Jaideep Ahlawat confirms role in Shah Rukh Khan’s King; says, “Who could say no to Shah Rukh Khan”

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In 2023, Shah Rukh Khan made a major impact at the box office with three consecutive blockbusters — Pathaan, Jawan, and Dunki. Now, anticipation is building around his upcoming film titled King. While Saurabh Shukla had earlier confirmed his role in the project, actor Jaideep Ahlawat has also revealed in an interview with Lallantop that he is part of the film. Jaideep Ahlawat confirmed his involvement in Shah Rukh Khan’s upcoming film King and shared how he became part of the project. He recalled, “SRK sir kaafi time se soch rahe the iss cheez ko, jaisa mujhe pata laga hai, but Siddharth Anand bhai thoda hichak rahe honge ki chota part hai to offer after Jewel Thief. But Khan saab being Khan saab, he said I’ll talk to him. Ab unki baat kaun nakarega (SRK sir had been thinking about this for quite some time, as far as I know. But Siddharth (Anand) bhai was a bit hesitant to offer it since it was a small role after Jewel Thief. But Khan saab being Khan saab, he said, ‘I’ll talk to him.’...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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