Ranveer Singh starrer Dhurandhar heads to Japan after blockbuster run; actor shares special message ahead of July 10 release

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After emerging as one of the biggest theatrical successes in Hindi cinema, Dhurandhar is now set to continue its global journey. The Ranveer Singh-starrer will release in theatres across Japan on July 10, 2026, marking another milestone in the film's successful international run. Ahead of the release, Ranveer Singh recorded a special video message for Japanese audiences, inviting them to experience the action-packed entertainer on the big screen. Calling Dhurandhar an immersive cinematic spectacle, the actor highlighted the film's blend of drama, intensity, scale and emotion while expressing his excitement about the movie reaching a new audience. The Japan release comes months after the film enjoyed a phenomenal worldwide run following its theatrical release in India on December 5, 2025. Backed by strong box office numbers and positive audience response, Dhurandhar went on to establish itself as one of the biggest commercial successes in recent Hindi cinema.   View this post ...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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