The brief life and sudden death of Zyzz: why did the bodybuilding influencer die at just 22?

Long before looksmaxxers, Aziz ‘Zyzz’ Shavershian was famous online for posting workouts and rage-bait – until he died in Thailand in 2011. A new documentary reveals what really happened Decades before the extreme aesthetic trend of looksmaxxing, there was Zyzz. Aziz Shavershian was an Australian teenager who became a fitness influencer in the 2000s, filming his workouts and thoughts about the world on his Nokia and posting them to YouTube. Zyzz was big in all senses of the word: many of his videos would see him flexing into unabashedly vain bodybuilding poses, hair feathered like an anime character, as he mocked his audience’s envy with slang straight out of bodybuilding forums: “U mirin’, brah?” He was skilled in rage-bait long before anyone had heard of it, creating accounts to troll himself in case the haters ever forgot to hate. He started an anonymous Facebook page, titled “10,000 likes and I’ll bash Zyzz”, and, when the goal was reached, switched the page to one advertising his ...

Rojek review – unsettlingly intimate portraits of Islamic State militants

Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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