Ahaan Panday to play gangster in Ali Abbas Zafar’s next, Jimmy Sheirgill joins cast: Report

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Following the success of Saiyaara, breakout actor Ahaan Panday is set to step into a markedly different space with his second feature film. As per a report by Variety India, the actor will portray a gangster in filmmaker Ali Abbas Zafar’s upcoming action-romance. The role signals a shift from Ahaan’s debut performance as a troubled musician dealing with past trauma in Saiyaara. For the new project, the actor has reportedly undergone intensive preparation that includes hand-to-hand combat and weapon training to align with the physical demands of the character’s aggressive screen presence. The report also states that Jimmy Shergill has joined the cast in a pivotal role. The film marks his return to a collaboration with Yash Raj Films after more than two decades. One of his most notable earlier associations with the banner remains Mohabbatein, in which he appeared alongside Shah Rukh Khan. Details about the storyline and other casting elements have not been officially confirmed at this...
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Madame Web review – Marvel’s junky spin-off is a tangled mess

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Dakota Johnson lazily leads an incompetent attempt to set up a new character, made almost incoherent by last-minute changes

It was an inevitable collapse after a reign of such unwarranted length and unparalleled indulgence, superhero movies totalling eight a year during the 2010s, a lucrative yet tiresome stronghold. There were brief highlights within the flurry but such lazy overreliance left little room for other blockbuster genres to flourish and led studios to scrape barrels, giving us more and more of something we’d ultimately had enough of. Last year saw an overwhelming rejection (The Flash, Shazam 2, The Marvels, Ant-Man 3, Aquaman 2 all underperforming) and now the fallout, the first of the year doubling up as a Powerpoint presentation on what went wrong and how not to fix it.

Developed back in 2019, given a green light in 2020, filmed during 2022 and then allegedly undergoing reshoots last year, Madame Web was envisioned as a way to extend Marvel and Sony’s Spider-Man universe: a business, if not creative, sense decision after the surprise success of both Venom and Into the Spider-Verse in 2018. An elderly clairvoyant known in the comics for assisting Spider-Man is now turned into a young paramedic, played by Dakota Johnson, who doesn’t even know that Spider-Man exists, in a film desperate to pretend that it’s something it isn’t. Such confusion was on display in the launch of last year’s trailer, immediately going viral for its laughably unsure tone, convoluted plot and checked-out leading lady. Grimly aware of the sea shift, it’s now being referred to as a gritty suspense thriller in press materials with Johnson insisting during press that it’s a standalone movie in its own standalone universe.

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