Aamir Khan and R Madhavan deny being approached for 3 Idiots sequel: "It also sounds far-fetched"

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Of late, the internet is afire with reports on Rajlumar Hirani’s 3 Idiots acquiring a sequel. When this writer approached the two principal players in 3 Idiots Aamir Khan and R Madhavan they individually declared they had no clue of this development. Said Madhavan, “A sequel to 3 Idiots sounds great. But it also sounds far-fetched. All three of us Aamir Khan, Sharman Joshi and I are much older now. Where do we go in the sequel? What are our lives like now? It is an interesting thought. But hardly conducive to a proper sequel. I would love to work with Raju Hirani again. But 3 Idiots again? I think that would be idiotic.” Aamir Khan said that he is delighted by the thought of sequel to 3 Idiots. “We had so much fun making that film! My character Rancho is the most popular character I’ve played. People still talk about Rancho. So yeah, I’d love to do a sequel. But no one has approached me.” One hopes this puts an end to the endless speculation on a sequel to a ...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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