Apne producer Deepak Mukut miffed with Anil Sharma for calling off Apne 2: "He is not authorized to make such a rash statement"

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Producer Deepak Mukut is extremely miffed with director Anil Sharma for saying that the sequel to the Deols’ family film Apne cannot be made without the patriarch of the family. Affirmed Deepak Mukut, “On the contrary, Apne must be made now, more than ever before. We were working on the project with Dharam ji. Now Sunny (Deol) and I are going to work on Apne as a homage to Dharam ji. He will be there in the project in spirit. Apne featured Dharam ji with Sunny and Bobby. Apne 2 will also have Sunny’s son Karan in stellar role. I will be sitting down with Sunny over this as soon as the mourning period finishes.” Mukut is surprised and annoyed at Anil Sharma’s announcement on Apne 2 being called off after Dharam ji’s death. “He is not authorized to make such a rash statement. I wonder why he said this. He denies having made such a statement. But how can he be quoted on something so sensitive if he didn’t say it? It is not Anil Sharma’s c...
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Big swings, big misses and big deals: what happened at this year’s Sundance?

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The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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