Saiyami Kher and Vikram Phadnis talk about Pal Bhar Ke Liye premiering at IFFM 2026

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Saiyami Kher and filmmaker Vikram Phadnis are set to take their upcoming film Pal Bhar Ke Liye to the international stage, with the movie scheduled to have its World Premiere at the Indian Film Festival of Melbourne (IFFM) 2026. The film features an ensemble cast comprising Ishwak Singh, Tahir Raj Bhasin, and Viineet Kumar Siingh in pivotal roles alongside Saiyami. The premiere marks an important milestone for the cast and crew as Pal Bhar Ke Liye begins its festival journey at one of the most prominent international platforms dedicated to Indian cinema. The Indian Film Festival of Melbourne has long been known for showcasing diverse and acclaimed films, making it a significant venue for the film's global debut. For Saiyami Kher, the premiere also marks a return to IFFM after her previous appearance with Ghoomer, which opened the 2023 edition of the festival. Reflecting on her association with the festival and the upcoming premiere, the actress shared her excitement. "IFFM ha...
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Big swings, big misses and big deals: what happened at this year’s Sundance?

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The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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