Shia LaBeouf must seek treatment as part of bail terms after alleged attack

The actor, long open about his struggle with sobriety, was also ordered to undergo drug testing and pay $100,000 bond Shia LaBeouf on Thursday was ordered to enroll in substance abuse treatment, undergo a drug testing program and pay a $100,000 bond as conditions of his release from custody after the actor allegedly battered and hurled homophobic slurs at two men at a New Orleans bar. The requirements imposed on LaBeouf, 39, by New Orleans judge Simone Levine came after the Transformer film franchise star was initially allowed to leave jail without being required to pay a bond in the hours after his 17 February arrest on two counts of misdemeanor battery. Continue reading... from Film | The Guardian https://ift.tt/zFeitfP via IFTTT

Big swings, big misses and big deals: what happened at this year’s Sundance?

The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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