Netflix sued for $105m over stolen Nicolas Cage war thriller

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Makers of unreleased $45m film Fortitude sue after hard drive stolen from streamer’s Los Angeles office Netflix is being sued for $105m over the theft of a hard drive including an unreleased Nicolas Cage war movie. The streamer’s Los Angeles office was the target of a theft involving a number of hard drives, one of which contained a copy of second world war spy thriller Fortitude. Continue reading... from Film | The Guardian https://ift.tt/vdMe9LK via IFTTT
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Presence review – Steven Soderbergh’s intriguing ghost story experiment

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Sundance film festival: The director tells a haunted house tale from the perspective of the spirit in a visually interesting yet dramatically underwhelming gambit

For the majority of film-makers, the restrictions insisted by Covid became a stifling force and created a clear dividing line between those who could flourish in extremely prohibitive circumstances and those who could not. Steven Soderbergh, a director who has never allowed anything – from Oscar glory to blockbuster success – to kill his plucky spirit of invention, made one of the only essential pandemic movies with the maddeningly underseen thriller Kimi, a sleek and canny new-tech upgrade of a paranoid 70s thriller. He found a way, along with the screenwriter David Koepp, to maximise limitations and the two have smartly reunited for a project that carries on-paper similarities.

Presence, a project shrouded in trademark mystery, shot over last summer with a waiver and now unveiling at Sundance, is another one-location genre exercise, playfully riffing on age-old tropes and allowing Soderbergh, as both director and cinematographer, the opportunity to experiment. This time he’s playing with the conventions of haunted house horror, his film told from the perspective of the ghost situated in a recently renovated house, new inhabitants moving in – a family, led by Lucy Liu and the This is Us actor Chris Sullivan with the newcomers Callina Liang and Eddy Maday as their teenage children. Like families often do in this genre, they’re arriving with excess baggage, tensions they hope will dissipate in a new home, a fresh start after a period of unease.

Presence is showing at the Sundance film festival and is seeking distribution

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