Infinite Icon: A Visual Memoir review – Paris Hilton’s act of self-love shows there’s nothing behind the mask

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A look behind the scenes of the star’s second album turns out to reveal exactly what you’d expect, at arduous length Paris Hilton here presents us with an unbearable act of docu-self-love, avowedly a behind-the-scenes study of her second studio album, Infinite Icon, and where she’s at as a musician, survivor and mom. But maybe there is, in fact, nothing behind the scenes; judging by this, the scenes are all there is: Insta-exhibitionism, empty phrases and show. Hilton’s second album no doubt has its admirers and detractors, and her fans are perfectly happy with it. But this film, for which she is executive producer, is an indiscriminate non-curation of narcissism and torpid self-importance that seems to go on and on and on for ever; the longest two hours of anyone’s life, finally signing off with a splodge of uninteresting and unedited concert footage. Continue reading... from Film | The Guardian https://ift.tt/BNvDRxa via IFTTT
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Power review – damning documentary traces the history of US policing

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Sundance film festival: Yance Ford’s followup to Oscar nominated documentary Strong Island is a visually elegant, if a little dry, look at a problematic instituion

Power, documentarian Yance Ford’s clinical inquiry into US policing, isn’t trafficking in new information. The 86-minute project billed as an “essay-film”, which premiered at Sundance and will stream on Netflix later this year, has clear eyes on the past, synthesizing the work of several academics with a robust archival record to examine the origins, structure and impact of police power in the United States.

That doesn’t mean it’s unnecessary; the film makes cogent, sweeping sense of the record for perhaps the most illuminative, swift and damning case against the institution of policing – the real fourth estate, as one subject puts it – of the many investigations conducted in the wake of the 2020 Black Lives Matter protests. But there’s a dryness to its procedure. Though more visually elegant and poetic (almost to a fault, owing to Ford’s at times ponderous narration) than a Netflix Explained entry, Power basically has the same function as a nonfiction explainer. Perhaps owing to its ample use of academics to supply the exclamation points and through-lines to a truly remarkable collage of archival footage, the film has the feel of a very deluxe college lecture. (A visual metaphor linking policing power to an atomic bomb, while mesmerizing to look at, never fully lands.)

Power is screening at the Sundance film festival and will be released on Netflix later this year

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