Akansha Ranjan Kapoor to marry Sharan Sharma on July 11; reception details revealed

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Actress Akansha Ranjan Kapoor is all set to embark on a new chapter in her life as she prepares to tie the knot with filmmaker Sharan Sharma. Known for her performance in Netflix's Guilty and Monica O My Darling, Akansha has reportedly been in a long-term relationship with the Gunjan Saxena: The Kargil Girl director, although the couple has largely kept their romance away from the public eye. While Akansha had earlier confirmed their relationship, the couple has hardly followed the trend of posting content with each other on social media. However, the duo has often been spotted attending private gatherings, close-knit celebrations, and social events together over the years. Now, reports suggest that wedding bells are finally ringing for the couple. According to a source who spoke exclusively to Hindustan Times, Akansha and Sharan are set to get married next month. “Akansha and Sharan are getting married on July 11 followed with a wedding reception on July 12. The reception will ta...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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