The end of big-screen cinema? What Netflix hopes to achieve by buying Warner Bros | Andrew Pulver

IP success stories such as Barbie and the DC Universe? That elusive best picture Oscar? Or perhaps the main goal is a good old-fashioned blockbuster Corporate Hollywood has undergone huge upheavals in recent years – as consequential, perhaps, as the 1970s and 80s, when the studio marques that had made their names in the movies’ golden age were being bought up by international conglomerates. The acquisition of Warner Bros – legendary for crime pictures in the 40s and 50s, and Batman movies in the 90s and 00s – by a streaming service feels particularly significant, coming as it does on the back of the merger of Paramount with Skydance Media earlier this year and, in 2019, Disney’s purchase of fellow studio 21st Century Fox . What is most evident in all these deals is how streaming services have changed the game. Disney’s buying spree – which had previously included Marvel, Star Wars and Pixar – in retrospect looks essentially like preparatory positioning to increase the marketability ...

‘It has become a sort of silver bullet’: why are rap lyrics being put on trial?

In compelling documentary As We Speak, a controversial legal practice that uses rap lyrics to secure convictions is explored

In September 2001, McKinley Phipps Jr, also known as the rapper Mac, was sentenced to 30 years in prison for manslaughter. It had been a year and a half since gunfire erupted outside a club where he was slated to perform in Slidell, Louisiana, resulting in the death of 19-year-old Barron Victor Jr. Phipps, then 22, maintained his innocence, and the case against him was weak – there was no gun linking him to the crime, several witnesses recanted their testimony and another person confessed to pulling the trigger. And yet, prosecutors had their trump card: Mac, a former New Orleans rap prodigy who began releasing music at the age of 13, had rapped about murder.

“Murder, murder, kill, kill”, Phipps recites in As We Speak: Rap Music on Trial, a new documentary on the criminalization of rap lyrics. Prosecutors spliced that line with one from a different song – “Pull the trigger, put a bullet in your head” – to create the portrait of a killer; Mac’s art was the evidence that DNA, solid confessions, or a missing weapon couldn’t provide. An all-white jury bought it. Phipps served over 21 years in prison before being granted clemency in 2021.

Continue reading...

from Film | The Guardian https://ift.tt/gqiNoyp
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

EXCLUSIVE: Mona Singh gears up for an intense role in an upcoming web series; Deets inside!