Seven days, seven docos: Indigenous documentaries to watch this Naidoc Week – and most are free

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From an ‘electrically powerful’ look at the final chapter of Adam Goodes’ AFL career to a must-see portrait of Gurrumul, along with Australia’s ‘greatest protest movie’ Get our weekend culture and lifestyle email There are many things to do during Naidoc Week, which runs across the country from 6 July. If you’re not up for venturing outside, you can still celebrate the culture and history of Aboriginal and Torres Strait Islander peoples from the comfort of your couch. Here are seven excellent documentaries available to stream. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning Continue reading... from Film | The Guardian https://ift.tt/zV21TLm via IFTTT
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Big swings, big misses and big deals: what happened at this year’s Sundance?

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The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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