Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...

Power review – damning documentary traces the history of US policing

Sundance film festival: Yance Ford’s followup to Oscar nominated documentary Strong Island is a visually elegant, if a little dry, look at a problematic instituion

Power, documentarian Yance Ford’s clinical inquiry into US policing, isn’t trafficking in new information. The 86-minute project billed as an “essay-film”, which premiered at Sundance and will stream on Netflix later this year, has clear eyes on the past, synthesizing the work of several academics with a robust archival record to examine the origins, structure and impact of police power in the United States.

That doesn’t mean it’s unnecessary; the film makes cogent, sweeping sense of the record for perhaps the most illuminative, swift and damning case against the institution of policing – the real fourth estate, as one subject puts it – of the many investigations conducted in the wake of the 2020 Black Lives Matter protests. But there’s a dryness to its procedure. Though more visually elegant and poetic (almost to a fault, owing to Ford’s at times ponderous narration) than a Netflix Explained entry, Power basically has the same function as a nonfiction explainer. Perhaps owing to its ample use of academics to supply the exclamation points and through-lines to a truly remarkable collage of archival footage, the film has the feel of a very deluxe college lecture. (A visual metaphor linking policing power to an atomic bomb, while mesmerizing to look at, never fully lands.)

Power is screening at the Sundance film festival and will be released on Netflix later this year

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