Aamir Khan to drop a full 3-hour documentary on special needs artists of Sitaare Zameen Par

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Bollywood’s Mr. Perfectionist, Aamir Khan, has once again chosen substance over spectacle. In a heartfelt move that reflects his deep-rooted commitment to meaningful cinema, Aamir has developed and shot a three-hour documentary focusing on the special needs artists featured in his upcoming film Sitaare Zameen Par. This documentary is far more than just a behind-the-scenes look. It is a standalone narrative, spotlighting the personal journeys, daily struggles, and extraordinary resilience of the specially abled cast members who play integral roles in the film. Through intimate interviews, observational footage, and real-life moments, the documentary aims to celebrate their talents while fostering a deeper understanding of their lived experiences. What makes this documentary even more unique is that it has been directed by multiple young filmmakers, each bringing their own perspective and storytelling style. These individual segments form an anthology of stories, weaving together to cr...
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Actor Da’Vine Joy Randolph: ‘Eddie Murphy taught me to pace myself – don’t blow your wad’

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The Golden Globe-winning star of The Holdovers on sparring with comedy greats, switching from opera to acting, and cooking as therapy

A graduate of the Yale School of Drama, Philadelphia-born actor Da’Vine Joy Randolph was nominated for a Tony award for her breakthrough performance in the 2012 Broadway stage production of Ghost: The Musical. Since then, she has worked in TV (High Fidelity, Only Murders in the Building) and film, starring opposite Eddie Murphy in Dolemite Is My Name and as Aunt Pooh in On the Come Up. Last week she won for best supporting actress award at the Golden Globes for her role in Alexander Payne’s bittersweet tragicomic three-hander, The Holdovers. She plays a recently bereaved mother and the longsuffering head cook at an elite New England boarding school in the 1970s, opposite Paul Giamatti’s curmudgeonly teacher, and newcomer Dominic Sessa as a troubled student.

When you were first approached by Alexander Payne, you didn’t know who he was. How did he win you over for the role?
At the time I was shooting On the Come Up. I’m running around doing 5 million things on my day off and I was told maybe 24 hours before that I was going to have a director meeting. I was starting to vibe with him as he was describing what it was that he wanted to do. And so I asked him, can you please tell me of some of the projects that you’ve done? As he starts telling me these titles [About Schmidt, Sideways, The Descendants] I realise this is the man who created many movies that I’ve really loved.

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