Anurag Kashyap, Nikkhil Advani, Vikramaditya Motwane, Vasan Bala-backed Dug Dug locks May 8 India release

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Filmmaker Ritwik Pareek’s comedy mystery satire Dug Dug is set to release in Indian theatres on May 8 following a widely appreciated run across international film festivals. The film now has the backing of filmmakers Anurag Kashyap, Nikkhil Advani, Vikramaditya Motwane and Vasan Bala, who have come on board as executive producers ahead of its India release. Inspired by true events, Dug Dug follows a strange development in a village where a deceased man’s motorbike begins to be worshipped after locals believe it can grant wishes if devotees pray to it and offer alcohol. As reports of wishes being fulfilled spread, the belief gradually turns into a full-fledged commercialised religion. The feature is produced by Bottle Rocket Pictures, led by Prerna Pareek and Ritwik Pareek, and will be released theatrically in India in association with Ranjan Singh’s Flip Films. Speaking about the film, Anurag Kashyap said, “I was blown away by Dug Dug, its storytelling, cinematography and music. It ...
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‘I’m not a saint’: Abel Ferrara on his wild career, rehab and nightclubbing with Donald Trump

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The last time our writer interviewed him, the drugged up director dozed off then asked for coke. Now sober, he reflects on #MeToo, Italian fascism and his fight for the final cut

The last time I met Abel Ferrara, he dozed off in the middle of our interview then woke up and asked me to score him some coke. It was 1996, and he was in the UK promoting his gangster drama The Funeral – which the actor Vincent Gallo alleged Ferrara had been too blitzed on crack to direct properly – and his vampire horror The Addiction. He was on a roll, his reputation fortified by King of New York, starring Christopher Walken as a flamboyant crime boss, and the gruelling Bad Lieutenant, with Harvey Keitel as a bent junkie cop. Ferrara was the scuzzball Scorsese: no matter how celebrated he became, he never shed the patina of grime from his early days as the star and director of porn film The Nine Lives of a Wet Pussy and the infamous “video nasty” The Driller Killer.

“You were the guy I fell asleep with?” he gasps now from his bright, high-ceilinged living room in Rome. He is calling via Zoom, his laptop resting on a shelf so he can pace around as he speaks, drinking from a bottle of San Pellegrino that he clutches by the neck. “You’re the guy? I’m sorry, man! Really, really.” Then he switches tack. “You let me down! You were 24, living in London, and you didn’t know where to score?” He shakes his head in disbelief. “All right. So where could we get some now?” A sandpapery cackle fills the air as he rocks on his heels. His hunched posture and jutting jaw make him the spit of the cartoon dog Muttley. He laughs like him, too.

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