SCOOP: After Salman Khan’s Maatrubhumi, Ayushmann Khurrana-Sharvari’s Yeh Prem Mol Liya likely to be renamed Yeh Prem Moh Maya Hai

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A few days ago, the industry and fans got a surprise when it was announced that Salman Khan’s much-awaited next film, Battle Of Galwan, has been renamed Maatrubhumi. And now, as per the buzz in the trade, another awaited film might also go for a title change – Yeh Prem Mol Liya, directed by Sooraj Barjatya. A source told Bollywood Hungama, “There have been discussions over changing the title of the film to Yeh Prem Moh Maya Hai. If all goes well, the new title will be locked and will be announced officially in a few days.” Yeh Prem Mol Liya stars Ayushmann Khurrana and Sharvari in the lead role, along with Shaad Randhawa, Anupam Kher, Seema Pahwa, and Supriya Pathak in pivotal roles. It is presented and produced by Rajshri Productions in association with Mahaveer Jain Films and Anita Gurnani. It marks the second association for Mahaveer Jain and Sooraj Barjatya after the acclaimed flick Uunchai (2022). In December 2025, Shaad Randhawa, who left a mark with his performances in the 20...
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Hors du Temps (Suspended Time) review – lockdown memoir revives childhood bliss

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Olivier Assayas’ thinly disguised autobiographical study of a film-maker’s Edenic experience during Covid isolation is a civilised pleasure

Olivier Assayas’s new film is a flimsy but elegant autofictional sketch about his own experiences during the Covid lockdown, bubbling up with family members in his childhood home in la France profonde. It’s a movie which reminds us that for all the anxieties, this period of enforced inactivity was for grownups of a certain age and financial security not entirely unpleasant – a reminder of the endless, aimless summer days of childhood, an Edenic existence outside time which workaholic media professionals thought never to see again. A kind of miracle.

Vincent Macaigne plays dishevelled film-maker Etienne (very different, surely, from the stylish Assayas), who has come back to the handsome family home of his late parents, staying there with his girlfriend (Nine d’Urso) and communicating with his ex-wife and adored tween daughter on Zoom. He is going to be living there with his brother Paul (Micha Lescot) a music journalist and his new partner (Nora Hamzawi). Assayas uses what appears to be his actual home and in his opening autobiographical voiceover introduces us to the house and grounds - easily the best part of the film, actually - and in further personal sections dispenses with the fiction and talks about the “Assayas” family.

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