Ranveer Singh turns 40: Arjun Rampal calls Dhurandhar co-star “Sher” in heartfelt birthday wish BTS montage

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Ranveer Singh is celebrating his 40th birthday on July 6, 2026, and has received warm wishes from friends, colleagues, and fans across social media. Among those celebrating the occasion is his Dhurandhar co-star Arjun Rampal, who shared a heartfelt birthday message accompanied by a special video montage that revisited memorable moments from the making of the Aditya Dhar-directed duology. The video featured a collection of fan artworks dedicated to Ranveer Singh along with behind-the-scenes glimpses from the sets of Dhurandhar. The montage was set to ‘Main Aur Tu,’ one of the popular tracks associated with the film, making it a nostalgic tribute for fans of the franchise. Sharing the video, Arjun wrote, "Happy Happy birthday Sher e, to more fabulous memories, performances, successes, love, ice baths, laughs, celebrations. Have a fabulous year ahead @ranveersingh big love and a huge hug." The post quickly caught the attention of fans, who flooded the comments section with birt...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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