EXCLUSIVE: Siddharth Anand shares a special moment with Gurudev Sri Sri Ravi Shankar; says “White is the story of the GLORY of India”

In a significant meeting on January 20, India’s premier blockbuster filmmaker Siddharth Anand met global spiritual leader Gurudev Sri Sri Ravi Shankar along with producer Mahaveer Jain. Both Siddharth Anand and Gurudev Sri Sri Ravi Shankar have had several conversations before but this meeting was special. It was held in an atmosphere of deep reflection and vision, centred around the upcoming international thriller White, a project that marks a unique milestone in Indian cinema. The film, which features National Award winner Vikrant Massey alongside an international cast, is inspired by the incredible true story of the 52-year-long civil conflict in Colombia and its historic resolution through non-violence and peace. Reflecting on the film’s vision after his meeting with Gurudev, Siddharth Anand shared his excitement for the film, “In many ways, White is the story of the glory of India. At a time when the world is grappling with unprecedented division, this film is truly the need of ...

Madame Web review – Marvel’s junky spin-off is a tangled mess

Dakota Johnson lazily leads an incompetent attempt to set up a new character, made almost incoherent by last-minute changes

It was an inevitable collapse after a reign of such unwarranted length and unparalleled indulgence, superhero movies totalling eight a year during the 2010s, a lucrative yet tiresome stronghold. There were brief highlights within the flurry but such lazy overreliance left little room for other blockbuster genres to flourish and led studios to scrape barrels, giving us more and more of something we’d ultimately had enough of. Last year saw an overwhelming rejection (The Flash, Shazam 2, The Marvels, Ant-Man 3, Aquaman 2 all underperforming) and now the fallout, the first of the year doubling up as a Powerpoint presentation on what went wrong and how not to fix it.

Developed back in 2019, given a green light in 2020, filmed during 2022 and then allegedly undergoing reshoots last year, Madame Web was envisioned as a way to extend Marvel and Sony’s Spider-Man universe: a business, if not creative, sense decision after the surprise success of both Venom and Into the Spider-Verse in 2018. An elderly clairvoyant known in the comics for assisting Spider-Man is now turned into a young paramedic, played by Dakota Johnson, who doesn’t even know that Spider-Man exists, in a film desperate to pretend that it’s something it isn’t. Such confusion was on display in the launch of last year’s trailer, immediately going viral for its laughably unsure tone, convoluted plot and checked-out leading lady. Grimly aware of the sea shift, it’s now being referred to as a gritty suspense thriller in press materials with Johnson insisting during press that it’s a standalone movie in its own standalone universe.

Continue reading...

from Film | The Guardian https://ift.tt/ju59VyK
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton