Deja viewing: the return of the cheapo compilation film

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While movie mixtapes served a purpose in the pre-video era, Jackass, Demon Slayer, Peppa Pig and other theatrically released assemblages of old material risk looking like cynical cash grabs today Johnny Knoxville has declared that the fifth Jackass movie, Best and Last, will mark the end of the franchise, and the trailer suggests a victory lap celebrating 25 years of broken bones, injured genitals and general stupidity you shouldn’t try at home. There are new stunts, and conversations with the cast about growing old gracelessly as they enter their 50s, but the most striking thing is how much archive footage there is. And the cast have not been hiding in interviews that it will be heavy on scenes from prior movies. In other words, it’s the cinematic equivalent of a greatest hits album that has a couple of new songs tossed on to entice fans to part with their money. Or a clip show episode of a US sitcom which is based on flashbacks to older episodes, created so that overworked writers ca...
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Landscapes of Resistance review – an enigmatic meditation on a life marked by Auschwitz

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This documentary by Serbian-born director Marta Popivoda is a mildly psychedelic drift into the horror of one woman’s deportation and determined survival

Much of this Serbian documentary uses a striking, mildly psychedelic technique: a super-slow dissolve between images that morph near-imperceptibly into the next. Cracks in rendered rural walls appear to shift and Balkan forest vegetation undergoes subtle mutations, as the film’s subject, nonagenarian Sofia Vujanovic, recalls her past in voiceover: one of Tito’s partisans, her wartime activities and subsequent deportation to Auschwitz. It’s as if an ineluctable force – history – is moving through the material world, warping and reshaping it.

These tectonics operate on human flesh too: Vujanovic’s Auschwitz tattoo has slipped down her forearm as the years have gone by. Purpose still weighting her words, she recounts her journey into activism: she was attracted to communism by progressive classmates in the countryside; cherrypicked as a cell leader during the second world war because being a woman allowed her to escape attention; and then sickened by taking her first life, an SS officer during a raid on a supply train. Vujanovic was then captured, tortured and shipped off into darkness in Poland, with Czechoslovak railwaymen taunting the prisoners en route: “Gas, gas!” She thought they were being sent to work at a gas-processing plant.

Landscapes of Resistance is available on True Story on 2 February.

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