‘No surprise’: Robert Aramayo’s teachers knew Bafta winner was destined for great things

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Awarded best actor and rising star for role as man with Tourette syndrome in I Swear the 33-year-old was ‘mesmerising’ even when learning his craft in Hull What is Tourette syndrome, what are tics and what happened at the Baftas? Standing on stage, barely holding back tears and struggling to express his startled elation at being named best actor at last night’s Bafta awards in London, the first words to leave Robert Aramayo’s mouth were “wow”. His next few words, chosen after a brief and only half successful attempt to compose himself, were “I absolutely can’t believe this.” And how could he. Aramayo, 33, had not only unexpectedly beaten the likes of Leonardo DiCaprio and Timothée Chalamet to capture his grand prize , but had also collected the rising star award earlier in the evening, becoming the first actor or actress in history to win both awards on the same night. It was, in his own words, unbelievable. Continue reading... from Film | The Guardian https://ift.tt/9NGc2rd ...
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Big swings, big misses and big deals: what happened at this year’s Sundance?

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The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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