EXCLUSIVE: Dharma Productions adopts REVOLUTIONARY pricing strategy for Chand Mera Dil; tickets to be sold for just Rs. 149 and Rs. 199 on release day

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Next Friday, May 22, will see the release of Chand Mera Dil, starring Lakshya and Ananya Panday. The film has caught attention due to its youthful flavour, casting, music and also because it belongs to the intense romance genre, which is working big time right now. Bollywood Hungama has learned that the love story might open better than expected due to an aggressive pricing strategy adopted by the makers. A trade source told Bollywood Hungama, “Chand Mera Dil is produced by Dharma Productions, and they are also distributing the film. They have informed cinemas that the tickets need to be sold at a very affordable price. Accordingly, tickets for all shows before 5:00 pm on Friday, May 22, will be available for just Rs. 149. After 5:00 pm, the tickets will be sold for Rs. 199.” The source added, “This offer will be valid only on the day of release. On Saturday and Sunday, theatres have been instructed to go for regular weekend rates. Also, tickets priced at Rs. 149 and Rs. 199 will be a...
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Madame Web review – Marvel’s junky spin-off is a tangled mess

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Dakota Johnson lazily leads an incompetent attempt to set up a new character, made almost incoherent by last-minute changes

It was an inevitable collapse after a reign of such unwarranted length and unparalleled indulgence, superhero movies totalling eight a year during the 2010s, a lucrative yet tiresome stronghold. There were brief highlights within the flurry but such lazy overreliance left little room for other blockbuster genres to flourish and led studios to scrape barrels, giving us more and more of something we’d ultimately had enough of. Last year saw an overwhelming rejection (The Flash, Shazam 2, The Marvels, Ant-Man 3, Aquaman 2 all underperforming) and now the fallout, the first of the year doubling up as a Powerpoint presentation on what went wrong and how not to fix it.

Developed back in 2019, given a green light in 2020, filmed during 2022 and then allegedly undergoing reshoots last year, Madame Web was envisioned as a way to extend Marvel and Sony’s Spider-Man universe: a business, if not creative, sense decision after the surprise success of both Venom and Into the Spider-Verse in 2018. An elderly clairvoyant known in the comics for assisting Spider-Man is now turned into a young paramedic, played by Dakota Johnson, who doesn’t even know that Spider-Man exists, in a film desperate to pretend that it’s something it isn’t. Such confusion was on display in the launch of last year’s trailer, immediately going viral for its laughably unsure tone, convoluted plot and checked-out leading lady. Grimly aware of the sea shift, it’s now being referred to as a gritty suspense thriller in press materials with Johnson insisting during press that it’s a standalone movie in its own standalone universe.

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