Kangana Ranaut defends Aishwarya Rai Bachchan amid Cannes criticism: “She is not here to please you”

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Actor Kangana Ranaut has come out in support of Aishwarya Rai Bachchan after the latter faced criticism on social media over her appearance at the Cannes Film Festival 2026. Responding to the online discourse surrounding Aishwarya’s fashion choices, Kangana shared a strongly worded note defending the actor and speaking about individuality, self-expression, and the scrutiny faced by women in the public eye. Taking to her Instagram Stories, Kangana posted a photo from Aishwarya’s first Cannes red carpet appearance this year, where the actor was seen wearing a striking blue gown. Sharing her thoughts on the criticism, Kangana wrote, “Fashion and style is a self expression, it is one's own interpretation of life and their attitude, no woman owes anything to anyone, Ash looks great!!” The actor further criticised those judging Aishwarya’s appearance and questioned the unrealistic standards often imposed on women, especially senior actresses. “Those of you who want to see her any other ...
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‘I’m not a saint’: Abel Ferrara on his wild career, rehab and nightclubbing with Donald Trump

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The last time our writer interviewed him, the drugged up director dozed off then asked for coke. Now sober, he reflects on #MeToo, Italian fascism and his fight for the final cut

The last time I met Abel Ferrara, he dozed off in the middle of our interview then woke up and asked me to score him some coke. It was 1996, and he was in the UK promoting his gangster drama The Funeral – which the actor Vincent Gallo alleged Ferrara had been too blitzed on crack to direct properly – and his vampire horror The Addiction. He was on a roll, his reputation fortified by King of New York, starring Christopher Walken as a flamboyant crime boss, and the gruelling Bad Lieutenant, with Harvey Keitel as a bent junkie cop. Ferrara was the scuzzball Scorsese: no matter how celebrated he became, he never shed the patina of grime from his early days as the star and director of porn film The Nine Lives of a Wet Pussy and the infamous “video nasty” The Driller Killer.

“You were the guy I fell asleep with?” he gasps now from his bright, high-ceilinged living room in Rome. He is calling via Zoom, his laptop resting on a shelf so he can pace around as he speaks, drinking from a bottle of San Pellegrino that he clutches by the neck. “You’re the guy? I’m sorry, man! Really, really.” Then he switches tack. “You let me down! You were 24, living in London, and you didn’t know where to score?” He shakes his head in disbelief. “All right. So where could we get some now?” A sandpapery cackle fills the air as he rocks on his heels. His hunched posture and jutting jaw make him the spit of the cartoon dog Muttley. He laughs like him, too.

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