BREAKING: Digital18 media issues public notice over OMG franchise rights amid buzz around Oh My Goddess

In a development that has raised eyebrows, Digital18 Media Private Limited has issued a public notice asserting its ownership and legal rights over the OMG (Oh My God) franchise. The notice, published on January 10, 2026, in Atul Mohan’s Complete Cinema magazine, formally cautions all entities against developing, marketing, or producing any derivative, sequel, prequel, or spin-off of OMG 2 (2023) without Digital18’s written consent. According to the notice, Digital18 Media Private Limited, aka Digital18, is the successor-in-interest to the studios business of Viacom18 Media Private Limited, following a court-approved Composite Scheme of Arrangement effective November 14, 2024. This makes Digital18 the joint owner and co-proprietor of all derivative and franchise rights arising from the cinematograph film OMG 2, including its goodwill, brand value, and public association. The strongly worded notice places “all persons and entities” on alert that any communication or arrangement concer...

A Kid for Two Farthings review – Carol Reed’s East End market-street caper still charms

An array of stars portray warm-hearted Londoners in comedy pivoting around a young boy who is a sunny ancestor to Kes

Carol Reed’s 1955 film is a rich slice of gentle, sentimental comedy, adapted by Wolf Mankowitz from his own novel. It’s a little bit broad and not in the class of The Third Man or The Fallen Idol, but forthright and heartfelt, and boasting a veritable aristocracy of British character acting talent.

In the bustling world of Petticoat Lane in London’s East End, then the traditional home of the Jewish community, a shy little boy called Joe mopes and daydreams around the place; he’s played by Jonathan Ashmore, with the rather non-East-End stage-school child actor voice that was common in those days. (Ashmore left showbusiness after this one screen appearance and grew up to be a distinguished scientist.) His cheerful but careworn mum Joanna (Celia Johnson) is sadly missing her husband, Joe’s dad: he’s away chasing get-rich-quick schemes in South Africa.

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