Shah Rukh Khan’s manager Pooja Dadlani buys Rs.38 crores sea-facing apartments in Bandra

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Pooja Dadlani, Shah Rukh Khan’s longtime manager and one of the most trusted members of his inner circle, has reportedly made a major real estate investment in Mumbai. According to property registration documents reviewed by CRE Matrix, Dadlani and her family have purchased three luxury sea-facing apartments in Bandra for a combined value of Rs.38.21 crores. The reported purchase has quickly become one of the most talked-about celebrity property deals of the year. The apartments are located in an upscale redevelopment project on Carter Road, one of Mumbai’s most sought-after residential stretches known for its premium sea-facing properties and celebrity residents. As per the reports, the ownership of the three apartments has been divided between Pooja Dadlani, her husband Hitesh Prakash Gurnani, and her father Mohan Seoram Dadlani, with one unit registered in each of their names. The homes are situated on one of the higher floors of a building named Varun, which is being developed by...
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Madame Web review – Marvel’s junky spin-off is a tangled mess

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Dakota Johnson lazily leads an incompetent attempt to set up a new character, made almost incoherent by last-minute changes

It was an inevitable collapse after a reign of such unwarranted length and unparalleled indulgence, superhero movies totalling eight a year during the 2010s, a lucrative yet tiresome stronghold. There were brief highlights within the flurry but such lazy overreliance left little room for other blockbuster genres to flourish and led studios to scrape barrels, giving us more and more of something we’d ultimately had enough of. Last year saw an overwhelming rejection (The Flash, Shazam 2, The Marvels, Ant-Man 3, Aquaman 2 all underperforming) and now the fallout, the first of the year doubling up as a Powerpoint presentation on what went wrong and how not to fix it.

Developed back in 2019, given a green light in 2020, filmed during 2022 and then allegedly undergoing reshoots last year, Madame Web was envisioned as a way to extend Marvel and Sony’s Spider-Man universe: a business, if not creative, sense decision after the surprise success of both Venom and Into the Spider-Verse in 2018. An elderly clairvoyant known in the comics for assisting Spider-Man is now turned into a young paramedic, played by Dakota Johnson, who doesn’t even know that Spider-Man exists, in a film desperate to pretend that it’s something it isn’t. Such confusion was on display in the launch of last year’s trailer, immediately going viral for its laughably unsure tone, convoluted plot and checked-out leading lady. Grimly aware of the sea shift, it’s now being referred to as a gritty suspense thriller in press materials with Johnson insisting during press that it’s a standalone movie in its own standalone universe.

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