SCREEN launches SCREEN academy to nurture India’s next generation of Filmmakers

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The Indian Express Group and SCREEN on Wednesday announced the launch of SCREEN Academy, a not-for-profit initiative aimed at supporting and highlighting emerging talent in Indian cinema. With an exciting and fast-growing list of diverse members including Cannes and Oscar winners, Guneet Monga, Payal Kapadia and Resul Pookutty, and veteran screenwriter Anjum Rajabali, the Academy, working with India’s top film institutes, will identify and empower the next generation of filmmakers through education, representation, and recognition. Established with the generous support of Founding Patron Abhishek Lodha of the Lodha Foundation, SCREEN Academy will annually provide postgraduate fellowships to students nominated by their film schools, who demonstrate exceptional storytelling potential but lack the financial resources to pursue formal film education. Chief Minister of Maharashtra Shri Devendra Fadnavis said the timing and the lo...
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Mark Kermode on… director Christoper Nolan, a magician of cinema as memory

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From Memento to the Golden Globe-winning Oppenheimer, the head-scrambling British-American director has revelled in using cinema as a time machine – and a conjuring trick

Somewhere between the crowd-pleasing spectacle of Hollywood and the esoteric inventions of European cinema lies the work of Christopher Nolan, the London-born writer-director who next month will receive the British Film Institute’s highest honour – the fellowship. Hailed by the BFI as “a blockbuster auteur and champion of cinema”, five-time Academy Award nominee Nolan is tipped for success at last at the forthcoming Oscars with his recent Golden Globe winner Oppenheimer – a frontrunner for, among others, best film, best director and best adapted screenplay.

The fact that this darkly ruminative three-hour epic has become the highest grossing biopic of all time, outselling the poptastically entertaining Bohemian Rhapsody, says much about Nolan’s ability to connect with mainstream audiences. Stranger still, a substantial number of those who furrowed their brows through the existential crises of Oppenheimer went on to double-bill it with Greta Gerwig’s pink-hued Barbie, creating one of cinema’s most unlikely box-office bonanzas – Barbenheimer!

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