EXCLUSIVE: Shakti Shalini goes on floors in January 2026; Amar Kaushik explains how Aneet Padda came on board, “We saw Saiyaara and knew that she perfectly…”

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Before the audience sat down to watch the grand Diwali release, Thamma, they were treated to a 60-second-long announcement promo for Shakti Shalini. The film earlier starred Kiara Advani and there were reports that Aneet Padda of Saiyaara (2025) fame has replaced the former. The announcement teaser confirmed the speculations and also revealed that the next film of the Maddock Horror Comedy Universe will be out on December 24, 2026. In an exclusive interview with Bollywood Hungama, Amar Kaushik, the mentor of the universe and also the producer of Munjya (2024) and Thamma, opened up about this film. Earlier, the plan was to bring 2 more films of Maddock Horror Comedy Universe, namely Bhediya 2 and Chamunda, in cinemas in 2026. When asked if the plan remains or will Shakti Shalini be the sole release of the universe next year, Amar Kaushik said, “There might be just one film (from the universe in 2026). We feel that there should not be an overdose and we should not give too many films in...
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Mark Kermode on… director Christoper Nolan, a magician of cinema as memory

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From Memento to the Golden Globe-winning Oppenheimer, the head-scrambling British-American director has revelled in using cinema as a time machine – and a conjuring trick

Somewhere between the crowd-pleasing spectacle of Hollywood and the esoteric inventions of European cinema lies the work of Christopher Nolan, the London-born writer-director who next month will receive the British Film Institute’s highest honour – the fellowship. Hailed by the BFI as “a blockbuster auteur and champion of cinema”, five-time Academy Award nominee Nolan is tipped for success at last at the forthcoming Oscars with his recent Golden Globe winner Oppenheimer – a frontrunner for, among others, best film, best director and best adapted screenplay.

The fact that this darkly ruminative three-hour epic has become the highest grossing biopic of all time, outselling the poptastically entertaining Bohemian Rhapsody, says much about Nolan’s ability to connect with mainstream audiences. Stranger still, a substantial number of those who furrowed their brows through the existential crises of Oppenheimer went on to double-bill it with Greta Gerwig’s pink-hued Barbie, creating one of cinema’s most unlikely box-office bonanzas – Barbenheimer!

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