The Kerala Story 2 producer Vipul Shah says Kerala HC Division Bench’s final verdict is the “biggest proof of the truth of film”

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Producer Vipul Amrutlal Shah has stated that The Kerala Story 2: Goes Beyond does not target the state of Kerala or its people. His remarks came after the Kerala High Court Division Bench vacated the interim stay on the film’s release on Friday, February 27, clearing the path for its theatrical run. Addressing the media shortly after the court’s decision, Shah said that the legal hurdle had been removed and screenings had begun. He described the film as a “true” account made after considerable effort and rejected allegations from certain quarters that it promotes propaganda. “The Kerala High Court Division Bench has withdrawn the stay that we got yesterday. And they have cleared the way for the release of the film. Now our shows have already started opening. So I request the people that this is a true film made with a lot of hard work. And the biggest proof of the truth of our film is that the Kerala court has vacated the stay order. If our film was a lie, then the Kerala court would...
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Madame Web review – Marvel’s junky spin-off is a tangled mess

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Dakota Johnson lazily leads an incompetent attempt to set up a new character, made almost incoherent by last-minute changes

It was an inevitable collapse after a reign of such unwarranted length and unparalleled indulgence, superhero movies totalling eight a year during the 2010s, a lucrative yet tiresome stronghold. There were brief highlights within the flurry but such lazy overreliance left little room for other blockbuster genres to flourish and led studios to scrape barrels, giving us more and more of something we’d ultimately had enough of. Last year saw an overwhelming rejection (The Flash, Shazam 2, The Marvels, Ant-Man 3, Aquaman 2 all underperforming) and now the fallout, the first of the year doubling up as a Powerpoint presentation on what went wrong and how not to fix it.

Developed back in 2019, given a green light in 2020, filmed during 2022 and then allegedly undergoing reshoots last year, Madame Web was envisioned as a way to extend Marvel and Sony’s Spider-Man universe: a business, if not creative, sense decision after the surprise success of both Venom and Into the Spider-Verse in 2018. An elderly clairvoyant known in the comics for assisting Spider-Man is now turned into a young paramedic, played by Dakota Johnson, who doesn’t even know that Spider-Man exists, in a film desperate to pretend that it’s something it isn’t. Such confusion was on display in the launch of last year’s trailer, immediately going viral for its laughably unsure tone, convoluted plot and checked-out leading lady. Grimly aware of the sea shift, it’s now being referred to as a gritty suspense thriller in press materials with Johnson insisting during press that it’s a standalone movie in its own standalone universe.

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