Samantha Ruth Prabhu in talks to join Salman Khan in Raj & DK’s upcoming superhero comedy: Report

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A new development has emerged around the upcoming film being developed by filmmaker duo Raj Nidimoru and Krishna DK. Just days after reports surfaced that Salman Khan had been roped in to headline the project, fresh updates suggest that actor Samantha Ruth Prabhu is also in discussions to join the film. The director duo, popularly known as Raj & DK, are widely recognised for creating successful streaming series such as The Family Man and Guns & Gulaabs, while also backing films as producers. With their next venture, the filmmakers are reportedly aiming for a larger cinematic scale, bringing together a unique blend of genres. According to a report in Mid-Day, Samantha is currently being considered for a key role in the project. A source told the publication, “Samantha is very much in the conversation. She shares a strong creative equation with the makers, and they feel she fits the part." Bollywood Hungama had earlier reported that Salman Khan’s role in the film will offe...
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Madame Web review – Marvel’s junky spin-off is a tangled mess

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Dakota Johnson lazily leads an incompetent attempt to set up a new character, made almost incoherent by last-minute changes

It was an inevitable collapse after a reign of such unwarranted length and unparalleled indulgence, superhero movies totalling eight a year during the 2010s, a lucrative yet tiresome stronghold. There were brief highlights within the flurry but such lazy overreliance left little room for other blockbuster genres to flourish and led studios to scrape barrels, giving us more and more of something we’d ultimately had enough of. Last year saw an overwhelming rejection (The Flash, Shazam 2, The Marvels, Ant-Man 3, Aquaman 2 all underperforming) and now the fallout, the first of the year doubling up as a Powerpoint presentation on what went wrong and how not to fix it.

Developed back in 2019, given a green light in 2020, filmed during 2022 and then allegedly undergoing reshoots last year, Madame Web was envisioned as a way to extend Marvel and Sony’s Spider-Man universe: a business, if not creative, sense decision after the surprise success of both Venom and Into the Spider-Verse in 2018. An elderly clairvoyant known in the comics for assisting Spider-Man is now turned into a young paramedic, played by Dakota Johnson, who doesn’t even know that Spider-Man exists, in a film desperate to pretend that it’s something it isn’t. Such confusion was on display in the launch of last year’s trailer, immediately going viral for its laughably unsure tone, convoluted plot and checked-out leading lady. Grimly aware of the sea shift, it’s now being referred to as a gritty suspense thriller in press materials with Johnson insisting during press that it’s a standalone movie in its own standalone universe.

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