King leak controversy: Siddharth Anand issues strong warning after Shah Rukh Khan, Deepika Padukone set photos go viral

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Just a day after social media was flooded with leaked photos from the sets of the much-anticipated action-drama King, director Siddharth Anand has issued an official statement addressing the situation. The viral images, reportedly featuring Shah Rukh Khan and Deepika Padukone shooting in Cape Town, sparked massive excitement among fans, but have also left the film’s team concerned about preserving the cinematic experience. Taking to social media, Siddharth Anand shared a note requesting fans and online platforms to refrain from circulating unauthorized content from the shoot. Emphasizing the importance of maintaining the film’s intrigue, the filmmaker urged audiences to wait for official reveals. "Request to all the fans. Please do not post or circulate any leaked multimedia from the sets of King. The team is working round the clock to ensure the best cinematic experience for everyone. Let us wait for the surprise on the big screen and for the assets to be revealed as the team of...
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Streaming: Past Lives and the best immigrant stories on film

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One of the year’s best films, Celine Song’s Korean-American love story, now on streaming and DVD, continues cinema’s rich tradition of immigrant stories, from Chaplin to Persepolis

Awards season often tends to benefit the newer, shinier end-of-year releases that are freshest in voters’ memories, but Celine Song’s lovely, low-key Past Lives appears to be quietly staying the course. Having premiered way back in January, hit cinemas in the summer and since become available to stream – with the DVD out last week for physical media loyalists – it is now routinely popping up on best-of-2023 lists, and scooped best feature at the Gotham awards in the US. Something sticks in the mind and heart about Song’s melancholic, gentle but emotionally acute tale of a rekindled relationship between a Korean-American immigrant and the childhood friend she left behind in Seoul. Anyone whose life has been split across countries can relate to its study of the split identities and frayed possibilities of immigrant existence.

It’s those infinitely complex internal tensions – at once universally recognisable and particular to each individual – atop external fish-out-of-water challenges that make the immigrant experience such a rich and recurring film subject. As early as 1917, English émigré Charlie Chaplin distilled all those dynamics in his 22-minute short The Immigrant (Internet Archive), playing his signature Little Tramp character’s calamitous voyage to, and overwhelmed arrival in, New York for maximum comedy and pathos. Nearly 100 years later, American director James Gray took the same title for a rather more solemn look at a European ingenue seeking a new life in the Big Apple, meeting with ugly exploitation and poisoned ardour. Gray’s The Immigrant (2013) plays as symphonically grand tragedy, but retains that old romantic mythos around the US as a place to make or remake yourself.

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