Ranbir Kapoor starrer Ramayana trailer to launch Worldwide on July 24

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The makers of Namit Malhotra’s Ramayana have officially announced that the film’s trailer will premiere worldwide on July 24, 2026. Positioned as one of the biggest cinematic projects inspired by Indian mythology, the film aims to bring one of the country’s most celebrated epics to audiences across the globe. Earlier, the makers unveiled the Rama glimpse, offering viewers a first look at the film’s visual scale and interpretation of the timeless epic. The preview generated significant buzz and heightened anticipation for the project. With the trailer release date now confirmed, excitement surrounding the film has grown even further. Planned as a two-part theatrical event, Ramayana: Part One seeks to present the revered story on a grand cinematic canvas through large-scale visuals, emotional storytelling, and advanced visual effects. The upcoming trailer is expected to offer audiences a deeper look into the world created by the filmmakers.   View this post on Instagram   A...
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Rojek review – unsettlingly intimate portraits of Islamic State militants

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Documentary collects sequence of interviews with prisoners, not all repentant, alongside footage of war-blasted Syrian Kurdistan

Here is an astringent, devastating and truly extraordinary film that is hard work to watch, but entirely worth it. Rojek probes the roots and fallen leaves of the Syrian civil war, a conflict the western media has practically forgotten as news of Ukraine and Gaza-Israel-Yemen dominates international reporting. Director Zayne Akyol, heard off-camera throughout, interviews members of Islamic State, now being held in high security prisons by the Syrian Democratic Forces, about their lives, with some recalling more innocent days when they hunted goldfinches to sell in markets or liked Canadian pop music. Many recount how they were recruited into IS by cells in local mosques in assorted countries – Germany, say, or Saudi Arabia – and came to have positions both high-ranking and menial in the organisation in the part of Syria with a dense Kurdish population.

In the film’s present, some are still unrepentant, believers that they fought honourably in a holy war; others see things differently and are riven with regrets. Some are women who recall their time of service to IS as the happiest days of their lives. In stately procession, each person speaks straight to the camera in almost disconcerting closeup, and however repugnant some of the things they say might be, it’s impossible to not recognise and see most of them as broken human beings.

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