Shahid Kapoor to wrap up O Romeo shoot with 10-day patch schedule in Mumbai: Report

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As 2025 draws to a close, the year stands out as a surprising one for the Indian film industry, marked by several sleeper hits. While the year is set to end with Kartik Aaryan’s Tu Meri Main Tera Main Tera Tu Meri, anticipation around a slate of 2026 releases is steadily building. One of the most keenly awaited among them is Shahid Kapoor’s fourth collaboration with filmmaker Vishal Bhardwaj, O Romeo. The makers appear keen to wrap up filming quickly, with the final leg of the shoot scheduled to begin on December 28. The team is unlikely to take a break for New Year celebrations, as Bhardwaj plans to kick off a 10-day patch shoot at Vrundavan Studios in Malad. According to a report by Mid-Day, this phase will include action sequences and dialogue-heavy scenes. A source quoted by the publication revealed, “It’s a patch shoot, with some action and dialogue-heavy scenes lined up.” The report further stated that the first two days will largely focus on Shahid Kapoor’s portions, while co-...
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Hors du Temps (Suspended Time) review – lockdown memoir revives childhood bliss

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Olivier Assayas’ thinly disguised autobiographical study of a film-maker’s Edenic experience during Covid isolation is a civilised pleasure

Olivier Assayas’s new film is a flimsy but elegant autofictional sketch about his own experiences during the Covid lockdown, bubbling up with family members in his childhood home in la France profonde. It’s a movie which reminds us that for all the anxieties, this period of enforced inactivity was for grownups of a certain age and financial security not entirely unpleasant – a reminder of the endless, aimless summer days of childhood, an Edenic existence outside time which workaholic media professionals thought never to see again. A kind of miracle.

Vincent Macaigne plays dishevelled film-maker Etienne (very different, surely, from the stylish Assayas), who has come back to the handsome family home of his late parents, staying there with his girlfriend (Nine d’Urso) and communicating with his ex-wife and adored tween daughter on Zoom. He is going to be living there with his brother Paul (Micha Lescot) a music journalist and his new partner (Nora Hamzawi). Assayas uses what appears to be his actual home and in his opening autobiographical voiceover introduces us to the house and grounds - easily the best part of the film, actually - and in further personal sections dispenses with the fiction and talks about the “Assayas” family.

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