FIR filed against Ranveer Singh over alleged insult to Chavundi Daiva tradition, case to be heard on April 8

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An FIR has been registered against actor Ranveer Singh at the High Grounds Police Station in Bengaluru for allegedly hurting Hindu religious sentiments and disrespecting the Chavundi Daiva tradition of coastal Karnataka, according to a report by NDTV. The case was filed on Wednesday, months after the incident that initially sparked controversy. The complaint relates to an event held on November 28, 2025, during the closing ceremony of the International Film Festival of India (IFFI) in Goa. During the event, Ranveer Singh allegedly mimicked a Daiva performance inspired by Rishab Shetty’s film Kantara: A Legend – Chapter 1. The act reportedly drew sharp criticism on social media, with many users accusing the actor of mocking a sacred ritual deeply rooted in the cultural and religious practices of coastal Karnataka. Following the backlash, Ranveer Singh had issued a public apology through his Instagram Stories, expressing regret for hurting sentiments and clarifying that there was no int...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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