No Time for Goodbye review – well intentioned drama about the loneliness of the asylum-seeker

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Journalist Don Ng’s debut feature raises interesting questions about the asylum experience – but his film is too sentimental and superficial to truly answer them This is a film made with the best of intentions – and it has some good insights into the loneliness and isolation of seeking asylum in the UK. But there are a few too many sentimental moments to properly work as social-realism, or anything close to convincing drama, which is disappointing given its creator, Don Ng, is a journalist-turned-director making his feature debut. It’s set in London, where Bosco (a sensitive performance by Yiu-Sing Lam) has arrived from Hong Kong fleeing the government’s crackdown on political freedom, though he doesn’t really talk much about the situation back home. Bosco is sent to live with other asylum seekers on a military base while his application is processed. Some of the best scenes turn out to be gentle observations of his sense of dislocation: walking around the local corner shop, for exam...
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Landscapes of Resistance review – an enigmatic meditation on a life marked by Auschwitz

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This documentary by Serbian-born director Marta Popivoda is a mildly psychedelic drift into the horror of one woman’s deportation and determined survival

Much of this Serbian documentary uses a striking, mildly psychedelic technique: a super-slow dissolve between images that morph near-imperceptibly into the next. Cracks in rendered rural walls appear to shift and Balkan forest vegetation undergoes subtle mutations, as the film’s subject, nonagenarian Sofia Vujanovic, recalls her past in voiceover: one of Tito’s partisans, her wartime activities and subsequent deportation to Auschwitz. It’s as if an ineluctable force – history – is moving through the material world, warping and reshaping it.

These tectonics operate on human flesh too: Vujanovic’s Auschwitz tattoo has slipped down her forearm as the years have gone by. Purpose still weighting her words, she recounts her journey into activism: she was attracted to communism by progressive classmates in the countryside; cherrypicked as a cell leader during the second world war because being a woman allowed her to escape attention; and then sickened by taking her first life, an SS officer during a raid on a supply train. Vujanovic was then captured, tortured and shipped off into darkness in Poland, with Czechoslovak railwaymen taunting the prisoners en route: “Gas, gas!” She thought they were being sent to work at a gas-processing plant.

Landscapes of Resistance is available on True Story on 2 February.

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