Several cinemas yet to open May 1 bookings; exhibitors face ‘agni pariksha’ as they struggle to accommodate Raja Shivaji, Ek Din, The Devil Wears Prada 2, Patriot, KD - The Devil and holdover releases

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Issues over screen-sharing have become extremely common now, and this week, the situation has intensified significantly. This is because several major films in different languages are releasing simultaneously, leaving programmers at their wits’ end while allocating the desired number of shows to each of them. As expected, with less than 24 hours to go for the releases, the issues are yet to be sorted. In Mumbai, theatres like Regal, MovieTime Suburbia, PVR Le Reve, Roxy, Eros IMAX, Kasturba and Nazrana hadn’t opened bookings for May 1, as of 8:00 am on April 30. Surprisingly, even a three-screen multiplex like Sterling hadn’t opened plans for the coming week. Meanwhile, advance booking is yet to open in a full-fledged manner in cinemas like Devgn CineX Mulund, Devgn CineX Thane, Topiwala, MovieTime Malad, Tilak and Rajhans Ghatkopar. An exhibition source told Bollywood Hungama, “This is like agni pariksha for us. We need to allot shows to Raja Shivaji (releasing in Hindi and Marathi)...
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Big swings, big misses and big deals: what happened at this year’s Sundance?

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The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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