‘An environmental nuclear bomb’: documentary examines fight to save Great Salt Lake

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Sundance film festival: A cautionary new film, executive-produced by Leonardo DiCaprio, warns of the devastating consequences if the Utah lake continues to disappear The Sundance film festival kicked off its final edition on Thursday in Park City, the Utah ski enclave that has housed the independent film hub for more than four decades. Beginning in 2027, the festival will move to Boulder, Colorado , after a multi-year selection process that many assumed would end in Salt Lake City. Utah’s largest city, a mere 30 miles from the festival center, has long hosted extra Sundance events and served as its transit center. It’s a rapidly growing metropolitan area, a mecca for outdoor enthusiasts, a major US city – and, according to a new documentary that opened this year’s festival, facing an imminent ecological crisis. Continue reading... from Film | The Guardian https://ift.tt/fq6leCM via IFTTT
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Big swings, big misses and big deals: what happened at this year’s Sundance?

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The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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