‘New Girl was so scary I had to stop smoking pot’: Jake Johnson on perseverance, pickleball and Prince

As Nick in the blockbuster TV comedy, the actor was adored by millions. So will his new comedy The Dink, which he jokes is a ‘sexier Challengers’, make him even more popular? You might assume that Jake Johnson would know a little something about pickleball. The actor is starring in The Dink, a sort of spiritual heir to Dodgeball – it has a Ben Stiller cameo – and he plays Dusty Boyd, a former tennis pro turned plucky pickleball upstart. Presumably Johnson took the gig because he has a deep love of the sport, a fondness for its pockmarked balls and weirdly smooth paddles? “No experience of it whatsoever,” says the actor, cheerfully, on a video call from Los Angeles. Yet this underdog of a racket sport, loved by retirees, found him anyway. At the climax of the movie, Dusty must play against an old foe, which meant Johnson had to undertake months of real-life training in pickleball and tennis, so it looked as if he could play. “It was like WWE. They call it fake wrestling. The outcome is ...

Big swings, big misses and big deals: what happened at this year’s Sundance?

The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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