SCOOP: Allu Arjun to play 4 distinct roles in Atlee’s next - grandfather, father, and two sons!

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After the historic success of Pushpa 2, Allu Arjun is collaborating with Atlee on a never seen before epic film tentatively titled AA22 x A6. The film has got a solid ensemble cast on board with Allu Arjun, Deepika Padukone, Rashmika Mandanna, Janhvi Kapoor, and Mrunal Thakur. The film is the most discussed of Indian Cinema, as the filmmaker has promised a global film, with visuals like never before. And our news is going to make it all the more exciting for fans. While there is constant speculation about Allu Arjun's dual role in AA22 x A6, we have the most exclusive and inside scoop on the film. Reliable sources have confirmed to Bollywood Hungama that Allu Arjun has 4 different roles in A6. "Allu is playing the entire family tree in Atlee's next film. He will be seen as a grandfather, father, and two sons in the film, making it a quadruple role for Allu. This would mark the first multiple role film of his career," a source told Bollywood Hungama. We hear that Atl...
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‘I’m not a saint’: Abel Ferrara on his wild career, rehab and nightclubbing with Donald Trump

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The last time our writer interviewed him, the drugged up director dozed off then asked for coke. Now sober, he reflects on #MeToo, Italian fascism and his fight for the final cut

The last time I met Abel Ferrara, he dozed off in the middle of our interview then woke up and asked me to score him some coke. It was 1996, and he was in the UK promoting his gangster drama The Funeral – which the actor Vincent Gallo alleged Ferrara had been too blitzed on crack to direct properly – and his vampire horror The Addiction. He was on a roll, his reputation fortified by King of New York, starring Christopher Walken as a flamboyant crime boss, and the gruelling Bad Lieutenant, with Harvey Keitel as a bent junkie cop. Ferrara was the scuzzball Scorsese: no matter how celebrated he became, he never shed the patina of grime from his early days as the star and director of porn film The Nine Lives of a Wet Pussy and the infamous “video nasty” The Driller Killer.

“You were the guy I fell asleep with?” he gasps now from his bright, high-ceilinged living room in Rome. He is calling via Zoom, his laptop resting on a shelf so he can pace around as he speaks, drinking from a bottle of San Pellegrino that he clutches by the neck. “You’re the guy? I’m sorry, man! Really, really.” Then he switches tack. “You let me down! You were 24, living in London, and you didn’t know where to score?” He shakes his head in disbelief. “All right. So where could we get some now?” A sandpapery cackle fills the air as he rocks on his heels. His hunched posture and jutting jaw make him the spit of the cartoon dog Muttley. He laughs like him, too.

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