SCOOP: Aamir Khan's next with Rajkumar Hirani hits a roadblock; Perfectionist asks for script to be rewritten

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Aamir Khan and Rajkumar Hirani's reunion on the Dadasaheb Phalke biopic created a stir like never before. And why not? Two stalwarts are teaming up for the third time after cults like 3 Idiots and PK. But we have some disappointing news for all the fans of this duo. According to very reliable sources close to the actor, the Dadasaheb Phalke Biopic has been put on hold. A source informed Bollywood Hungama on anonymity, "Aamir Khan heard the script of Dadasaheb Phalke from Rajkumar Hirani and Abhijat Joshi. He felt that the script didn't have enough elements to make for a theatrical watch. He expected Raju and Abhijat to have a typical approach of mixing laughter with emotion and drama. But the script was devoid of comedy. This raised a doubt in the mind of Aamir, and he requested Raju to rewrite the script and come back." The source tells us further, "Raju and Abhijat were shocked by Aamir's reaction, and are now figuring out what to do next. The film, which...
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Big swings, big misses and big deals: what happened at this year’s Sundance?

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The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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