Mark Kermode on… Kathryn Bigelow, a stylish ruffler of feathers

From vampire noir to Bin Laden, Point Break to Detroit, the first woman to win an Oscar for best director has never pulled her punches Watching new Jeff Nichols release The Bikeriders , starring Austin Butler and Tom Hardy as 60s Chicago greasers, I was reminded of two other movies: László Benedek’s 1953 Marlon Brando vehicle The Wild One , explicitly cited as an inspiration, and The Loveless , the 1981 feature debut of Kathryn Bigelow , the American film-maker (b.1951) who would go on to become the first woman to win a best director Oscar with her 2008 war drama The Hurt Locker . A symphony of leather-clad posing (with just a touch of Kenneth Anger ), The Loveless was a staple of the late-night circuit in the 80s, often on a double bill with David Lynch’s Eraserhead . Sharing directing credits with Monty Montgomery, Bigelow playfully deconstructed masculinity and machismo in a manner that was one part wry to two parts relish. I remember seeing The Loveless at the Phoenix in East

Golden Globes host Jo Koy responds to backlash: ‘I feel bad’

The standup comedian and actor has spoken out about his unpopular performance, calling it ‘an off night’

Comedian Jo Koy has responded to the backlash over his performance as host for this year’s Golden Globes.

The last-minute pick for the role received a negative reaction online and reportedly in the room with an unnamed prominent director referring to it as “a disaster” and Vanity Fair’s Richard Lawson calling his opening monologue “a horrid, sophomoric mishmash of lazy jokes”.

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