EXCLUSIVE: In a RARE development, CBFC passes De De Pyaar De 2 with ZERO cuts

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The Central Board of Film Certification (CBFC) is known to impose several cuts or ask for replacements and modifications in scenes or dialogues that they find inappropriate or objectionable. Even clean family entertainers have gone through such censorship. Hence, it’ll be a pleasant surprise for our readers to know that De De Pyaar De 2 has proved to be an exception. Bollywood Hungama has learned that the upcoming Ajay Devgn-R Madhavan-Rakul Preet Singh starrer has not got a single visual or audio cut. The film has been passed as it is by the Examining Committee of the CBFC. The film has received a U/A 13+ certificate and the process was completed on November 6. The length of the film, as mentioned on the censor certificate, is 147.10 minutes. In other words, De De Pyaar De 2 is 2 hours, 27 minutes and 10 seconds long. It releases in cinemas on November 14. Past experience De De Pyaar De 2 is a sequel to the Ajay Devgn-Tabu-Rakul Preet Singh starrer De De Pyaar De (2019), which suff...
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Power review – damning documentary traces the history of US policing

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Sundance film festival: Yance Ford’s followup to Oscar nominated documentary Strong Island is a visually elegant, if a little dry, look at a problematic instituion

Power, documentarian Yance Ford’s clinical inquiry into US policing, isn’t trafficking in new information. The 86-minute project billed as an “essay-film”, which premiered at Sundance and will stream on Netflix later this year, has clear eyes on the past, synthesizing the work of several academics with a robust archival record to examine the origins, structure and impact of police power in the United States.

That doesn’t mean it’s unnecessary; the film makes cogent, sweeping sense of the record for perhaps the most illuminative, swift and damning case against the institution of policing – the real fourth estate, as one subject puts it – of the many investigations conducted in the wake of the 2020 Black Lives Matter protests. But there’s a dryness to its procedure. Though more visually elegant and poetic (almost to a fault, owing to Ford’s at times ponderous narration) than a Netflix Explained entry, Power basically has the same function as a nonfiction explainer. Perhaps owing to its ample use of academics to supply the exclamation points and through-lines to a truly remarkable collage of archival footage, the film has the feel of a very deluxe college lecture. (A visual metaphor linking policing power to an atomic bomb, while mesmerizing to look at, never fully lands.)

Power is screening at the Sundance film festival and will be released on Netflix later this year

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