Sunita Ahuja claps back at paparazzi over Govinda questions; asks, ‘Address de doon kya?’

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Sunita Ahuja made a public appearance in Mumbai recently to cheer on her daughter, Tina Ahuja, who was walking the ramp at a fashion show. Accompanied by her son Harshvardhan Ahuja, Sunita was in attendance to support Tina’s moment on the runway. However, the evening took an uncomfortable turn when the paparazzi began asking repeated questions about her husband, veteran Bollywood actor Govinda. While walking the ramp, one of the photographers called out to her, asking, “Govinda sir kahan par hai (Where is Govinda sir)?”. In response, Sunita made a ‘zip-it’ gesture’, clearly indicating that she didn’t want to entertain the question. The move left her son Harshvardhan chuckling, but the paparazzi continued to press her with questions about the 90s star’s absence. As the repeated queries persisted, Sunita’s mood visibly shifted. Irritated by the constant prodding, she eventually walked off the stage and snapped at the photographers, saying, “Address de doon kya (Should I give you the add...
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Big swings, big misses and big deals: what happened at this year’s Sundance?

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The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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