‘Oh my God, did my dad and I fight’: Olivia Colman on the regrets triggered by new film Jimpa

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John Lithgow plays the gay and often nude septuagenarian father of Colman’s character in this bombshell-laden story of intergenerational queerness. She explains why her own dad would have ‘sat and cried all the way through it’ In Jimpa, Olivia Colman plays a woman called Hannah who leaves Adelaide with her husband and 16-year-old child to visit her father in Amsterdam. This is Jimpa – the word sticks better once you know it’s a compound of Jim and grandpa. At the airport, the teenager, Frances, who’s trans, drops a bombshell: they want to move to the Netherlands and finish their schooling there. Hannah and her husband, Harry, respond thoughtfully, not freaking out. But once they arrive in Amsterdam, Jimpa, played by John Lithgow, brings enough drama for everyone – something he’s been doing for 40 years, since he left his family for a fuller queer life than Australia at the end of the 20th century could offer. The film revels in revealing the sort of lifestyle he enjoyed instead. Cont...
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Olivia Colman and Jessie Buckley: ‘Never repress a woman – because it will come out’

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The actors star in a true-life 1920s tale of a snobbish small town upset by poison-pen letters. They discuss falling in love with one another, the f-word and the parallels with today’s internet trolling

On 23 September 1921, a letter arrived at the home of Edith Swan, a laundress in the seaside town of Littlehampton, addressed to “the foxy ass whore 47, Western Rd”. One of the milder letters that had been plaguing the Sussex community for three years, it continued: “You foxy ass piss country whore you are a character.” Swan blamed a neighbour, Rose Gooding. But the post-office clerk and the local police had other suspicions, which drove them to rig up a periscope to spy on deliveries to the town’s post box and marking postage stamps with invisible ink.

The combination of filthy poison pen letters and DIY sleuthing in a quaint small-town setting is a gift for the star pairing of Olivia Colman and Jessie Buckley. Directed by Thea Sharrock with a screenplay by Jonny Sweet, and stuffed with classy character actors, Wicked Little Letters blows a raspberry at the Agatha Christie tradition of cosy crime stories. It also undercuts the Downton Abbey image of British social history which, says Buckley, “gives everybody the idea that people are kind of lovely when actually there’s a little bit of dirt under everybody’s pretty teacup. Everyone loves a good swear, even the ones that say they don’t.”

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