Alia Bhatt and Sharvari shoot with Samay Raina for India’s Got Latent Season 2 in viral photo

A viral picture featuring Alia Bhatt, Sharvari and comedian Samay Raina has taken social media by storm, sparking widespread speculation around the return of India’s Got Latent. The photos, reportedly clicked at The Habitat in Mumbai, have led fans to believe that the actresses may be appearing as part of the promotional campaign for their upcoming spy-universe film Alpha. While there has been no official confirmation from the makers or the actors involved, the viral images have already triggered intense discussions online. Many fans appeared excited at the possibility of seeing Alia and Sharvari participate in Samay Raina’s popular digital talent-roast format, especially given the enormous online popularity the show achieved after its launch in 2024. Created by Samay Raina, India’s Got Latent quickly became one of the most talked-about digital shows in the country due to its unfiltered humour, unpredictable format, and viral guest interactions. However, the show also attracted contro...

Streaming: Past Lives and the best immigrant stories on film

One of the year’s best films, Celine Song’s Korean-American love story, now on streaming and DVD, continues cinema’s rich tradition of immigrant stories, from Chaplin to Persepolis

Awards season often tends to benefit the newer, shinier end-of-year releases that are freshest in voters’ memories, but Celine Song’s lovely, low-key Past Lives appears to be quietly staying the course. Having premiered way back in January, hit cinemas in the summer and since become available to stream – with the DVD out last week for physical media loyalists – it is now routinely popping up on best-of-2023 lists, and scooped best feature at the Gotham awards in the US. Something sticks in the mind and heart about Song’s melancholic, gentle but emotionally acute tale of a rekindled relationship between a Korean-American immigrant and the childhood friend she left behind in Seoul. Anyone whose life has been split across countries can relate to its study of the split identities and frayed possibilities of immigrant existence.

It’s those infinitely complex internal tensions – at once universally recognisable and particular to each individual – atop external fish-out-of-water challenges that make the immigrant experience such a rich and recurring film subject. As early as 1917, English émigré Charlie Chaplin distilled all those dynamics in his 22-minute short The Immigrant (Internet Archive), playing his signature Little Tramp character’s calamitous voyage to, and overwhelmed arrival in, New York for maximum comedy and pathos. Nearly 100 years later, American director James Gray took the same title for a rather more solemn look at a European ingenue seeking a new life in the Big Apple, meeting with ugly exploitation and poisoned ardour. Gray’s The Immigrant (2013) plays as symphonically grand tragedy, but retains that old romantic mythos around the US as a place to make or remake yourself.

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