EXCLUSIVE: Shakti Shalini goes on floors in January 2026; Amar Kaushik explains how Aneet Padda came on board, “We saw Saiyaara and knew that she perfectly…”

Before the audience sat down to watch the grand Diwali release, Thamma, they were treated to a 60-second-long announcement promo for Shakti Shalini. The film earlier starred Kiara Advani and there were reports that Aneet Padda of Saiyaara (2025) fame has replaced the former. The announcement teaser confirmed the speculations and also revealed that the next film of the Maddock Horror Comedy Universe will be out on December 24, 2026. In an exclusive interview with Bollywood Hungama, Amar Kaushik, the mentor of the universe and also the producer of Munjya (2024) and Thamma, opened up about this film. Earlier, the plan was to bring 2 more films of Maddock Horror Comedy Universe, namely Bhediya 2 and Chamunda, in cinemas in 2026. When asked if the plan remains or will Shakti Shalini be the sole release of the universe next year, Amar Kaushik said, “There might be just one film (from the universe in 2026). We feel that there should not be an overdose and we should not give too many films in...

Actor Da’Vine Joy Randolph: ‘Eddie Murphy taught me to pace myself – don’t blow your wad’

The Golden Globe-winning star of The Holdovers on sparring with comedy greats, switching from opera to acting, and cooking as therapy

A graduate of the Yale School of Drama, Philadelphia-born actor Da’Vine Joy Randolph was nominated for a Tony award for her breakthrough performance in the 2012 Broadway stage production of Ghost: The Musical. Since then, she has worked in TV (High Fidelity, Only Murders in the Building) and film, starring opposite Eddie Murphy in Dolemite Is My Name and as Aunt Pooh in On the Come Up. Last week she won for best supporting actress award at the Golden Globes for her role in Alexander Payne’s bittersweet tragicomic three-hander, The Holdovers. She plays a recently bereaved mother and the longsuffering head cook at an elite New England boarding school in the 1970s, opposite Paul Giamatti’s curmudgeonly teacher, and newcomer Dominic Sessa as a troubled student.

When you were first approached by Alexander Payne, you didn’t know who he was. How did he win you over for the role?
At the time I was shooting On the Come Up. I’m running around doing 5 million things on my day off and I was told maybe 24 hours before that I was going to have a director meeting. I was starting to vibe with him as he was describing what it was that he wanted to do. And so I asked him, can you please tell me of some of the projects that you’ve done? As he starts telling me these titles [About Schmidt, Sideways, The Descendants] I realise this is the man who created many movies that I’ve really loved.

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