Mark Kermode on… Kathryn Bigelow, a stylish ruffler of feathers

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From vampire noir to Bin Laden, Point Break to Detroit, the first woman to win an Oscar for best director has never pulled her punches Watching new Jeff Nichols release The Bikeriders , starring Austin Butler and Tom Hardy as 60s Chicago greasers, I was reminded of two other movies: László Benedek’s 1953 Marlon Brando vehicle The Wild One , explicitly cited as an inspiration, and The Loveless , the 1981 feature debut of Kathryn Bigelow , the American film-maker (b.1951) who would go on to become the first woman to win a best director Oscar with her 2008 war drama The Hurt Locker . A symphony of leather-clad posing (with just a touch of Kenneth Anger ), The Loveless was a staple of the late-night circuit in the 80s, often on a double bill with David Lynch’s Eraserhead . Sharing directing credits with Monty Montgomery, Bigelow playfully deconstructed masculinity and machismo in a manner that was one part wry to two parts relish. I remember seeing The Loveless at the Phoenix in East
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Berlin international film festival disinvites AfD politicians from gala

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Directors of festival write to politicians in light of revelations over party’s alleged mass deportation plans

The organisers of the Berlin international film festival have disinvited five politicians from the far-right party Alternative für Deutschland (AfD) from next week’s opening gala in the German capital, citing recent reports on the AfD’s alleged mass deportation plans.

“Especially in light of the revelations that have been made in recent weeks about explicitly anti-democratic positions and individual politicians of the AfD, it is important for us – as the Berlinale and as a team – to take an unequivocal stand in favour of an open democracy”, said Mariëtte Rissenbeek and Carlo Chatrian, the directors of the film festival, which is known as the Berlinale.

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