Farhan Akhtar and Raashii Khanna to visit Jodhpur for emotional tribute on the day of 120 Bahadur trailer launch

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As the anticipation builds for the trailer of 120 Bahadur, a powerful war drama based on the legendary Battle of Rezang La, actors Farhan Akhtar and Raashii Khanna are set to mark the occasion with a deeply emotional gesture. On November 6, the duo will visit Jodhpur to pay tribute at the memorial of Major Shaitan Singh Bhati, PVC — the heroic soldier whose extraordinary courage inspired the film. According to a source close to the production, the visit has been planned as a heartfelt homage to the late war hero and the values of bravery, sacrifice, and patriotism that 120 Bahadur celebrates. “Farhan Akhtar and Raashii Khanna will be visiting the memorial of Major Shaitan Singh Bhati, PVC, in Jodhpur on the day of the trailer launch. This visit is being organized as a mark of deep respect to the Major and his indomitable spirit,” the source revealed. In a touching gesture, the actors will first showcase the trailer privately to Major Shaitan Singh Bhati’s son, Narpat Singh Ji, and hi...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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