EXCLUSIVE: Rani Mukerji-starrer Oh My Goddess to go on floors in February; Akshay Kumar to have an extended cameo on the scale of OMG 2

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The year 2026 began on a surprising note as news broke that Akshay Kumar had signed on for the third installment of the OMG series. The reports further claimed that this time, he would be joined by Rani Mukerji, who would be headlining the film. And that’s not all. This film won’t be called OMG 3 but instead has been named Oh My Goddess. Bollywood Hungama has learned that the film in question is indeed being made and has found more information on the film. A source told Bollywood Hungama, “Oh My Goddess goes on floors in February. It was reported that Akshay Kumar would have a special appearance and would shoot for only a day or two. However, the truth is that he has an extended cameo and has devoted many more days to filming. In fact, his screen time is the same or almost as the one he had in OMG 2 (2023).” The source further said, “The script was locked last year. It’s a unique idea and director Amit Rai has gone one step ahead this time to give the audience a novel experience with...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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