Janhvi Kapoor charged Rs. 8 crores to act with Ram Charan in Peddi 

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In the midst of all the controversy around her character and its portrayal in the Buchi Babu-directed Peddi, Bollywood Hungama has exclusively learnt that Janhvi Kapoor drew her biggest pay cheque for the film. According to reliable trade sources, the actress was paid a sum of Rs. 8 crores for the part of female lead alongside Ram Charan. "This is the biggest pay cheque of her career, and she was a thorough professional on the sets of Peddi. She was paid Rs. 5 crores for Devara, and this is a jump of about 50 per cent from Devara. With back-to-back success in the Telugu film industry with Devara and Peddi, Janhvi is considered to be the woman with a golden leg in the fraternity, commanding a 100 per cent success ratio," a trade source informed Bollywood Hungama. The source further added that Janhvi will next be seen in Atlee-directed Raka alongside Allu Arjun. In Hindi, she will next be seen in Lag Ja Gale with Tiger Shroff and Lakshya. "Janhvi is offered multiple proje...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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