Stockard Channing: ‘I cried at the election of Joe Biden, thinking we were out of the woods. Wrong!’

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The actor on being told she was no Ingrid Bergman, forgetting her lines on stage, and not caring about getting older Born in New York City, Stockard Channing, 82, played Rizzo in the 1978 film Grease. In 1985, she received a Tony for her performance in A Day in the Death of Joe Egg, and in 1994 was Oscar-nominated for her role in the film Six Degrees of Separation. She has three Emmys for her TV work, which includes The West Wing. She makes her directorial debut at the Edinburgh festival with Krapp’s Last Tape, in aid of the Wembley to Soweto Foundation, Upstairs at the Roxy until 31 August. Her latest film is Practical Magic 2. She lives in London. What is your greatest fear? Climate change. Continue reading... from Film | The Guardian https://ift.tt/tU3oZP1 via IFTTT
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The loss of actor Lee Sun-kyun casts a chill shadow over Korea’s film world | Peter Bradshaw

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Lee, who has died aged 48, was a homegrown star who graduated to global fame in the multi-award-winning Parasite

K-class, K-prestige and K-artistry found their apogee in the movies with Bong Joon-ho’s Oscar-winning 2019 smash Parasite – and this colossally successful South Korean social satire certainly found a place for one of that country’s biggest stars.

In his 40s and in his prime, with a string of blue-chip movie credits and a home-turf household name due to his TV work, Lee Sun-kyun displayed in Parasite his discreet charisma and sleek movie-star handsomeness with a sexual presence that could be dialled up or down.

It was a supporting role, and his character – destined here to be upstaged – was the karmic opposite of the star, Song Kang-ho, who played Kim, the rackety head of a predatory family of petty criminals who infiltrate a wealthy household as an apparently unrelated bunch of live-in servants. Their employer is Mr Park, played by Lee, a well-to-do man with a picture-perfect lifestyle who is, perhaps, Jekyll to Kim’s Hyde, but Lee’s performance radiated a kind of smugness in the glamour.

Fans of Lee might well have savoured the residual aura of sexuality that he brought with him – from movies where he played a married man having (or ambiguously about to have) a forbidden relationship.

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