Anees Bazmee to shoot his next comedy with Akshay Kumar and Vidya Balan from January 15

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Birthday girl Vidya Balan gets an unexpected gift from Anees Bazmee. She begins shooting for the filmmaker’s next, which also stars Akshay Kumar, from January 15. The shooting will continue till January 20. After Bhool Bhulaiyaa and Heyy Babyy in 2007, Thank You in 2011 and Mission Mangal in 2019, Vidya Balan and Akshay Kumar are coming together again. Anees Bazmee earlier directed the pair in the comedy Thank You. On probing the captivating casting, one came to know that Anees would be tapping into Vidya-Akshay’s combined comic capabilities. Everyone knows of Akshay’s impeccable comic timing. But Vidya, who has flaunted a fleeting flair for the funnies in Anees’ Bhool Bhulaiya 3, would be exposing her humour fangs like never before. Also Read: REVEALED: Akshay Kumar-Vidya Balan-Anees Bazmee film to go on floors on January 19 in Mumbai; Dil Raju clarifies on Sankranthiki Vasthunam remake reports from L...
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Olivia Colman and Jessie Buckley: ‘Never repress a woman – because it will come out’

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The actors star in a true-life 1920s tale of a snobbish small town upset by poison-pen letters. They discuss falling in love with one another, the f-word and the parallels with today’s internet trolling

On 23 September 1921, a letter arrived at the home of Edith Swan, a laundress in the seaside town of Littlehampton, addressed to “the foxy ass whore 47, Western Rd”. One of the milder letters that had been plaguing the Sussex community for three years, it continued: “You foxy ass piss country whore you are a character.” Swan blamed a neighbour, Rose Gooding. But the post-office clerk and the local police had other suspicions, which drove them to rig up a periscope to spy on deliveries to the town’s post box and marking postage stamps with invisible ink.

The combination of filthy poison pen letters and DIY sleuthing in a quaint small-town setting is a gift for the star pairing of Olivia Colman and Jessie Buckley. Directed by Thea Sharrock with a screenplay by Jonny Sweet, and stuffed with classy character actors, Wicked Little Letters blows a raspberry at the Agatha Christie tradition of cosy crime stories. It also undercuts the Downton Abbey image of British social history which, says Buckley, “gives everybody the idea that people are kind of lovely when actually there’s a little bit of dirt under everybody’s pretty teacup. Everyone loves a good swear, even the ones that say they don’t.”

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