Delhi HC postpones hearing on Salman Khan's petition against Kala Hiran; next hearing on July 1

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 The Delhi High Court on Friday deferred the hearing on actor Salman Khan's plea seeking to restrain the filming, promotion, and release of the proposed film Kala Hiran: The Battle for Legacy. The matter was postponed after counsel representing the filmmakers sought additional time to file a response to the application. The case was heard by the vacation bench of Justice Madhu Jain, which has now listed the matter before the roster bench on July 1. Salman Khan has approached the court alleging that the proposed film and its promotional material are based on incidents linked to him and unlawfully exploit his personality and publicity rights. Salman Khan seeks interim relief During the hearing, Senior Advocate Sandeep Sethi, appearing on behalf of Salman Khan, urged the court to grant interim protection against the film's release and promotional activities. "He is producing a film on my life and tearing up the notice. He has no right to make a film of my life. I am seeking ...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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