‘It deals with my own blood, my inheritance’: Asia Argento on historical trauma in Death Has No Master

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Cannes film festival: The actor’s role in Jorge Thielen Armand’s Venezuela-set surrealist thriller explores deep-rooted tensions of ownership and colonialism In Death Has No Master, Asia Argento stars as an anxious foreigner in Venezuela. Her character, Caro, is on a harried mission to reclaim inherited property from the local caretakers who still reside there. That’s the setup in a surrealist psychological thriller, in which Venezuelan-Canadian film-maker Jorge Thielen Armand unpacks personal history alongside deep-rooted and “eternal” tensions that still affect the country today. “The film has multiple layers of meaning,” says Armand, ahead of the film’s premiere in the director’s fortnight section at Cannes. “Recent events only make those multitudes greater.” Continue reading... from Film | The Guardian https://ift.tt/VutlFjb via IFTTT
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Landscapes of Resistance review – an enigmatic meditation on a life marked by Auschwitz

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This documentary by Serbian-born director Marta Popivoda is a mildly psychedelic drift into the horror of one woman’s deportation and determined survival

Much of this Serbian documentary uses a striking, mildly psychedelic technique: a super-slow dissolve between images that morph near-imperceptibly into the next. Cracks in rendered rural walls appear to shift and Balkan forest vegetation undergoes subtle mutations, as the film’s subject, nonagenarian Sofia Vujanovic, recalls her past in voiceover: one of Tito’s partisans, her wartime activities and subsequent deportation to Auschwitz. It’s as if an ineluctable force – history – is moving through the material world, warping and reshaping it.

These tectonics operate on human flesh too: Vujanovic’s Auschwitz tattoo has slipped down her forearm as the years have gone by. Purpose still weighting her words, she recounts her journey into activism: she was attracted to communism by progressive classmates in the countryside; cherrypicked as a cell leader during the second world war because being a woman allowed her to escape attention; and then sickened by taking her first life, an SS officer during a raid on a supply train. Vujanovic was then captured, tortured and shipped off into darkness in Poland, with Czechoslovak railwaymen taunting the prisoners en route: “Gas, gas!” She thought they were being sent to work at a gas-processing plant.

Landscapes of Resistance is available on True Story on 2 February.

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