Mother’s Day 2026: Isha Koppikar says she wants daughter Rianna to achieve her dreams independently

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On the occasion of Mother’s Day 2026, Isha Koppikar shared a message about parenting, independence and responsibility through a video posted on social media. Speaking about her daughter Rianna, the actor reflected on the importance of raising children to become self-reliant individuals rather than depending on others for emotional or personal security. In the video, Isha revealed that a conversation with her daughter prompted her to think more deeply about modern parenting. According to the actor, Rianna asked her what she wished for her, to which she responded that she wanted her daughter to achieve her dreams independently and become a strong individual. Speaking further, Isha questioned whether parents sometimes send mixed messages to children by encouraging independence while also raising them with the idea that someone else will eventually “take care” of them. She added that this mindset applies equally to both boys and girls. The actor also spoke about how she views independence...
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‘I’m not a saint’: Abel Ferrara on his wild career, rehab and nightclubbing with Donald Trump

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The last time our writer interviewed him, the drugged up director dozed off then asked for coke. Now sober, he reflects on #MeToo, Italian fascism and his fight for the final cut

The last time I met Abel Ferrara, he dozed off in the middle of our interview then woke up and asked me to score him some coke. It was 1996, and he was in the UK promoting his gangster drama The Funeral – which the actor Vincent Gallo alleged Ferrara had been too blitzed on crack to direct properly – and his vampire horror The Addiction. He was on a roll, his reputation fortified by King of New York, starring Christopher Walken as a flamboyant crime boss, and the gruelling Bad Lieutenant, with Harvey Keitel as a bent junkie cop. Ferrara was the scuzzball Scorsese: no matter how celebrated he became, he never shed the patina of grime from his early days as the star and director of porn film The Nine Lives of a Wet Pussy and the infamous “video nasty” The Driller Killer.

“You were the guy I fell asleep with?” he gasps now from his bright, high-ceilinged living room in Rome. He is calling via Zoom, his laptop resting on a shelf so he can pace around as he speaks, drinking from a bottle of San Pellegrino that he clutches by the neck. “You’re the guy? I’m sorry, man! Really, really.” Then he switches tack. “You let me down! You were 24, living in London, and you didn’t know where to score?” He shakes his head in disbelief. “All right. So where could we get some now?” A sandpapery cackle fills the air as he rocks on his heels. His hunched posture and jutting jaw make him the spit of the cartoon dog Muttley. He laughs like him, too.

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