Sanjay Leela Bhansali is “absolutely fine,” says official statement after heart attack rumours

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Filmmaker Sanjay Leela Bhansali is “absolutely fine,” his team confirmed, putting to rest speculation about his health that surfaced earlier in the day. Reports had claimed that the director was hospitalised in Mumbai after allegedly suffering a heart attack on his 63rd birthday. The claims circulated widely on social media before being addressed by an official statement from his production banner, Bhansali Productions. “Mr. Sanjay Leela Bhansali is doing absolutely fine. He has gone in for a routine medical check-up and there is no cause for concern. We sincerely appreciate the love, care, and concern shown by everyone. Thank you for your continued support and warm wishes,” the statement read. The clarification comes after unverified posts suggested that the filmmaker had been rushed to a hospital following discomfort. However, his team has categorically denied the reports, confirming that the visit was part of a regular health check. Speaking of the professional front, Bhansali i...
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Hors du Temps (Suspended Time) review – lockdown memoir revives childhood bliss

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Olivier Assayas’ thinly disguised autobiographical study of a film-maker’s Edenic experience during Covid isolation is a civilised pleasure

Olivier Assayas’s new film is a flimsy but elegant autofictional sketch about his own experiences during the Covid lockdown, bubbling up with family members in his childhood home in la France profonde. It’s a movie which reminds us that for all the anxieties, this period of enforced inactivity was for grownups of a certain age and financial security not entirely unpleasant – a reminder of the endless, aimless summer days of childhood, an Edenic existence outside time which workaholic media professionals thought never to see again. A kind of miracle.

Vincent Macaigne plays dishevelled film-maker Etienne (very different, surely, from the stylish Assayas), who has come back to the handsome family home of his late parents, staying there with his girlfriend (Nine d’Urso) and communicating with his ex-wife and adored tween daughter on Zoom. He is going to be living there with his brother Paul (Micha Lescot) a music journalist and his new partner (Nora Hamzawi). Assayas uses what appears to be his actual home and in his opening autobiographical voiceover introduces us to the house and grounds - easily the best part of the film, actually - and in further personal sections dispenses with the fiction and talks about the “Assayas” family.

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