Eek-cute: the rebirth of the frothy romcom sociopath

The online era is pushing screen romantics to alarming extremes. Whether posing as a stranger’s fiancee or framing someone as an obsessive stalker, happy endings look harder than ever to find It’s a long-running romcom trope that the couples we’re supposed to root for are often hiding lies that threaten the chances of any happy relationship blossoming. From classics such as The Shop Around the Corner to modern blockbusters such as How to Lose a Guy in 10 Days, the genre thrives whenever it presents the audience with the most alarming red flags it conceals from its characters, raising the stakes by seeing if sparks can still fly when an ulterior motive behind each meet-cute is hidden in plain sight. In the romantic comedies we’ve seen so far this year, this trope has not only been revived but pushed far beyond its breaking point, cementing a new romcom archetype: the unlucky-in-love sociopath. This week’s new release Finding Emily is the starkest example to date, introducing psychology...

In Broad Daylight review – Hong Kong newsroom drama shines light on care home scandal

Lawrence Kwan’s film makes some insightful points about journalism while letting in a few cliches too

Here’s a solid newsroom drama inspired by a string of real-life scandals involving abuse at care homes for elderly and vulnerable people in Hong Kong. It’s a film with a fair few clunking journalism cliches, and it never quite builds momentum. But the performances are uniformly intelligent and committed, and it has some real insights too; there’s the moral outrage a reporter feels as the penny drops, and she realises that people in positions of power already know about cruelty and neglect in homes. They just haven’t had an incentive to care.

Jennifer Yu is Kay, the star investigative reporter of a Hong Kong newspaper, semi-disillusioned by the job. After a tip off, Kay goes undercover at an understaffed, overcrowded care home, pretending to be the granddaughter of an elderly resident with dementia (she fakes concern when he doesn’t recognise her). The home is a dumping ground for people with a mix of needs: elderly and young people with physical and learning disabilities, all crammed in together. Kay watches a nurse slapping residents while the home’s manager (Bowie Lam) puts on the veneer of a kind man worn down by heavy responsibilities. But you don’t have to be a star reporter to view with suspicion the way he hands out ice creams to a pair of giggling teenage girls with severe learning difficulties.

In Broad Daylight is released on 19 January in UK cinemas.

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