BREAKING: Ramayana’s UNIQUE release strategy REVEALED; Namit Malhotra confirms international release on November 6; India to witness the epic on Diwali, November 8

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On August 5, Bollywood Hungama was the first to report that Ramayana would release worldwide in most international markets on Friday, November 6. And now, producer Namit Malhotra has revealed an unusual release strategy – the film will arrive in international markets two days before its India release. In an interview with NDTV, Namit Malhotra revealed that since Diwali falls on Sunday, November 8, audiences in India will get to watch Ramayana on the big screen on the festival day itself. Meanwhile, the film will release overseas two days earlier, on Friday, November 6. When asked about the film’s release date, Namit Malhotra said in the NDTV interview, “It’ll release in India on Diwali.” When specifically asked if that meant Ramayana would arrive in Indian theatres on November 8, he replied in the affirmative. The reporter then pointed out that the recently released English version of the Ramayana trailer mentions November 6 as the release date. Explaining the difference, Namit Malhot...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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