Good Luck, Have Fun, Don’t Die review – AI is the bad guy in lively yet overstuffed caper

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There’s fun to be had in Pirates of the Caribbean director Gore Verbinski’s satisfyingly tech-fearing adventure – but some restraint wouldn’t have gone amiss Despite directing a phenomenally successful franchise starter (Pirates of the Caribbean), two of its sequels (Dead Man’s Chest and At World’s End), a smash-hit horror remake (The Ring), an Oscar-winning animation (Rango), and films starring Brad Pitt and Julia Roberts (The Mexican) and Nicolas Cage and Michael Caine (The Weather Man), Gore Verbinski never quite broke through as a name the average cinemagoer would instantly recognise. There are some through-lines in his work – a dark sense of humour, an ease with pushing megastars past their limits – but he was mostly there in service of something or someone else, whether it be IP or an A-lister. After both consumed him in 2013’s loathed flop The Lone Ranger, Verbinski went away and returned three years later with an extravagant “one for me”, the ambitious throwback horror A Cure...
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A Kid for Two Farthings review – Carol Reed’s East End market-street caper still charms

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An array of stars portray warm-hearted Londoners in comedy pivoting around a young boy who is a sunny ancestor to Kes

Carol Reed’s 1955 film is a rich slice of gentle, sentimental comedy, adapted by Wolf Mankowitz from his own novel. It’s a little bit broad and not in the class of The Third Man or The Fallen Idol, but forthright and heartfelt, and boasting a veritable aristocracy of British character acting talent.

In the bustling world of Petticoat Lane in London’s East End, then the traditional home of the Jewish community, a shy little boy called Joe mopes and daydreams around the place; he’s played by Jonathan Ashmore, with the rather non-East-End stage-school child actor voice that was common in those days. (Ashmore left showbusiness after this one screen appearance and grew up to be a distinguished scientist.) His cheerful but careworn mum Joanna (Celia Johnson) is sadly missing her husband, Joe’s dad: he’s away chasing get-rich-quick schemes in South Africa.

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