EXCLUSIVE: Kartik Aaryan-starrer Naagzilla wraps shoot on a sweet note; Ravi Kishan and team celebrate as Mahaveer Jain, Mrighdeep Singh Lamba say, "Dharma is the BEST company to partner with"

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Bollywood Hungama has been at the forefront of breaking news on Naagzilla. We have now exclusively learned that it’s a wrap on the film’s shoot. Moreover, we also stumbled upon an exclusive picture of the cake that was cut on the last day of filming. A source told Bollywood Hungama, “Most of the shoot of Naagzilla had been completed, but one day of filming remained. It took place yesterday, Sunday, July 26, in Mumbai. Ravi Kishan was present along with director Mrighdeep Singh Lamba, writer Gautam Mehra and co-producer Divyansh Jain. They were jubilant about the wrap but also emotional, as they had shared a fun-filled and memorable journey while making the film. It was a hectic yet highly exciting shoot for the cast and crew.” The source further said, “To celebrate the occasion, a cake bearing the words ‘Naagzilla Film Wrap’ was brought in and enjoyed by the cast and crew. Incidentally, July 25 was director Mrighdeep Singh Lamba’s birthday, which further added to the celebratory mood ...
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Streaming: Past Lives and the best immigrant stories on film

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One of the year’s best films, Celine Song’s Korean-American love story, now on streaming and DVD, continues cinema’s rich tradition of immigrant stories, from Chaplin to Persepolis

Awards season often tends to benefit the newer, shinier end-of-year releases that are freshest in voters’ memories, but Celine Song’s lovely, low-key Past Lives appears to be quietly staying the course. Having premiered way back in January, hit cinemas in the summer and since become available to stream – with the DVD out last week for physical media loyalists – it is now routinely popping up on best-of-2023 lists, and scooped best feature at the Gotham awards in the US. Something sticks in the mind and heart about Song’s melancholic, gentle but emotionally acute tale of a rekindled relationship between a Korean-American immigrant and the childhood friend she left behind in Seoul. Anyone whose life has been split across countries can relate to its study of the split identities and frayed possibilities of immigrant existence.

It’s those infinitely complex internal tensions – at once universally recognisable and particular to each individual – atop external fish-out-of-water challenges that make the immigrant experience such a rich and recurring film subject. As early as 1917, English émigré Charlie Chaplin distilled all those dynamics in his 22-minute short The Immigrant (Internet Archive), playing his signature Little Tramp character’s calamitous voyage to, and overwhelmed arrival in, New York for maximum comedy and pathos. Nearly 100 years later, American director James Gray took the same title for a rather more solemn look at a European ingenue seeking a new life in the Big Apple, meeting with ugly exploitation and poisoned ardour. Gray’s The Immigrant (2013) plays as symphonically grand tragedy, but retains that old romantic mythos around the US as a place to make or remake yourself.

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