Alia Bhatt backs students amid NEET protest in heartfelt note: “Their courage humbles me”

Actor Alia Bhatt has become the latest celebrity to speak out on the ongoing protests over the alleged NEET paper leak and the violence reported during demonstrations at Delhi's Jantar Mantar. In an emotional note shared on Instagram, the actor expressed solidarity with the students and praised their courage and determination. Reflecting on the developments over the past few days, Alia wrote that the events had left her heartbroken while also giving her hope. "The last few days have broken my heart and then mended it, again and again, with hope," she wrote. Alia Bhatt says students represent hope and sacrifice The actor said every student participating in the movement represents years of hard work, sacrifice, and the aspirations of their families. She added that their fight extends beyond their own future and could create a better path for generations to come: "Behind every student standing their ground is a dream, a family's hope, a journey of countless sacrifi...

Streaming: Past Lives and the best immigrant stories on film

One of the year’s best films, Celine Song’s Korean-American love story, now on streaming and DVD, continues cinema’s rich tradition of immigrant stories, from Chaplin to Persepolis

Awards season often tends to benefit the newer, shinier end-of-year releases that are freshest in voters’ memories, but Celine Song’s lovely, low-key Past Lives appears to be quietly staying the course. Having premiered way back in January, hit cinemas in the summer and since become available to stream – with the DVD out last week for physical media loyalists – it is now routinely popping up on best-of-2023 lists, and scooped best feature at the Gotham awards in the US. Something sticks in the mind and heart about Song’s melancholic, gentle but emotionally acute tale of a rekindled relationship between a Korean-American immigrant and the childhood friend she left behind in Seoul. Anyone whose life has been split across countries can relate to its study of the split identities and frayed possibilities of immigrant existence.

It’s those infinitely complex internal tensions – at once universally recognisable and particular to each individual – atop external fish-out-of-water challenges that make the immigrant experience such a rich and recurring film subject. As early as 1917, English émigré Charlie Chaplin distilled all those dynamics in his 22-minute short The Immigrant (Internet Archive), playing his signature Little Tramp character’s calamitous voyage to, and overwhelmed arrival in, New York for maximum comedy and pathos. Nearly 100 years later, American director James Gray took the same title for a rather more solemn look at a European ingenue seeking a new life in the Big Apple, meeting with ugly exploitation and poisoned ardour. Gray’s The Immigrant (2013) plays as symphonically grand tragedy, but retains that old romantic mythos around the US as a place to make or remake yourself.

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