Havoc review – Tom Hardy’s gonzo gun mayhem misses the point

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Disillusioned cop Hardy must rescue a corrupt politician’s son from triads and police but potential for drama goes down in a hail of bullets The title is appropriate. Welsh director Gareth Evans is the action maestro who rocked our world with his superb skull-rattling thrillers The Raid and The Raid 2 ; this new one for Netflix certainly has its fair share of OTT gonzo mayhem. Shootouts in cramped interiors and in the open air sometimes seem to go on so long that the gunfire feels like an extended drumroll. Dozens of people get riddled with bullets from automatic weaponry; they all go into that shoulder-rolling, arm-waving, blood-spurting choreography. At one stage, a comatose and heavily bandaged person in a hospital bed gets the same machine gun treatment, and even this poor guy has to jitterbug, infinitesimally and horizontally, in his hospital pyjamas as he gets filled full of lead. But frankly the action and the violence is too chaotic and almost meaningless and the CGI-Gotham-...
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Jules review – Ben Kingsley helps an alien in likably folksy twist on ET

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As a widower with dementia, no one believes a UFO has crashed in Milton’s back yard or that he’s caring for an extraterrestrial – until his neighbours find out

Screenwriter Gavin Steckler and director Marc Turtletaub have given us this goofy, likable new twist on ET. In the Mathison/Spielberg classic from 1982, the visiting extraterrestrial found safety within the secret world of children, whose existence is beneath the grownups’ notice. Now the space alien finds himself protected by old people, who are used to being patronised and ignored.

Chief among the alien’s allies is Milton, played by Ben Kingsley, an ageing widower in whose back garden his spaceship crash-lands, and who, with instinctive neighbourly kindness, welcomes the mute, hairless naked interplanetary creature into his house. Milton has dementia, and so when he tells locals that he is having to get extra food in for the alien, no one pays much attention other than to relay this apparently sad and upsetting news to Milton’s grownup daughter Denise (played by Zoë Winters, who plays Logan Roy’s assistant and mistress Kerry in TV’s Succession). The scene in which Milton fails the dementia test in the doctor’s office is genuinely sweet and sad due to the fact that it could have taken place in an entirely different, serious film.

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