BREAKING: Dhamaal 4 ends with the promise of the next installment – Dhamaal 5

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The much awaited Dhamaal 4 is all set to release tomorrow, July 10, and the excitement is tremendous due to the casting, hilarious trailer and popularity of the franchise. It seems like the makers are very confident that just like the previous parts, the fourth part of the Dhamaal franchise will also be a hit. This is because they have ended the film with a hint of a sequel. A source told Bollywood Hungama, "At the end of Dhamaal 4, there's a scene which indicates that Dhamaal 5 is also in the offing. And just like the first four parts, Dhamaal 5 is also expected to be a madcap, crazy entertainer, going by the sequence." Directed by Indra Kumar, Dhamaal 4 brings back the franchise’s core cast, including Ajay Devgn, Riteish Deshmukh, Arshad Warsi, Sanjay Mishra, and Jaaved Jaaferi. The ensemble cast also features Esha Gupta, Sanjeeda Shaikh, Anjali Anand, Upendra Limaye, Vijay Patkar, and Ravi Kishan, adding new faces to the comedy series. Dhamaal 4 is presented by Gulsha...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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