MEGA EXCLUSIVE: Raveena Tandon and Parineeti Chopra join the cast of Malamaal Weekly 2

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Bollywood Hungama was the first one to confirm in February 2026 that Malamaal Weekly 2 is in the works. Two months later, in April 2026, we revealed that Amit Joshi of Teri Baaton Mein Aisa Uljha Jiya (2024) fame has been signed to direct the comic caper. We now bring you another exciting piece of news from this upcoming project. Bollywood Hungama has exclusively learned that two talented actresses, Raveena Tandon and Parineeti Chopra, have joined the cast of Malamaal Weekly 2. A source told Bollywood Hungama, "Both the actresses are perfect as per the requirement of the script. Hence, the makers were really keen to have them on board. Thankfully, both Raveena Tandon and Parineeti Chopra loved the script and their respective characters. They readily signed the film." The source continued, "Both actresses are talented and have great comic timing. Raveena has proved her worth with the numerous comedies she has starred in during the 1990s and early 2000s, as well as the re...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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