Ayushmann Khurrana brings back the golden era of comedy with Pati Patni Aur Woh Do; says, “It’s a throwback to a time when storytelling was simple, clean, and genuinely funny”

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Actor Ayushmann Khurrana is gearing up for the release of his upcoming family entertainer, Pati Patni Aur Woh Do. The film promises to bring back the charm of classic situational comedy, drawing inspiration from the golden era of Hindi cinema. The film taps into a storytelling tradition that audiences have cherished for decades, a space where misunderstandings spiral into hilarious situations, every character adds a new layer to the narrative, and the humour feels organic, clean and timeless. Speaking about the film, Ayushmann said, “Pati Patni Aur Woh Do is a situational comedy in its purest, most classic form. The idea traces its roots back to the legacy of Sanjeev Kumar. I have been a big fan of his work. Humour from films of that era emerged from misunderstandings, timing, and character dynamics. I’ve always admired that style of storytelling, seen in timeless films like Padosan, Chupke Chupke, Angoor and Gol Maal. They are a laugh riot and I’m hoping Pati Patni Aur Woh Do will al...
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Actor Da’Vine Joy Randolph: ‘Eddie Murphy taught me to pace myself – don’t blow your wad’

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The Golden Globe-winning star of The Holdovers on sparring with comedy greats, switching from opera to acting, and cooking as therapy

A graduate of the Yale School of Drama, Philadelphia-born actor Da’Vine Joy Randolph was nominated for a Tony award for her breakthrough performance in the 2012 Broadway stage production of Ghost: The Musical. Since then, she has worked in TV (High Fidelity, Only Murders in the Building) and film, starring opposite Eddie Murphy in Dolemite Is My Name and as Aunt Pooh in On the Come Up. Last week she won for best supporting actress award at the Golden Globes for her role in Alexander Payne’s bittersweet tragicomic three-hander, The Holdovers. She plays a recently bereaved mother and the longsuffering head cook at an elite New England boarding school in the 1970s, opposite Paul Giamatti’s curmudgeonly teacher, and newcomer Dominic Sessa as a troubled student.

When you were first approached by Alexander Payne, you didn’t know who he was. How did he win you over for the role?
At the time I was shooting On the Come Up. I’m running around doing 5 million things on my day off and I was told maybe 24 hours before that I was going to have a director meeting. I was starting to vibe with him as he was describing what it was that he wanted to do. And so I asked him, can you please tell me of some of the projects that you’ve done? As he starts telling me these titles [About Schmidt, Sideways, The Descendants] I realise this is the man who created many movies that I’ve really loved.

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