BREAKING: Korean producer Hyunwoo Thomas Kim approaches Akshay Kumar for an exciting project: “Sujoy Ghosh has already worked on its draft”

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Since almost 10 years, Korean producer Hyunwoo Thomas Kim of Kross Pictures has quietly set up base in Mumbai and has been making some interesting, out-of-the-box Indian films like Te3n (2016), Jaane Jaan (2023), Blind (2023), Saakini Daakini (2022) etc. An article in Mid-Day, by Mayank Shekhar, documented his journey in India and a lot more. Hyunwoo Thomas Kim explained how he decided to set up an office in India. He revealed that in 2014, he regularly received emails from a company named 'Balaji' and he initially assumed that it was spam! One day, when he opened the mail, he realized that the prominent production house, Balaji Motion Pictures, has been mailing and asking for the rights of The Devotion Of Suspect X for a Hindi remake. Hyunwoo Thomas Kim wanted to know who would direct the remake. He was told that Sujoy Ghosh has been signed. Hyunwoo saw Sujoy’s Kahaani (2012) and was so impressed that he flew down to Mumbai to meet Sujoy and others. After the meeting, he gav...
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Big swings, big misses and big deals: what happened at this year’s Sundance?

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The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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