Tiger Shroff and Lakshya lead 100+ dancers for high-energy track in Lag Jaa Gale: Report

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Tiger Shroff and Lakshya are gearing up to shoot a major dance-off sequence for their upcoming film Lag Jaa Gale, with a large production number scheduled to be shot at Mukesh Mills in Colaba starting December 24, 2025. The sequence is being described by insiders, quoted by a Mid-Day report, as a full-scale dance battle designed to showcase contrasting performance styles between the two actors. The report stated that choreographer Ganesh Acharya has crafted the routine, which involves over 100 professional dancers and is expected to be wrapped up by December 29. The beat-driven number is reportedly structured to highlight Tiger’s explosive, athletic dance approach alongside Lakshya’s more fluid and relaxed style, with rehearsals underway for the past three weeks. The dance face-off adds a new layer of excitement to Lag Jaa Gale, a revenge action-drama produced by Dharma Productions and directed by Raj Mehta. The film also stars Janhvi Kapoor, with whom Tiger Shroff shares screen spac...
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Big swings, big misses and big deals: what happened at this year’s Sundance?

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The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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