Enola Holmes 3 review – Netflix mystery franchise is starting to lose steam

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Millie Bobby Brown returns, along with the creative team behind Adolescence, for an often thoughtful yet ultimately lesser threequel Despite the ever-increasing size and dominance of Netflix, the streamer has continued to struggle with its most obvious aim. While viewers might flock there for smooth-brained dating shows, tawdry true crime, Harlan Coben thrillers and junky romcoms, the platform is yet to be known for creating original movie franchises, the bread and butter of most old-fashioned Hollywood studios, for better or worse. The problem Netflix often faces is that to turn a big-budget bet into a cultural event, it requires more than a low-stakes click at home and a brief weekend’s worth of chatter. Big numbers might have met wannabe franchise-starters Red Notice and The Grey Man but a lack of real long-term interest has meant that sequels haven’t followed, while its most expensive film ever, Chris Pratt vehicle The Electric State, sank with both audiences and critics. It’s why ...
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‘It has become a sort of silver bullet’: why are rap lyrics being put on trial?

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In compelling documentary As We Speak, a controversial legal practice that uses rap lyrics to secure convictions is explored

In September 2001, McKinley Phipps Jr, also known as the rapper Mac, was sentenced to 30 years in prison for manslaughter. It had been a year and a half since gunfire erupted outside a club where he was slated to perform in Slidell, Louisiana, resulting in the death of 19-year-old Barron Victor Jr. Phipps, then 22, maintained his innocence, and the case against him was weak – there was no gun linking him to the crime, several witnesses recanted their testimony and another person confessed to pulling the trigger. And yet, prosecutors had their trump card: Mac, a former New Orleans rap prodigy who began releasing music at the age of 13, had rapped about murder.

“Murder, murder, kill, kill”, Phipps recites in As We Speak: Rap Music on Trial, a new documentary on the criminalization of rap lyrics. Prosecutors spliced that line with one from a different song – “Pull the trigger, put a bullet in your head” – to create the portrait of a killer; Mac’s art was the evidence that DNA, solid confessions, or a missing weapon couldn’t provide. An all-white jury bought it. Phipps served over 21 years in prison before being granted clemency in 2021.

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