‘I was born without self-esteem’: Hannah Einbinder on Hacks, her buzzy queer horror – and being Hollywood’s most outspoken star

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The Hacks lead was cast in meta-slasher sensation Teenage Sex and Death at Camp Miasma for her ‘deranged physicality’ – but it’s a fitting role for an actor who has made a point of confronting shame and speaking her mind ‘God is good all the time,” laughs Hannah Einbinder. She’s fresh off a plane from Los Angeles and curled up barefoot in an armchair. This, she says, is “a crazy time in life. Starring in Teenage Sex and Death at Camp Miasma in the midst of Hacks ending … it’s definitely an embarrassment of riches.” Hacks is the HBO comedy that ended earlier this year; in May, Teenage Sex and Death at Camp Miasma, Jane Schoenbrun’s queer meta-horror, became the breakout hit of this year’s Cannes film festival. Continue reading... from Film | The Guardian https://ift.tt/EBR5uPv via IFTTT
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Baghead review – ancient face-covered demon emerges from creepy pub’s basement

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A young woman finds the pub she’s inherited is home to a 400-year-old she-devil, but few of the ensuing jump scares will surprise you

The extravagant absurdity of this chiller from screenwriter Lorcan Reilly and director Alberto Corredor might conceivably get it an audience. There are some interesting touches, but horror fans might well feel that it’s just too similar to the recent and frankly superior Australian film Talk to Me – though it must be said that Talk to Me was made well after Reilly and Corredor’s original 2017 short, with the same high concept, on which this is based.

Iris (Freya Allen) is a young woman, bitterly estranged from her widower father (Peter Mullan) and she is astonished to learn after his death that she has inherited from him a creepy old pub. And this pub has a 400-year-old she-devil locked up in the basement, her face concealed by an old sack, nicknamed “Baghead”. On request, and for two minutes only, she can summon up any dead person you want to talk to – but keep talking for more than two minutes, and the spirit of the dead is irreversibly loosed into the world of the living. An angry, intense young man, Neil (Jeremy Irvine) shows up at the pub, offering Iris fistfuls of cash, desperate for the chance to speak just one last time to his dead wife. But things go terribly wrong.

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