‘An orgy of antisemitism is overtaking the west’: Son of Saul’s László Nemes on Hollywood hypocrisy

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His extraordinary Auschwitz film won every award going. Now the Hungarian director is back with new drama Orphan, as well as a Jean Moulin biopic at Cannes. He talks about resurgent global prejudice – and refusing to be lectured by the film industry ‘overclass’ We’ve been talking for less than five minutes when I spot the swastika. It’s just above the head of László Nemes, one of Europe’s most acclaimed directors, as he sits in the suite of a London hotel, talking about Orphan, his intensely personal new film that dwells on – among other things – the impact of the Holocaust on the generations that followed. It’s an ancient, Hindu swastika, part of a decorative wall-hanging – but still. I’m halfway through a question when I notice it. Nemes laughs; of course, he’d seen it immediately. “I wanted to point that out to you,” he says. “It is so funny. Before leaving this room, I will take pictures.” Mind you, he’s had worse. “When I was at the San Sebastián film festival with Son of Saul , t...
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A Kid for Two Farthings review – Carol Reed’s East End market-street caper still charms

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An array of stars portray warm-hearted Londoners in comedy pivoting around a young boy who is a sunny ancestor to Kes

Carol Reed’s 1955 film is a rich slice of gentle, sentimental comedy, adapted by Wolf Mankowitz from his own novel. It’s a little bit broad and not in the class of The Third Man or The Fallen Idol, but forthright and heartfelt, and boasting a veritable aristocracy of British character acting talent.

In the bustling world of Petticoat Lane in London’s East End, then the traditional home of the Jewish community, a shy little boy called Joe mopes and daydreams around the place; he’s played by Jonathan Ashmore, with the rather non-East-End stage-school child actor voice that was common in those days. (Ashmore left showbusiness after this one screen appearance and grew up to be a distinguished scientist.) His cheerful but careworn mum Joanna (Celia Johnson) is sadly missing her husband, Joe’s dad: he’s away chasing get-rich-quick schemes in South Africa.

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