Priyadarshan to direct Bhoot Police 2 without Saif Ali Khan, Arjun Kapoor: Report

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Veteran filmmaker Priyadarshan is reportedly set to direct the sequel to the 2021 horror-comedy Bhoot Police, with significant changes to its cast and production approach. According to industry reports, Priyadarshan has been brought on board with a substantial fee of Rs 21 crores to lead the project, underlining confidence in his creative vision for the franchise’s next chapter. Sources familiar with the development told entertainment portal Pinkvilla that while Bhoot Police 2 will maintain the core blend of humour and supernatural elements that defined the first film, it will not feature the original leads — Saif Ali Khan and Arjun Kapoor. “While the sequel retains the core idea of a horror-comedy, the casting will see a complete refresh. Saif Ali Khan and Arjun Kapoor will not be returning for the second instalment,” the source said. “The idea is to reinvent the franchise with a new duo. The makers are looking at two actors — one senior and one junior — to create an interesting com...
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Big swings, big misses and big deals: what happened at this year’s Sundance?

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The 40th edition of the independent film festival saw some multimillion-dollar deals but also had attendees question if there was a drop in quality

The high bar raised by last year’s Sundance film festival had caused many to feel a little underwhelmed by this year’s edition, a commonly tweeted and spoken concern over just whether this year could truly boast a major breakout movie. Twelve months prior, the workplace thriller Fair Play, erotic drama Passages, nifty horror Talk to Me, romcom Rye Lane, timely documentary 20 Days in Mariupol, mother-son music tale Flora and Son and decade-spanning romance Past Lives caused waves that continued for the next year, an unusually robust lineup, fittingly given that it was Sundance’s big in-person comeback.

It was a slightly more muted affair over in Utah this year, some attributing a weaker lineup to 2023’s dual strikes, which prevented many productions from going ahead, but there were still enough gems amid the murk and a promising raft of major multimillion deals. Because while the strikes may have allegedly affected the roster, they also had a definite impact on the thirst of buyers, in frantic need of films to help repair lighter-than-usual release schedules. There might not have been anything as buzzy as Past Lives but this year’s crop of films continued to edge away from a reliance on A-listers to draw attention, a relief after a period of limp, star-led projects taking slots away from smaller, more deserving fare.

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