The making of Fargo at 30: ‘Man, you don’t give me this role, I’m gonna shoot your dog’

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As the Oscar-winning Coen brothers classic reaches its three decade anniversary, stars of the film discuss the stories behind its production William H Macy was originally slated for the modest role of a detective in Fargo . Then the film’s directors, Joel and Ethan Coen, asked if he would like to read for the lead part of Jerry Lundegaard. “I said: ‘Boy, do I!’,” recalls Macy. He memorised the script that night and impressed the Coens but needed to seal the deal. Macy heard the pair were in New York, got his “jolly ass” on a plane and deployed some Coen-esque dark humour. “I said, I’m worried you’re gonna screw up your movie by casting someone else . I knew Ethan had just gotten a little puppy and I said: ‘Man, you don’t give me this role, I’m gonna shoot your dog.’” Continue reading... from Film | The Guardian https://ift.tt/QkEhpox via IFTTT
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‘I’m not a saint’: Abel Ferrara on his wild career, rehab and nightclubbing with Donald Trump

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The last time our writer interviewed him, the drugged up director dozed off then asked for coke. Now sober, he reflects on #MeToo, Italian fascism and his fight for the final cut

The last time I met Abel Ferrara, he dozed off in the middle of our interview then woke up and asked me to score him some coke. It was 1996, and he was in the UK promoting his gangster drama The Funeral – which the actor Vincent Gallo alleged Ferrara had been too blitzed on crack to direct properly – and his vampire horror The Addiction. He was on a roll, his reputation fortified by King of New York, starring Christopher Walken as a flamboyant crime boss, and the gruelling Bad Lieutenant, with Harvey Keitel as a bent junkie cop. Ferrara was the scuzzball Scorsese: no matter how celebrated he became, he never shed the patina of grime from his early days as the star and director of porn film The Nine Lives of a Wet Pussy and the infamous “video nasty” The Driller Killer.

“You were the guy I fell asleep with?” he gasps now from his bright, high-ceilinged living room in Rome. He is calling via Zoom, his laptop resting on a shelf so he can pace around as he speaks, drinking from a bottle of San Pellegrino that he clutches by the neck. “You’re the guy? I’m sorry, man! Really, really.” Then he switches tack. “You let me down! You were 24, living in London, and you didn’t know where to score?” He shakes his head in disbelief. “All right. So where could we get some now?” A sandpapery cackle fills the air as he rocks on his heels. His hunched posture and jutting jaw make him the spit of the cartoon dog Muttley. He laughs like him, too.

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