Shakti Kapoor reacts to death hoax, says “My death news is all fake”; actor to file cyber complaint

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Veteran actor Shakti Kapoor has strongly reacted to fake reports of his demise that recently surfaced online. The actor took to social media to personally dismiss the rumours and reassure fans and loved ones that he is safe, healthy, and doing absolutely fine. In a short video message shared online, the actor addressed the misleading reports directly and urged everyone not to believe them. “Hello everyone. My death news is all fake. I am healthy and happy. Please ignore it”, he said. Expressing disappointment over the circulation of such rumours, Shakti Kapoor also revealed that he intends to take legal action against those responsible for spreading the false information. “I am going to file a cyber complaint about it because this is not good,” he added in the video.   View this post on Instagram   A post shared by Shakti Kapoor (@shaktikapoor) Soon after the actor posted the clarification, several fans flooded the comments section with messages of relief and support. Many ...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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