Manish Goel clears air on Anupama exit rumours and fallout buzz with Rupali Ganguly

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Amid swirling rumours about his exit from Anupama and alleged differences with lead actress Rupali Ganguly, actor Manish Goel has finally broken his silence and set the record straight. Speaking to Money Control, Goel clarified that his role as Raghav was never meant to be permanent and was designed as a limited-time appearance from the outset. “My character was only meant to last four months. Out of that, I have completed three months already,” he stated, dismissing claims that he was quitting the show due to internal conflict. He further shared, “When a cameo of an actor is extended, it works excellently for them and if it is not, then also fine, you were already informed about the same in advance”, indicating that there was no sudden change or fallout that led to his character wrapping up. The buzz around Goel’s alleged exit intensified following reports that hinted at a fallout between him and Rupali Ganguly, with rumours suggesting that their off-screen differences may have led ...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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