Luke Hemsworth: ‘I have to be very specific about which brother I am. But it still gets confusing’

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The star on his famous acting family, wrestling Chris and Liam, the best advice from Anthony Hopkins and being traumatised by The Exorcist Get our weekend culture and lifestyle email In Beast, your new film about an MMA fighter, you play Gabriel: a dirtbag guy with a dirtbag goatee. Did you base him off any dirtbags you’ve met? Oh, that’s all me. I’m channelling my inner dirtbag. He has some inadequacy issues. He’s like a used car salesman; he looks fair and feels foul. But there are parts of me in him – I’m wearing my own snake skin boots for the whole film. I ended up actually keeping one of his suits, which I might have worn to a couple of premieres, which is pretty funny! [Laughs] Continue reading... from Film | The Guardian https://ift.tt/twlXANL via IFTTT
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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