EXCLUSIVE: Sumit Arora talks about writing dialogues for 120 Bahadur: "Farhan Akhtar is very thorough professional, sharp, witty"; reacts to Shah Rukh Khan's National Award win for Jawan: "He should have won long back…the National Award deserved him!"

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Sumit Arora has carved a niche for himself thanks to his solid writing in shows like The Family Man, Dahaad, Guns & Gulaabs and Citadel: Honey Bunny and in films like Stree (2018), ’83 (2021), Jawan (2023), Chandu Champion (2024) etc. November 21 was a significant day for him this year for he had 2 releases – the season 3 of The Family Man dropped on Amazon Prime Video while the Farhan Akhtar-starrer war drama 120 Bahadur arrived in cinemas. In an exclusive interview with Bollywood Hungama, Sumit Arora spoke about his dialogues in 120 Bahadur and a lot more. You had 2 releases in a single day. How was the experience and what did you do on November 21? I was at IFFI, Goa as we had screenings of The Family Man as well as 120 Bahadur. I was checking the reactions of both. The Family Man Season 3 was available digitally while 120 Bahadur had released in theatres. So, it was very interesting and also overwhelming to have two releases on two different mediums on the same day. The Family...
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Big swings, big misses and big deals: what happened at this year’s Sundance?

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The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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