EXCLUSIVE: Sunny Deol-starrer Gabru postponed; won’t release on May 8

Sunny Deol's stardom went on another level with the blockbuster success of Gadar 2 (2023). His next, Jaat (2025), also had a decent trend at the box office, proving that the success of Gadar 2 was not a fluke. The veteran star began 2026 on a rocking note with the Rs. 300 crore plus grosser, Border 2. As a result, expectations are tremendous for his next film, Gabru. The film was scheduled for release on May 8 and fans will have to wait a little more to experience the emotional drama as it has been pushed further ahead. A source told Bollywood Hungama, “Gabru has been postponed and won’t arrive in cinemas on May 8. The makers plan to lock the new release date in a few days, after which they’ll make an official announcement.” Earlier, Gabru was supposed to release on March 13 and was postponed to May 8, possibly because the holy month of Ramzan was going on and moreover, the much-awaited film, Dhurandhar The Revenge, was to arrive in cinemas 6 days later, on March 19. Gabru is di...

Big swings, big misses and big deals: what happened at this year’s Sundance?

The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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