Sentimental Value sweeps up at European Film Awards

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Joachim Trier’s drama about an ageing film-maker and his estranged actor-daughter wins top five awards Joachim Trier’s Sentimental Value swept aside its competition at the European Film Awards on Saturday night, seizing all five top prizes at a ceremony in Berlin. Sentimental Value , which won the Grand Prix at Cannes last year, went home with best film, best director, best screenwriter, best actor for Stellan Skarsgård and best actress for Renate Reinsve, as well as best composer. Continue reading... from Film | The Guardian https://ift.tt/EY6HtqU via IFTTT
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A Kid for Two Farthings review – Carol Reed’s East End market-street caper still charms

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An array of stars portray warm-hearted Londoners in comedy pivoting around a young boy who is a sunny ancestor to Kes

Carol Reed’s 1955 film is a rich slice of gentle, sentimental comedy, adapted by Wolf Mankowitz from his own novel. It’s a little bit broad and not in the class of The Third Man or The Fallen Idol, but forthright and heartfelt, and boasting a veritable aristocracy of British character acting talent.

In the bustling world of Petticoat Lane in London’s East End, then the traditional home of the Jewish community, a shy little boy called Joe mopes and daydreams around the place; he’s played by Jonathan Ashmore, with the rather non-East-End stage-school child actor voice that was common in those days. (Ashmore left showbusiness after this one screen appearance and grew up to be a distinguished scientist.) His cheerful but careworn mum Joanna (Celia Johnson) is sadly missing her husband, Joe’s dad: he’s away chasing get-rich-quick schemes in South Africa.

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