FACT CHECK: Paresh Rawal has NOT quit Hera Pheri 3 again; old Bollywood Hungama report from 2025 gets picked up as fresh news

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Exactly a year ago, Bollywood Hungama reported what was probably one of the biggest newsbreaks of 2025 – Paresh Rawal had quit Hera Pheri 3. It shocked the trade, the industry, fans and even the team of the film. A few days after this news broke, Akshay Kumar’s Cape of Good Films, the producer of Hera Pheri 3, sued Paresh Rawal for Rs. 25 crores. A couple of days later, Bollywood Hungama published another report stating that Paresh Rawal had returned the signing amount of Rs. 11 lakhs with 15% p.a. interest, along with some additional money for stepping away from the series. A few weeks later, Paresh Rawal and Akshay Kumar resolved the matter, and the former returned to the franchise. The issue was put to rest and had even become history. But now, amusingly, it is back in the news. On Saturday, reports started coming in that Paresh Rawal has once again quit Hera Pheri 3. Interestingly, these reports carried the same information that Bollywood Hungama had published exactly a year ago –...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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