Executioner review – sleazy MP hams it up with sex worker in darkly comic blackmail thriller

Based on actor-director Peter Benedict’s own play this tiny-budget thriller has the feel of a stagey recording as the double-crosses pile up higher than an MP’s promises The fictional shadow cabinet minister at the centre of this darkly comic blackmail thriller is offended when the male prostitute he has hired describes his reputation as “colourful”. Colourful MPs support bloodsports and wear bow ties, he says; he prefers the term “maverick”. It’s never said out loud, but clearly he sits on the right in political terms; you can tell from the sneer in his voice as he utters the word “proletariat”. Executioner is adapted by Peter Benedict from his play Deadlock, with a staginess that feels a bit much for the screen. Benedict also co-directs and stars as the MP, called Robert Marlowe, giving a lip-smacking performance that makes Hannibal Lecter look like a character from kitchen sink realism. The entire film is set in the basement studio of Marlowe’s country pile, where he dabbles in pott...

Landscapes of Resistance review – an enigmatic meditation on a life marked by Auschwitz

This documentary by Serbian-born director Marta Popivoda is a mildly psychedelic drift into the horror of one woman’s deportation and determined survival

Much of this Serbian documentary uses a striking, mildly psychedelic technique: a super-slow dissolve between images that morph near-imperceptibly into the next. Cracks in rendered rural walls appear to shift and Balkan forest vegetation undergoes subtle mutations, as the film’s subject, nonagenarian Sofia Vujanovic, recalls her past in voiceover: one of Tito’s partisans, her wartime activities and subsequent deportation to Auschwitz. It’s as if an ineluctable force – history – is moving through the material world, warping and reshaping it.

These tectonics operate on human flesh too: Vujanovic’s Auschwitz tattoo has slipped down her forearm as the years have gone by. Purpose still weighting her words, she recounts her journey into activism: she was attracted to communism by progressive classmates in the countryside; cherrypicked as a cell leader during the second world war because being a woman allowed her to escape attention; and then sickened by taking her first life, an SS officer during a raid on a supply train. Vujanovic was then captured, tortured and shipped off into darkness in Poland, with Czechoslovak railwaymen taunting the prisoners en route: “Gas, gas!” She thought they were being sent to work at a gas-processing plant.

Landscapes of Resistance is available on True Story on 2 February.

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