Charli xcx, Natalie Portman and Salman Rushdie lead 2026 Sundance lineup

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The festival says goodbye to both founder Robert Redford and its longtime home of Park City, Utah, with a selection of provocative documentaries and starry new films New films starring Charli xcx, Natalie Portman and Salman Rushdie will all receive their world premieres at next month’s Sundance film festival. The festival will be held for the last time in Park City, Utah, before it moves to Boulder, Colorado, in 2027. Over the years, it has been home to the first screenings of films including Get Out, Four Weddings and a Funeral, The Blair Witch Project, Past Lives, Napoleon Dynamite, Precious and Little Miss Sunshine. Continue reading... from Film | The Guardian https://ift.tt/phDYZ7N via IFTTT
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Big swings, big misses and big deals: what happened at this year’s Sundance?

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The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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