Ahaan Panday CONFIRMS next film with Ali Abbas Zafar: “It’s being led by three people under the age of 30”

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Ahaan Panday used the stage at the NDTV Indian of the Year 2025 to confirm his next film, revealing that he will soon be collaborating with filmmaker Ali Abbas Zafar. Fresh off the success of his Bollywood debut Saiyaara, the actor spoke candidly about the project during a brief interaction with the host after accepting his award. Confirming the development, Ahaan said, “It’s an Ali Abbas Zafar film. I don’t know if I should say too much. All I can say is it will start rolling very soon, in the next couple of months. It’s an action film. It’s being led by three people under the age of 30. It has been something that’s not been done for a very long time. For the rest, the audience will have to wait for it.” While he refrained from sharing further details, the confirmation put an end to months of speculation around his next project. Buzz around Ahaan’s follow-up to Saiyaara first surfaced in October this year. Reports suggest that Sharvari will play the female lead, with Bobby Deol expe...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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