Dhurandhar actor Nadeem Khan arrested for alleged 10-Year sexual exploitation of domestic worker on false marriage promise

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Actor Nadeem Khan, who was recently seen in the film Dhurandhar, has been arrested by Mumbai Police following serious allegations made by his former domestic worker. The case pertains to claims that the actor repeatedly sexually assaulted the woman over nearly a decade, allegedly luring her with a false promise of marriage. Khan, who portrayed the character Akhlak—cook to the dacoit Rahman—in Dhurandhar, was taken into custody by Malvani Police on Thursday. Officials confirmed that he is currently in police custody as the investigation progresses. According to police sources, the complainant is a 41-year-old woman who has worked as a domestic help at the residences of several actors over the years. In her statement, she said she first came into contact with Khan in 2015. What began as a professional association allegedly developed into a personal relationship, during which the actor is said to have assured her that he would marry her. Relying on this assurance, the woman claimed she...
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Streaming: Past Lives and the best immigrant stories on film

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One of the year’s best films, Celine Song’s Korean-American love story, now on streaming and DVD, continues cinema’s rich tradition of immigrant stories, from Chaplin to Persepolis

Awards season often tends to benefit the newer, shinier end-of-year releases that are freshest in voters’ memories, but Celine Song’s lovely, low-key Past Lives appears to be quietly staying the course. Having premiered way back in January, hit cinemas in the summer and since become available to stream – with the DVD out last week for physical media loyalists – it is now routinely popping up on best-of-2023 lists, and scooped best feature at the Gotham awards in the US. Something sticks in the mind and heart about Song’s melancholic, gentle but emotionally acute tale of a rekindled relationship between a Korean-American immigrant and the childhood friend she left behind in Seoul. Anyone whose life has been split across countries can relate to its study of the split identities and frayed possibilities of immigrant existence.

It’s those infinitely complex internal tensions – at once universally recognisable and particular to each individual – atop external fish-out-of-water challenges that make the immigrant experience such a rich and recurring film subject. As early as 1917, English émigré Charlie Chaplin distilled all those dynamics in his 22-minute short The Immigrant (Internet Archive), playing his signature Little Tramp character’s calamitous voyage to, and overwhelmed arrival in, New York for maximum comedy and pathos. Nearly 100 years later, American director James Gray took the same title for a rather more solemn look at a European ingenue seeking a new life in the Big Apple, meeting with ugly exploitation and poisoned ardour. Gray’s The Immigrant (2013) plays as symphonically grand tragedy, but retains that old romantic mythos around the US as a place to make or remake yourself.

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