BREAKING: Dhurandhar The Revenge beats highly anticipated Hollywood film Ready Or Not 2 overseas; brings Bahar to Mumbai’s Bahar cinema

Dhurandhar The Revenge is unstoppable; the film was expected to break records, and yet, the trade and industry are stunned by how it's performing at the box office. On Saturday, March 21, it set a new record by collecting Rs. 100 crore in a day. On Saturday, March 21, the film created history by collecting Rs. 100 crore in a single day. And now, its dominance is being felt in the Overseas market as well, where it has managed to outgross a much-awaited Hollywood sequel. According to a report in Deadline, Ready or Not 2: Here I Come, a highly anticipated sequel, opened with $9 million. On the other hand, Dhurandhar The Revenge collected a huge $10.5 million. Dhurandhar’s sequel was always set to open big, considering the response of the first part, which was released in December 2025. However, Ready Or Not 2: Here I Come, released by Fox Searclight Pictures, should have ideally opened bigger in foreign territories, considering the star cast (Sarah Michelle Gellar, Elijah Wood and Ka...

Olivia Colman and Jessie Buckley: ‘Never repress a woman – because it will come out’

The actors star in a true-life 1920s tale of a snobbish small town upset by poison-pen letters. They discuss falling in love with one another, the f-word and the parallels with today’s internet trolling

On 23 September 1921, a letter arrived at the home of Edith Swan, a laundress in the seaside town of Littlehampton, addressed to “the foxy ass whore 47, Western Rd”. One of the milder letters that had been plaguing the Sussex community for three years, it continued: “You foxy ass piss country whore you are a character.” Swan blamed a neighbour, Rose Gooding. But the post-office clerk and the local police had other suspicions, which drove them to rig up a periscope to spy on deliveries to the town’s post box and marking postage stamps with invisible ink.

The combination of filthy poison pen letters and DIY sleuthing in a quaint small-town setting is a gift for the star pairing of Olivia Colman and Jessie Buckley. Directed by Thea Sharrock with a screenplay by Jonny Sweet, and stuffed with classy character actors, Wicked Little Letters blows a raspberry at the Agatha Christie tradition of cosy crime stories. It also undercuts the Downton Abbey image of British social history which, says Buckley, “gives everybody the idea that people are kind of lovely when actually there’s a little bit of dirt under everybody’s pretty teacup. Everyone loves a good swear, even the ones that say they don’t.”

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