Sunita Ahuja claps back at paparazzi over Govinda questions; asks, ‘Address de doon kya?’

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Sunita Ahuja made a public appearance in Mumbai recently to cheer on her daughter, Tina Ahuja, who was walking the ramp at a fashion show. Accompanied by her son Harshvardhan Ahuja, Sunita was in attendance to support Tina’s moment on the runway. However, the evening took an uncomfortable turn when the paparazzi began asking repeated questions about her husband, veteran Bollywood actor Govinda. While walking the ramp, one of the photographers called out to her, asking, “Govinda sir kahan par hai (Where is Govinda sir)?”. In response, Sunita made a ‘zip-it’ gesture’, clearly indicating that she didn’t want to entertain the question. The move left her son Harshvardhan chuckling, but the paparazzi continued to press her with questions about the 90s star’s absence. As the repeated queries persisted, Sunita’s mood visibly shifted. Irritated by the constant prodding, she eventually walked off the stage and snapped at the photographers, saying, “Address de doon kya (Should I give you the add...
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Presence review – Steven Soderbergh’s intriguing ghost story experiment

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Sundance film festival: The director tells a haunted house tale from the perspective of the spirit in a visually interesting yet dramatically underwhelming gambit

For the majority of film-makers, the restrictions insisted by Covid became a stifling force and created a clear dividing line between those who could flourish in extremely prohibitive circumstances and those who could not. Steven Soderbergh, a director who has never allowed anything – from Oscar glory to blockbuster success – to kill his plucky spirit of invention, made one of the only essential pandemic movies with the maddeningly underseen thriller Kimi, a sleek and canny new-tech upgrade of a paranoid 70s thriller. He found a way, along with the screenwriter David Koepp, to maximise limitations and the two have smartly reunited for a project that carries on-paper similarities.

Presence, a project shrouded in trademark mystery, shot over last summer with a waiver and now unveiling at Sundance, is another one-location genre exercise, playfully riffing on age-old tropes and allowing Soderbergh, as both director and cinematographer, the opportunity to experiment. This time he’s playing with the conventions of haunted house horror, his film told from the perspective of the ghost situated in a recently renovated house, new inhabitants moving in – a family, led by Lucy Liu and the This is Us actor Chris Sullivan with the newcomers Callina Liang and Eddy Maday as their teenage children. Like families often do in this genre, they’re arriving with excess baggage, tensions they hope will dissipate in a new home, a fresh start after a period of unease.

Presence is showing at the Sundance film festival and is seeking distribution

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