‘Nobody would forgive me if I told the truth’: new film about pacifist turned Nazi collaborator divides France

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In Les Rayons et les Ombres, Jean Dujardin plays a real-life press baron partying during the horrors of the second world war. Director Xavier Giannoli discusses bringing this still sensitive topic to light Xavier Giannoli’s new film Les Rayons et les Ombres (Rays and Shadows) is told from the postwar perspective of Corinne Luchaire, a French actor who was once hailed as “the new Garbo” but grew too close to the Nazis during the German occupation years. As Luchaire records her thoughts on a borrowed tape recorder, she struggles to reconcile her unfaltering devotion to her father, the once-powerful press baron Jean, with his 1946 execution for treason. Her wilful blindness collapses as the Jewish director who helped launch her career visits her cramped flat. When Corinne, played by newcomer Nastya Golubeva Carax, enquires after his sister, he reveals that she died in a concentration camp. “I didn’t know,” murmurs Corinne, only to be met with the devastating reply: “Did you even try to ...
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Miranda’s Victim review – law-changing courtroom drama stuffed with acting muscle

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Abigail Breslin is subtle as the 1960s victim of sexual crime in a dramatisation of a landmark case that is a welcome defence of US jurisprudence

Here is a fraught and muscular courtroom drama in the strident 1990s style, with the US legal system fitted out with a top-notch cast including Luke Wilson, Ryan Phillippe, Andy Garcia, Donald Sutherland and Kyle MacLachan. As various lawyers and judges, they ditch suit jackets, roll up shirtsleeves and make show-stopping objections in an account of the 1960s legal case that gave rise to the “Miranda rights” – “You have the right to remain silent … ” It’s a welcome defence of US jurisprudence for an era in which it is under threat from Donald Trump’s machinations, and is one that also benefits from the cooperation – apparently for the first time – of Patricia Weir, the rape victim at its centre (otherwise known by the pseudonym Lois Ann Jameson).

Played by Little Miss Sunshine’s Abigail Breslin, Trish is the meek teenager abducted on her way home from her cinema usher job, driven out into the Arizona desert and sexually assaulted. Bravely choosing to breach the omertà regarding rape and testify, she manages to put labourer Ernesto Miranda (Sebastian Quinn) behind bars – until barnstorming lawyer John J Flynn (Phillippe) persuades the supreme court that due process was trampled during Miranda’s arrest, establishing the famous precedent. Manipulated by Detective Cooley (Enrique Murciano) into voluntarily stepping into the police precinct, Miranda is identified in a rigged lineup and his confession is heard without a lawyer.

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