Vedang Raina says Main Vaapas Aaunga “changed everything” for him; thanks Imtiaz Ali in heartfelt note

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Actor Vedang Raina has shared an emotional note reflecting on his journey in the film industry and the impact of his latest release, Main Vaapas Aaunga. The actor took to social media to express gratitude towards director Imtiaz Ali, his co-stars, and audiences who have supported the film since its release. Alongside a series of behind-the-scenes photographs from the sets of Main Vaapas Aaunga, Vedang opened up about the moment he realized acting was what he wanted to pursue. “I came home one day after an audition (I was 19) and told my parents that acting is what makes me feel the most alive. I didn’t expect to say that and I was as surprised as they were,” he wrote. The actor revealed that it has been nearly two-and-a-half years since he entered the entertainment industry and said his instincts about choosing acting as a profession proved to be right. Reflecting on the significance of Main Vaapas Aaunga in his career, Vedang described the film as a turning point. “Maybe it’s too ear...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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