SCOOP: Sunny Deol-Aamir Khan-Rajkumar Santoshi's Lahore 1947 likely to be renamed Batwara 1947

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In February 2026, Bollywood Hungama had reported that the makers of Lahore 1947 are looking for a change of title. We have now learned from sources that the film is likely to be rechristened as Batwara 1947. An article in Mid-Day on April 17 mentioned that the period drama has been tentatively titled as Batwara 1947. A source told Bollywood Hungama, "The makers prefer the title Batwara 1947. In all probability, this would be the title of the film once all the stakeholders agree to it. A clearer picture will emerge in a few weeks on this front." In February 2026, Bollywood Hungama carried a quote from a source that stated, "Lahore 1947 is based on the famous play ‘Jis Lahore Nai Dekhya’. Since the film is set in the Pakistani city and during the Independence period, the title Lahore 1947 was initially deemed suitable. But now the makers feel that there can be a better title that is apt for the story of the film." The film will release in cinemas on August 13, that...
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Olivia Colman and Jessie Buckley: ‘Never repress a woman – because it will come out’

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The actors star in a true-life 1920s tale of a snobbish small town upset by poison-pen letters. They discuss falling in love with one another, the f-word and the parallels with today’s internet trolling

On 23 September 1921, a letter arrived at the home of Edith Swan, a laundress in the seaside town of Littlehampton, addressed to “the foxy ass whore 47, Western Rd”. One of the milder letters that had been plaguing the Sussex community for three years, it continued: “You foxy ass piss country whore you are a character.” Swan blamed a neighbour, Rose Gooding. But the post-office clerk and the local police had other suspicions, which drove them to rig up a periscope to spy on deliveries to the town’s post box and marking postage stamps with invisible ink.

The combination of filthy poison pen letters and DIY sleuthing in a quaint small-town setting is a gift for the star pairing of Olivia Colman and Jessie Buckley. Directed by Thea Sharrock with a screenplay by Jonny Sweet, and stuffed with classy character actors, Wicked Little Letters blows a raspberry at the Agatha Christie tradition of cosy crime stories. It also undercuts the Downton Abbey image of British social history which, says Buckley, “gives everybody the idea that people are kind of lovely when actually there’s a little bit of dirt under everybody’s pretty teacup. Everyone loves a good swear, even the ones that say they don’t.”

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