Resul Pookutty refutes AR Rahman's communal remark, "He shouldn't have said that. I have never faced anything like that in my entire career"

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Oscar winning sound designer has much common in A R Rahman. They both won Oscars for Danny Boyle’s Slumdog Millionaire and they are both Muslim. So, has Resul also felt the “communal thing” that Rahman says he has experienced? Said Resul, “He shouldn’t have said that. I have never faced anything like that in my entire career. I think film industry is one sector where such thoughts haven’t gone deep rooted and we see things way beyond sectarian thoughts. I’m very proud of that aspect of my industry.” Defending Rahman’s remarks Resul Pookutty said, “If you listen to what he said about this is, when he was removed from projects he ‘heard’ whispers from people referring to it as ‘that might be communal’. Now what he said is what people told him. In the same breath he said, people are too mature to not see things beyond all these factors. It seems we are very quick to pin Rahman down. I think he said things with sincerity. Let’s not crucify him for what he felt ab...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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