MTV Splitsvilla X6 to premiere on January 9 with new format; details inside!

Finding love has just been taken a notch higher as India’s biggest youth dating reality show, MTV Splitsvilla, returns with its 16th season, i.e. bigger, bolder and spicier. Hosted by the ultimate Queen of Hearts - Sunny Leone, who recently celebrated a decade of her iconic journey with the show, joined by her charming co-host, the King of Hearts - Karan Kundrra. This time the drama dose has doubled up with our Mischief Maker duo - Nia Sharma and Uorfi. Gear up for MTV Splitsvilla X6: Pyaar ya Paisa, set against the scenic coast of Mahabalipuram, Tamil Nadu, where 32 hot & single girls and boys step up their game to win 'Pyaar ya Paisa'. Instax Fujifilm presents MTV Splitsvilla X6 Co-powered by Sofy, NEWME, Envy Perfumes and Philips Body Groomer starting 9th January on Fri, Sat & Sun at 7 pm on MTV India and JioHotstar. ‘MTV Splitsvilla X6: Pyaar Ya Paisa’ brings a new twist, picking up from where ex-contestants Digvijay and Kashish left off last season. This time, con...

Rojek review – unsettlingly intimate portraits of Islamic State militants

Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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