd”. One of the milder letters that had been plaguing the Sussex community for three years, it continued: “You foxy ass piss country whore you are a character.” Swan blamed a neighbour, Rose Gooding. But the post-office clerk and the local police had other suspicions, which drove them to rig up a periscope to spy on deliveries to the town’s post box and marking postage stamps with invisible ink.

The combination of filthy poison pen letters and DIY sleuthing in a quaint small-town setting is a gift for the star pairing of Olivia Colman and Jessie Buckley. Directed by Thea Sharrock with a screenplay by Jonny Sweet, and stuffed with classy character actors, Wicked Little Letters blows a raspberry at the Agatha Christie tradition of cosy crime stories. It also undercuts the Downton Abbey image of British social history which, says Buckley, “gives everybody the idea that people are kind of lovely when actually there’s a little bit of dirt under everybody’s pretty teacup. Everyone loves a good swear, even the ones that say they don’t.”

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