John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow

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Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder Coming just after his superb feature The Christophers , Steven Soderbergh has now made a surprisingly moderate documentary, dominated and frankly marred by uninteresting and pointless AI. It is about the inadvertently poignant final interview given by John Lennon and Yoko Ono on 8 December 1980 in New York’s Dakota apartment building, hours before his death. The interviewers were Dave Sholin, Laurie Kaye and Ron Hummel from San Francisco’s KFRC radio station. On their way out of the building with the conversation on tape, they were accosted by a creepy stalker-fan; in attempt to calm the man down, Kaye gave him a brand new copy of John and Yoko’s new album Double Fantasy. This sinister man was Lennon’s future murderer who got him to sign an album – perhaps this very album – and later shot him dead. It is a chilling, stomach-turning twist of f...
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‘Cosmetic surgery? Just wear a hat!’ US sitcom legends Jane Curtin and Harriet Sansom Harris on AI, ageing and aliens

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They are veterans of everything from Frasier to 3rd Rock from the Sun. As the duo make the leap into sci-fi with alien caper Jules, they reveal the secrets to a long career – and make a plea for smarter, quieter movies

Jane Curtin and Harriet Sansom Harris are best known in the UK for their roles in big 1990s sitcoms. Curtin was Mary Albright, sceptical professor and the object of John Lithgow’s affections in 3rd Rock from the Sun. Harris played Bebe Glazer, Frasier’s purringly machiavellian agent.

In the US, both are comedy veterans. Curtin, now 76, began in the first seasons of Saturday Night Live, then won back-to-back Emmys for divorcee double act Kate & Allie. Harris, 68, has had stints on Desperate Housewives and Hacks, but spent most of her career on stage – she trained at Julliard with Kelsey Grammer, Christopher Reeves and Robin Williams and has been a Broadway fixture for 30 years, winning a Tony in 2002 for Throughly Modern Millie.

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