Priyadarshan says “Hera Pheri 3 will be dead" days after exiting Akshay Kumar-starrer; alleges repeated insults by Firoz Nadiadwala

After confirming that he is no longer associated with Hera Pheri 3, filmmaker Priyadarshan has now shared fresh details about his decision to walk away from the much-awaited comedy franchise. The director has alleged that repeated insults from producer Firoz Nadiadwala, along with a long-running copyright dispute surrounding the franchise, convinced him that the film may never be made. The development comes shortly after Nadiadwala revealed that Priyadarshan was no longer directing Hera Pheri 3. The filmmaker later confirmed the news, telling Hindustan Times, "To the best of my knowledge, Hera Pheri 3 will never hit the screen due to lots of legal issues and personal conflicts. Whether I am involved or not is unimportant." Now, in an exclusive conversation with Mid-Day, Priyadarshan elaborated on what led to his exit and spoke candidly about his differences with the producer. Recalling his conversations with Akshay Kumar, the director said, "Firoz told Akshay, 'You ...

In Broad Daylight review – Hong Kong newsroom drama shines light on care home scandal

Lawrence Kwan’s film makes some insightful points about journalism while letting in a few cliches too

Here’s a solid newsroom drama inspired by a string of real-life scandals involving abuse at care homes for elderly and vulnerable people in Hong Kong. It’s a film with a fair few clunking journalism cliches, and it never quite builds momentum. But the performances are uniformly intelligent and committed, and it has some real insights too; there’s the moral outrage a reporter feels as the penny drops, and she realises that people in positions of power already know about cruelty and neglect in homes. They just haven’t had an incentive to care.

Jennifer Yu is Kay, the star investigative reporter of a Hong Kong newspaper, semi-disillusioned by the job. After a tip off, Kay goes undercover at an understaffed, overcrowded care home, pretending to be the granddaughter of an elderly resident with dementia (she fakes concern when he doesn’t recognise her). The home is a dumping ground for people with a mix of needs: elderly and young people with physical and learning disabilities, all crammed in together. Kay watches a nurse slapping residents while the home’s manager (Bowie Lam) puts on the veneer of a kind man worn down by heavy responsibilities. But you don’t have to be a star reporter to view with suspicion the way he hands out ice creams to a pair of giggling teenage girls with severe learning difficulties.

In Broad Daylight is released on 19 January in UK cinemas.

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