BREAKING: Producer Bhushan Kumar, Aditya Roy Kapur and director Milap Milan Zaveri join forces for an intense musical love story

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After delivering the cult musical romance Aashiqui 2, Malang, Ludo and Metro… In Dino, producer Bhushan Kumar reunites with Aditya Roy Kapur for an all-new cinematic experience. Joining them is director Milap Milan Zaveri, fresh off the success of Ek Deewane Ki Deewaniyat, as the trio comes together for an intense, violent, and deeply emotional musical love story. Blending powerful romance, high-octane action, and a soul-stirring soundtrack, the yet-untitled film promises to present love in its most passionate and raw form. Backed by T-Series, the film is being mounted on a grand scale and is set to offer audiences a compelling theatrical experience. On coming back together once again, producer Bhushan Kumar said, “Our association with Aditya goes back many years and has given us films that audiences continue to love. From Aashiqui 2 to Metro… In Dino, every collaboration has been special in its own way. We share a great creative comfort, and I’m happy we’re coming together once again...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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