Veteran actor Kota Srinivasa Rao passes away at 83 in Hyderabad

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Renowned Telugu actor and former MLA Kota Srinivasa Rao passed away on Sunday at the age of 83. He breathed his last at his residence in Hyderabad, leaving behind a legacy spanning over four decades in Indian cinema. Known for his impeccable performances across genres, Rao had acted in more than 750 films in Telugu, Tamil, Hindi, Kannada, and Malayalam. His versatility allowed him to portray a wide range of roles—from iconic villains to memorable character roles. Films like Pratighatana, Aha Naa Pellanta, Shiva, and Mahatma cemented his reputation as one of Telugu cinema’s finest actors. Born in Vijayawada, Kota Srinivasa Rao began his professional life as a banker and theatre artist before entering films in the late 1970s. Over the years, he became a beloved figure in the industry, earning accolades including the Padma Shri in 2015 for his contribution to the arts.5 Apart from acting, Rao was active in politics and served as an MLA from the Vijayawada East constituency from 1999 to...
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Hors du Temps (Suspended Time) review – lockdown memoir revives childhood bliss

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Olivier Assayas’ thinly disguised autobiographical study of a film-maker’s Edenic experience during Covid isolation is a civilised pleasure

Olivier Assayas’s new film is a flimsy but elegant autofictional sketch about his own experiences during the Covid lockdown, bubbling up with family members in his childhood home in la France profonde. It’s a movie which reminds us that for all the anxieties, this period of enforced inactivity was for grownups of a certain age and financial security not entirely unpleasant – a reminder of the endless, aimless summer days of childhood, an Edenic existence outside time which workaholic media professionals thought never to see again. A kind of miracle.

Vincent Macaigne plays dishevelled film-maker Etienne (very different, surely, from the stylish Assayas), who has come back to the handsome family home of his late parents, staying there with his girlfriend (Nine d’Urso) and communicating with his ex-wife and adored tween daughter on Zoom. He is going to be living there with his brother Paul (Micha Lescot) a music journalist and his new partner (Nora Hamzawi). Assayas uses what appears to be his actual home and in his opening autobiographical voiceover introduces us to the house and grounds - easily the best part of the film, actually - and in further personal sections dispenses with the fiction and talks about the “Assayas” family.

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