My Father’s Diaries review – haunting home-video excavates trauma of Srebrenica massacre

Ado Hasanović’s moving documentary transforms footage filmed during the Bosnian war into a devastating portrait of memory, survival and inherited grief For years, film-maker Ado Hasanović has wanted to ask his father, Bekir, about his harrowing experiences during the Bosnian war but their conversations usually ended with curt, abrupt answers that obscured rather than illuminated the past. Bekir might be uncommunicative, but his collection of self-taped films and diary entries recorded during the height of the conflict tells a different story. Culled from this powerful personal archive, Hasanović’s poignant documentary forges a dialogue not just with history, but also across generations. In 1993, along with two other friends, Bekir formed a film-making collective called John, Ben & Boys in the small mountain town of Srebrenica. As the war escalated, what began as a playful amateur exercise quickly transformed into intentional documentation, as if Bekir was already aware of the genoc...

‘It has become a sort of silver bullet’: why are rap lyrics being put on trial?

In compelling documentary As We Speak, a controversial legal practice that uses rap lyrics to secure convictions is explored

In September 2001, McKinley Phipps Jr, also known as the rapper Mac, was sentenced to 30 years in prison for manslaughter. It had been a year and a half since gunfire erupted outside a club where he was slated to perform in Slidell, Louisiana, resulting in the death of 19-year-old Barron Victor Jr. Phipps, then 22, maintained his innocence, and the case against him was weak – there was no gun linking him to the crime, several witnesses recanted their testimony and another person confessed to pulling the trigger. And yet, prosecutors had their trump card: Mac, a former New Orleans rap prodigy who began releasing music at the age of 13, had rapped about murder.

“Murder, murder, kill, kill”, Phipps recites in As We Speak: Rap Music on Trial, a new documentary on the criminalization of rap lyrics. Prosecutors spliced that line with one from a different song – “Pull the trigger, put a bullet in your head” – to create the portrait of a killer; Mac’s art was the evidence that DNA, solid confessions, or a missing weapon couldn’t provide. An all-white jury bought it. Phipps served over 21 years in prison before being granted clemency in 2021.

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