Krushna Abhishek, Kashmera Shah, Sunita Ahuja reunite on sets of comedy cooking reality show signalling end of family rift

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In a heartwarming turn of events, Krushna Abhishek and his wife Kashmera Shah have officially ended their long-standing feud with his uncle Govinda and aunt Sunita Ahuja. The reconciliation came as a pleasant surprise when Sunita Ahuja made an appearance on the reality comedy-cooking show Laughter Chefs, marking the first public reunion of the family in years. Speaking to the paparazzi after the shoot, Krushna expressed his happiness over the unexpected development and acknowledged how significant the moment was for him and Kashmera. He said, “Mami coming was a very big surprise. Both of us had no idea. Thanks to her for agreeing. All the spice that the media has created over the last 10–12 years—we set it on fire and ended it by coming together today.” Sunita Ahuja, in an emotional and candid statement, reflected on letting go of past grievances and embracing family bonds. She shared, “How long can I stay upset… after all, he is my son and she is my daughter-in-law… now they even ha...
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Madame Web review – Marvel’s junky spin-off is a tangled mess

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Dakota Johnson lazily leads an incompetent attempt to set up a new character, made almost incoherent by last-minute changes

It was an inevitable collapse after a reign of such unwarranted length and unparalleled indulgence, superhero movies totalling eight a year during the 2010s, a lucrative yet tiresome stronghold. There were brief highlights within the flurry but such lazy overreliance left little room for other blockbuster genres to flourish and led studios to scrape barrels, giving us more and more of something we’d ultimately had enough of. Last year saw an overwhelming rejection (The Flash, Shazam 2, The Marvels, Ant-Man 3, Aquaman 2 all underperforming) and now the fallout, the first of the year doubling up as a Powerpoint presentation on what went wrong and how not to fix it.

Developed back in 2019, given a green light in 2020, filmed during 2022 and then allegedly undergoing reshoots last year, Madame Web was envisioned as a way to extend Marvel and Sony’s Spider-Man universe: a business, if not creative, sense decision after the surprise success of both Venom and Into the Spider-Verse in 2018. An elderly clairvoyant known in the comics for assisting Spider-Man is now turned into a young paramedic, played by Dakota Johnson, who doesn’t even know that Spider-Man exists, in a film desperate to pretend that it’s something it isn’t. Such confusion was on display in the launch of last year’s trailer, immediately going viral for its laughably unsure tone, convoluted plot and checked-out leading lady. Grimly aware of the sea shift, it’s now being referred to as a gritty suspense thriller in press materials with Johnson insisting during press that it’s a standalone movie in its own standalone universe.

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