Wuthering Heights director regrets not showing Margot Robbie’s ‘extremely hairy armpits’

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Emerald Fennell says period-realistic scene emphasising Cathy’s lack of razors was shot but did not make final cut The Wuthering Heights director Emerald Fennell said it was “unfortunate” that a scene showing Margot Robbie’s hairy armpits did not make the final cut, because women in period adaptations are often shown with clean-shaven underarms. Robbie’s character, Cathy, had “extremely hairy armpits” in the 2026 adaptation of the novel, but “unfortunately the scene that we see them didn’t make it in there”, said the director. Continue reading... from Film | The Guardian https://ift.tt/jG9YsKF via IFTTT
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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