Guru Dutt biopic in early talks; Vicky Kaushal considered to play the icon

As Indian cinema approaches the 100th birth anniversary of Guru Dutt, plans are underway to commemorate his life and legacy on a grand scale. Ultra Media & Entertainment Group, which owns the rights to his filmography, has revealed a multi-layered tribute. It will also include the possibility of a biopic and web series adaptations of his most celebrated works. Biopic in the Pipeline; Vicky Kaushal a Potential Lead Rajat Agrawal, COO and Director at Ultra Media, confirmed that early discussions have begun for a full-length biopic on the legendary filmmaker. A report by Mid-Day quoted Rajat saying, "Biopics are always challenging because they need to emulate an individual’s greatness and achievements. We would be happy to collaborate with producers and a modern-day director who is a fanatic of Guru Dutt," while noting that the company is in talks with two prominent directors. When asked about who could portray the complexity and sensitivity of Guru Dutt on screen, Agrawal...

Madame Web review – Marvel’s junky spin-off is a tangled mess

Dakota Johnson lazily leads an incompetent attempt to set up a new character, made almost incoherent by last-minute changes

It was an inevitable collapse after a reign of such unwarranted length and unparalleled indulgence, superhero movies totalling eight a year during the 2010s, a lucrative yet tiresome stronghold. There were brief highlights within the flurry but such lazy overreliance left little room for other blockbuster genres to flourish and led studios to scrape barrels, giving us more and more of something we’d ultimately had enough of. Last year saw an overwhelming rejection (The Flash, Shazam 2, The Marvels, Ant-Man 3, Aquaman 2 all underperforming) and now the fallout, the first of the year doubling up as a Powerpoint presentation on what went wrong and how not to fix it.

Developed back in 2019, given a green light in 2020, filmed during 2022 and then allegedly undergoing reshoots last year, Madame Web was envisioned as a way to extend Marvel and Sony’s Spider-Man universe: a business, if not creative, sense decision after the surprise success of both Venom and Into the Spider-Verse in 2018. An elderly clairvoyant known in the comics for assisting Spider-Man is now turned into a young paramedic, played by Dakota Johnson, who doesn’t even know that Spider-Man exists, in a film desperate to pretend that it’s something it isn’t. Such confusion was on display in the launch of last year’s trailer, immediately going viral for its laughably unsure tone, convoluted plot and checked-out leading lady. Grimly aware of the sea shift, it’s now being referred to as a gritty suspense thriller in press materials with Johnson insisting during press that it’s a standalone movie in its own standalone universe.

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