The Battle of Shatrughat: Gurmeet Choudhary, Aarushi Nishank and Siddharth Nigam unite for historic saga

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The wait is finally over! The epic war drama, The Battle of Shatrughat, has been officially announced. Directed by Shahid Kazmi and beautifully written by Sajad Khaki and Shahid Kazmi, the film stars Gurmeet Choudhary, Aarushi Nishank, and Siddharth Nigam, promising plenty of drama, valour, and spectacle. Gurmeet Choudhary recently shared a striking poster on social media, and fans went wild. Everyone is eager to know more about this ambitious project. The movie also features a powerful supporting cast, including Mahesh Manjrekar, Raza Murad, and Zarina Wahab. With Shahid Kazmi at the helm and production by PY Media, Hill Crest Motions, and Shahid Kazmi Films, this project is set to be a cinematic experience that brings a historic war to life. Adding to the film’s grandeur, the costume and styling are helmed by Darshan Bhagwandas Kamwal, ensuring authentic period detailing and a majestic visual aesthetic.   View this post on Instagram   A post shared by Sajad Khaki (@saj...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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