Shukla Kumar, wife of Rajendra Kumar and mother of Kumar Gaurav, passes away; prayer meet to be held on January 10

-
Shukla Kumar, wife of legendary actor Rajendra Kumar and mother of actor Kumar Gaurav, passed away recently. The news has left the Hindi film fraternity and admirers of the Kumar family in mourning. A prayer meet in her remembrance will be held on January 10, as confirmed by close sources. While Shukla Kumar largely stayed away from the public eye, she was a central pillar in one of Bollywood’s most respected film families. Married to Rajendra Kumar, fondly remembered as “Jubilee Kumar” for his unmatched box-office streak, she witnessed the rise and transitions of Hindi cinema from close quarters. Her quiet presence remained constant through the highs of stardom and the inevitable shifts that followed. Her son, Kumar Gaurav, entered the film industry with one of the most sensational debuts Bollywood had seen. His 1981 film Love Story, opposite Vijeta Pandit, turned him into an overnight star and remains one of the most successful debut films in Hindi cinema. The actor was briefly hai...
Post a Comment

Freaky Tales review – Pedro Pascal-led 80s anthology isn’t freaky enough

-

Sundance film festival: Captain Marvel directors Anna Boden and Ryan Fleck have made a bizarrely misjudged hodgepodge of gore, needle drops and nostalgia

More often than not, the opening night slot at Sundance has become more curse than blessing, too many films living and dying in just one night, barely to be seen again. Emilia Clarke and Chiwetel Ejiofor’s sci-fi comedy The Pod Generation anyone? How about the Michelle Williams and Julianne Moore melodrama After the Wedding? Daisy Ridley’s suicide drama Sometimes I Think About Dying? Or maybe that sequel to An Inconvenient Truth that you didn’t even know existed? This year’s sacrificial lamb, the 80s-set anthology Freaky Tales, is nothing if not confident in its ability to make an impact, asserting itself as an experience that won’t easily be forgotten.

Acting as its own hype man, the film begins with a block of narrated opening text positioning what we’re about to see as a “hella wild” ride, a promise that had already been made during its introduction, excitably sold to us as something that would make certain audience members’ heads explode. But while the film’s makers – the writer-director duo Anna Boden and Ryan Fleck – might seem to think that they’ve made a new cult classic, it’s hard to share in their bullish enthusiasm, eye-rolling fatigue meeting their insistence that this is something to be quoted, rewatched and adored. For as bold as Boden and Fleck seem to think Freaky Tales is, it’s a hodgepodge of things we’ve seen done before and done better, a sub-Tarantino fanboy assembly of vaguely interconnected stories that belongs less in the 80s and more in the mid-to-late 90s when every American indie wannabe was trying to emulate their new icon.

Freaky Tales is showing at the Sundance film festival and is seeking distribution

Continue reading...

from Film | The Guardian https://ift.tt/blAswdz
via IFTTT

Comments

Post a Comment

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

-
Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together Who’s up for a golden-hued heartwarmer set in 60s Ireland starring Kathy Bates and Maggie Smith about women with secret fears and dreams going on a church trip to Lourdes and finally finding the real miracle is their new compassion for each other? The answer to this question could well have been … me. I have a liking for a gentle tale and there is nothing necessarily wrong with, just occasionally, showing Ireland and the church of this period with something other than outrage and horror. But The Miracle Club does not at any time, to use a discredited metaphor, throw away its crutches and walk. And it’s painful to note that this is largely because of the way film can’t convincingly use that estimable actor Laura Linney in a central role. She is upstaged by the older, fruitier performances and doesn’t hold her own with a more seri...
Read more

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

-
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
Read more

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

-
Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
Read more