Akshay Kumar teams up with Vipul Shah for alien action thriller Samuk; Hollywood creature and action experts join project

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Actor Akshay Kumar is set to headline a new large-scale sci-fi action thriller titled Samuk, directed by Kanishk Varma and produced by Vipul Amrutlal Shah. Positioned as an ambitious alien survival thriller, the film is currently in development and is expected to go on floors soon. The project marks Akshay Kumar’s return to a full-scale action role and will reportedly combine elements of survival horror, military realism, and alien thriller storytelling. The makers are also bringing together an international technical team with experience across several Hollywood franchise films. Speaking about the project, producer Vipul Shah said, “We always try to challenge ourselves with different genres, and Samuk is something Indian cinema hasn’t attempted before. Our aim is to create a world-class alien thriller for audiences.” Director Kanishk Varma, known for projects such as Sanak and Inside Edge, revealed that the idea for the film emerged from his interest in survival thrillers and elite s...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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