Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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Hors du Temps (Suspended Time) review – lockdown memoir revives childhood bliss

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Olivier Assayas’ thinly disguised autobiographical study of a film-maker’s Edenic experience during Covid isolation is a civilised pleasure

Olivier Assayas’s new film is a flimsy but elegant autofictional sketch about his own experiences during the Covid lockdown, bubbling up with family members in his childhood home in la France profonde. It’s a movie which reminds us that for all the anxieties, this period of enforced inactivity was for grownups of a certain age and financial security not entirely unpleasant – a reminder of the endless, aimless summer days of childhood, an Edenic existence outside time which workaholic media professionals thought never to see again. A kind of miracle.

Vincent Macaigne plays dishevelled film-maker Etienne (very different, surely, from the stylish Assayas), who has come back to the handsome family home of his late parents, staying there with his girlfriend (Nine d’Urso) and communicating with his ex-wife and adored tween daughter on Zoom. He is going to be living there with his brother Paul (Micha Lescot) a music journalist and his new partner (Nora Hamzawi). Assayas uses what appears to be his actual home and in his opening autobiographical voiceover introduces us to the house and grounds - easily the best part of the film, actually - and in further personal sections dispenses with the fiction and talks about the “Assayas” family.

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