Sharvari leads her generation's biggest film line-up; 2 massive theatrical releases set to arrive in just 28 days

Sharvari is fast emerging as one of the most exciting talents of her generation, and her growing filmography is proof that the industry’s biggest filmmakers and banners are betting big on her. The young actress has built an enviable line-up that includes Imtiaz Ali’s Main Vaapas Aaunga, Aditya Chopra’s Alpha, Sooraj Barjatya’s Yeh Prem Mol Liya, and YRF and Ali Abbas Zafar’s untitled next, in which she is paired opposite Ahaan Panday. What makes her upcoming slate even more remarkable is that Sharvari has two major theatrical releases within a span of just 28 days. While Main Vaapas Aaunga is set to arrive on June 12, Alpha will hit cinemas on July 10, giving her a huge opportunity to consolidate her place among the most promising young stars in the industry. Sharvari has already sparked a strong conversation with the teaser of Main Vaapas Aaunga, where her innocence and screen presence have stood out instantly. In fact, many on the internet are already calling her the “best-kept sur...

Power review – damning documentary traces the history of US policing

Sundance film festival: Yance Ford’s followup to Oscar nominated documentary Strong Island is a visually elegant, if a little dry, look at a problematic instituion

Power, documentarian Yance Ford’s clinical inquiry into US policing, isn’t trafficking in new information. The 86-minute project billed as an “essay-film”, which premiered at Sundance and will stream on Netflix later this year, has clear eyes on the past, synthesizing the work of several academics with a robust archival record to examine the origins, structure and impact of police power in the United States.

That doesn’t mean it’s unnecessary; the film makes cogent, sweeping sense of the record for perhaps the most illuminative, swift and damning case against the institution of policing – the real fourth estate, as one subject puts it – of the many investigations conducted in the wake of the 2020 Black Lives Matter protests. But there’s a dryness to its procedure. Though more visually elegant and poetic (almost to a fault, owing to Ford’s at times ponderous narration) than a Netflix Explained entry, Power basically has the same function as a nonfiction explainer. Perhaps owing to its ample use of academics to supply the exclamation points and through-lines to a truly remarkable collage of archival footage, the film has the feel of a very deluxe college lecture. (A visual metaphor linking policing power to an atomic bomb, while mesmerizing to look at, never fully lands.)

Power is screening at the Sundance film festival and will be released on Netflix later this year

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