Disha Patani rents out Khar West home at Rs 2.85 lakhs monthly rent: Report

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Actor Disha Patani has added another notable transaction to her real estate portfolio. The actor has leased out her luxury apartment in Mumbai's upscale Khar West locality at a starting monthly rent of Rs 2.85 lakhs. According to property registration documents accessed through Zapkey, the leave-and-license agreement was officially registered on June 1, 2026. The lease has been signed for a period of two years. The apartment is located in Rustomjee Paramount, one of the premium residential developments in Khar West. The property measures over 1,000 square feet and is situated on one of the higher floors of the residential tower. As per the registration documents, the apartment has been rented to Kamlaben Mangalbhai Gujjar. The tenant has paid a security deposit of Rs 8.55 lakh, which is equivalent to three months' rent. The agreement also includes a rent escalation clause. While the monthly rent for the first year has been fixed at Rs 2.85 lakhs, it will increase by 5 percent ...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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