Sara Arjun attends Bhasma Aarti at Shree Mahakaleshwar Temple after Dhurandhar The Revenge crosses Rs 1000 crores in Hindi: “I am overjoyed”

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Actor Sara Arjun visited the sacred Shree Mahakaleshwar Temple in Ujjain on April 11. She attended the famous Bhasma Aarti after the strong box office performance of her recent film Dhurandhar The Revenge, which crossed Rs 1000 crores in the Hindi language. The milestone placed the film in the Rs 1000 crores club. It also marked an important moment in Sara Arjun’s career, as the project is her first film as a female lead. Sara Arjun reacts after attending Bhasma Aarti Speaking to ANI after the temple visit, Sara shared her emotions about the experience. She said she felt a deep sense of joy after attending the ritual. “I have no words. I had the calling, and then I came here. There is no better feeling than this in this world. I am overjoyed,” she said. Her visit came soon after the film’s major box office achievement. #WATCH | After attending Bhasma Aarti, actor Sara Arjun says, "I have no words. I had the calling, and then I came here. There is no better feeling than this in ...
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‘I’m not a saint’: Abel Ferrara on his wild career, rehab and nightclubbing with Donald Trump

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The last time our writer interviewed him, the drugged up director dozed off then asked for coke. Now sober, he reflects on #MeToo, Italian fascism and his fight for the final cut

The last time I met Abel Ferrara, he dozed off in the middle of our interview then woke up and asked me to score him some coke. It was 1996, and he was in the UK promoting his gangster drama The Funeral – which the actor Vincent Gallo alleged Ferrara had been too blitzed on crack to direct properly – and his vampire horror The Addiction. He was on a roll, his reputation fortified by King of New York, starring Christopher Walken as a flamboyant crime boss, and the gruelling Bad Lieutenant, with Harvey Keitel as a bent junkie cop. Ferrara was the scuzzball Scorsese: no matter how celebrated he became, he never shed the patina of grime from his early days as the star and director of porn film The Nine Lives of a Wet Pussy and the infamous “video nasty” The Driller Killer.

“You were the guy I fell asleep with?” he gasps now from his bright, high-ceilinged living room in Rome. He is calling via Zoom, his laptop resting on a shelf so he can pace around as he speaks, drinking from a bottle of San Pellegrino that he clutches by the neck. “You’re the guy? I’m sorry, man! Really, really.” Then he switches tack. “You let me down! You were 24, living in London, and you didn’t know where to score?” He shakes his head in disbelief. “All right. So where could we get some now?” A sandpapery cackle fills the air as he rocks on his heels. His hunched posture and jutting jaw make him the spit of the cartoon dog Muttley. He laughs like him, too.

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