Ayushmann Khurrana, Sara Ali Khan, Wamiqa Gabbi and Rakul Preet Singh starrer Pati Patni Aur Woh Do to release on Holi, first poster unveiled

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Bollywood is gearing up for a star-studded treat next year as the first poster and announcement of Pati Patni Aur Woh Do has been unveiled. The film brings together an ensemble cast of Ayushmann Khurrana, Sara Ali Khan, Wamiqa Gabbi, and Rakul Preet Singh in what promises to be a fun, dramatic, and entertaining ride. Directed by the popular filmmaker Mudassar Aziz, Pati Patni Aur Woh Do introduces audiences to the world of Prajapati Pandey, setting the stage for a quirky, vibrant narrative filled with drama, comedy, and romance. The makers have confirmed that the film is scheduled to release on Holi, 4 March 2026, marking a perfect festive launch that aligns with the film’s colourful and lively theme.   View this post on Instagram   A post shared by tseriesfilms (@tseriesfilms) The film is produced by Bhushan Kumar and Renu Ravi Chopra, with creative production led by Juno Chopra. Industry insiders suggest that the combination of Ayushmann’s impeccable comic timing, Sara’...
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‘I’m not a saint’: Abel Ferrara on his wild career, rehab and nightclubbing with Donald Trump

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The last time our writer interviewed him, the drugged up director dozed off then asked for coke. Now sober, he reflects on #MeToo, Italian fascism and his fight for the final cut

The last time I met Abel Ferrara, he dozed off in the middle of our interview then woke up and asked me to score him some coke. It was 1996, and he was in the UK promoting his gangster drama The Funeral – which the actor Vincent Gallo alleged Ferrara had been too blitzed on crack to direct properly – and his vampire horror The Addiction. He was on a roll, his reputation fortified by King of New York, starring Christopher Walken as a flamboyant crime boss, and the gruelling Bad Lieutenant, with Harvey Keitel as a bent junkie cop. Ferrara was the scuzzball Scorsese: no matter how celebrated he became, he never shed the patina of grime from his early days as the star and director of porn film The Nine Lives of a Wet Pussy and the infamous “video nasty” The Driller Killer.

“You were the guy I fell asleep with?” he gasps now from his bright, high-ceilinged living room in Rome. He is calling via Zoom, his laptop resting on a shelf so he can pace around as he speaks, drinking from a bottle of San Pellegrino that he clutches by the neck. “You’re the guy? I’m sorry, man! Really, really.” Then he switches tack. “You let me down! You were 24, living in London, and you didn’t know where to score?” He shakes his head in disbelief. “All right. So where could we get some now?” A sandpapery cackle fills the air as he rocks on his heels. His hunched posture and jutting jaw make him the spit of the cartoon dog Muttley. He laughs like him, too.

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