Hai Jawani Toh Ishq Hona Hai trailer launch's most EMOTIONAL moment: David Dhawan gets teary-eyed and says, "Everybody should have a son like Varun"

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Varun Dhawan, Pooja Hegde, Mrunal Thakur, David Dhawan, Ramesh Taurani, Anu Malik, Sameer, Maniesh Paul, Chunky Panday, Rajesh Kumar, Jimmy Sheirgill, Rajat Rawail, Ali Asgar, Girish Kumar, Kumar Taurani, writer Rumy Jafry and cinematographer Ayananka Bose attended the trailer launch of Hai Jawani Toh Ishq Hona Hai in Mumbai on May 23. David Dhawan was celebrated and every member of the cast spoke highly of him. Meanwhile, the most emotional moment of the launch was when David Dhawan got teary-eyed. Varun Dhawan said, “It’s amazing that this man (David Dhawan) is making a film at this age. We are living in times when every Friday, we are questioning cinema. We all love cinema, but we do ask, ‘Kya yeh film chalegi’. All I want to say is that this is a David Dhawan film. Yeh film inke conviction pe bani hai. It's an all-out entertainer to make you laugh. If my family has had one motto, it is to make people laugh. Mere father logon ko bas hasana chahte hai.”   View this post on Inst...
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Madame Web review – Marvel’s junky spin-off is a tangled mess

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Dakota Johnson lazily leads an incompetent attempt to set up a new character, made almost incoherent by last-minute changes

It was an inevitable collapse after a reign of such unwarranted length and unparalleled indulgence, superhero movies totalling eight a year during the 2010s, a lucrative yet tiresome stronghold. There were brief highlights within the flurry but such lazy overreliance left little room for other blockbuster genres to flourish and led studios to scrape barrels, giving us more and more of something we’d ultimately had enough of. Last year saw an overwhelming rejection (The Flash, Shazam 2, The Marvels, Ant-Man 3, Aquaman 2 all underperforming) and now the fallout, the first of the year doubling up as a Powerpoint presentation on what went wrong and how not to fix it.

Developed back in 2019, given a green light in 2020, filmed during 2022 and then allegedly undergoing reshoots last year, Madame Web was envisioned as a way to extend Marvel and Sony’s Spider-Man universe: a business, if not creative, sense decision after the surprise success of both Venom and Into the Spider-Verse in 2018. An elderly clairvoyant known in the comics for assisting Spider-Man is now turned into a young paramedic, played by Dakota Johnson, who doesn’t even know that Spider-Man exists, in a film desperate to pretend that it’s something it isn’t. Such confusion was on display in the launch of last year’s trailer, immediately going viral for its laughably unsure tone, convoluted plot and checked-out leading lady. Grimly aware of the sea shift, it’s now being referred to as a gritty suspense thriller in press materials with Johnson insisting during press that it’s a standalone movie in its own standalone universe.

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