Mark Kermode on… Kathryn Bigelow, a stylish ruffler of feathers

From vampire noir to Bin Laden, Point Break to Detroit, the first woman to win an Oscar for best director has never pulled her punches Watching new Jeff Nichols release The Bikeriders , starring Austin Butler and Tom Hardy as 60s Chicago greasers, I was reminded of two other movies: László Benedek’s 1953 Marlon Brando vehicle The Wild One , explicitly cited as an inspiration, and The Loveless , the 1981 feature debut of Kathryn Bigelow , the American film-maker (b.1951) who would go on to become the first woman to win a best director Oscar with her 2008 war drama The Hurt Locker . A symphony of leather-clad posing (with just a touch of Kenneth Anger ), The Loveless was a staple of the late-night circuit in the 80s, often on a double bill with David Lynch’s Eraserhead . Sharing directing credits with Monty Montgomery, Bigelow playfully deconstructed masculinity and machismo in a manner that was one part wry to two parts relish. I remember seeing The Loveless at the Phoenix in East

Several women accuse Vincent Gallo of disturbing audition experiences

Actor allegedly made sexually explicit and unsettling remarks during casting process for serial killer thriller The Policeman

Actor Vincent Gallo is being investigated by the Sag-Aftra union after several women alleged that he made inappropriate remarks to them during the casting process for the movie The Policeman.

At least three women reported Gallo to the actors’ union for sexually explicit and unsettling comments he made during the casting process for the film in November 2023, Rolling Stone first reported.

Continue reading...

from Film | The Guardian https://ift.tt/ob2LtTs
via IFTTT

Comments

Popular posts from this blog

Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

Elaha review – sex, patriarchy and second-generation identity

Shraddha Kapoor roped in as co-founder by demi fine jewellery start-up Palmonas