The History of Concrete review – John Wilson’s first movie is an absurd triumph

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Sundance film festival: the documentarian’s feature debut, essentially an extended episode of his HBO series, turns an exploration of concrete into a meditation on change For those in the know, the release of the Sundance film festival lineup last December contained one perfect, tantalizing log line, for a documentary plainly called The History of Concrete: “After attending a workshop on how to write and sell a Hallmark movie, filmmaker John Wilson tries to use the same formula to sell a documentary about concrete.” Wilson, a film-maker from the Nathan Fielder school of meandering, bone-dry observational comedy, is a master of the modern documentary-essay-memoir, with an uncanny eye for the idiosyncratic, unintentionally hilarious and disturbing vignettes hiding in plain sight. Over three near-perfect seasons, his peerless HBO series How To With John Wilson , executive-produced by Fielder, spun spoofs of practical guides (“How to Cook the Perfect Risotto”) into profound meditations...
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Olivia Colman and Jessie Buckley: ‘Never repress a woman – because it will come out’

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The actors star in a true-life 1920s tale of a snobbish small town upset by poison-pen letters. They discuss falling in love with one another, the f-word and the parallels with today’s internet trolling

On 23 September 1921, a letter arrived at the home of Edith Swan, a laundress in the seaside town of Littlehampton, addressed to “the foxy ass whore 47, Western Rd”. One of the milder letters that had been plaguing the Sussex community for three years, it continued: “You foxy ass piss country whore you are a character.” Swan blamed a neighbour, Rose Gooding. But the post-office clerk and the local police had other suspicions, which drove them to rig up a periscope to spy on deliveries to the town’s post box and marking postage stamps with invisible ink.

The combination of filthy poison pen letters and DIY sleuthing in a quaint small-town setting is a gift for the star pairing of Olivia Colman and Jessie Buckley. Directed by Thea Sharrock with a screenplay by Jonny Sweet, and stuffed with classy character actors, Wicked Little Letters blows a raspberry at the Agatha Christie tradition of cosy crime stories. It also undercuts the Downton Abbey image of British social history which, says Buckley, “gives everybody the idea that people are kind of lovely when actually there’s a little bit of dirt under everybody’s pretty teacup. Everyone loves a good swear, even the ones that say they don’t.”

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