The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t

Film: Wendy Ide’s 10 best of 2023

From a struggling mother to a monstrous maestro, the year was notable for superb performances by veterans and newcomers

1. Tár
Released in the UK in January
It’s been a banner year for fans of films about mercurial conductors/composers, with Maestro, Bradley Cooper’s mosaic portrait of Leonard Bernstein, a 2023 highlight. But Todd Field’s creation of the magnificent, monstrous fictional conductor Lydia Tár, inhabited down to the last shred of cruelty and ambition by the remarkable Cate Blanchett, is exceptional: a savage, slippery account of rampant narcissism brought down to earth.

2. How to Have Sex
November
A wealth of outstanding British first features has included Rye Lane (directed by Raine Allen-Miller), Scrapper (Charlotte Regan) and Earth Mama (Savanah Leaf) – and there are more to come in 2024. But Molly Manning Walker’s phenomenal How to Have Sex is the standout, for its visual flair, superb performances and for the crucial conversations about consent that it has prompted.

Continue reading...

from Film | The Guardian https://ift.tt/5XUzbfw
via IFTTT

Comments

Popular posts from this blog

Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

Elaha review – sex, patriarchy and second-generation identity

Shraddha Kapoor roped in as co-founder by demi fine jewellery start-up Palmonas