American witchhunt: how the McCarthy blacklist annihilated the Hollywood left

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A retrospective at the Locarno film festival looks back at the era of Huac’s domination of US culture, uncovering some sobering lessons for now In September 2025, Disney and ABC announced that Jimmy Kimmel and his late-night talkshow would be taken off the air indefinitely , after a conservative backlash against the host’s comments about the murder of far-right influencer Charlie Kirk. President Donald Trump personally championed the decision, calling it “great news for America” . He further called for other programmes critical of his administration to be removed. Though Kimmel’s suspension was reversed within a week, many commentators viewed this concerning development not as a sudden escalation of crisis, but a continuation of Hollywood’s habitual acquiescence to authoritarian pressure. In a guest essay for the New York Times , journalist and Trump biopic] The Apprentice screenwriter Gabriel Sherman explicitly linked Kimmel’s cancellation to the Hollywood blacklist of the 1940s and ...
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Band Four review – Hong Kong goes indie as musical family get the band back together

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Three generations of a talented family reunite unexpectedly, but there’s little surprising about their subsequent journey, despite its undeniable charms

You’d have to have a heart of brick to take against this earnest musical drama from Hong Kong about a single parent in an indie band dealing with her failed rocker dad suddenly walking back into her life (after leaving 20 years ago when she was little). It’s a warm and watchable valentine to music and starting afresh. But I did find something a bit make-believe and naive in its feelgood message about the power of music to heal old wounds; the idea that a sentimental chord or two could strum away the kind of pain and resentment it can take years of therapy to work through.

Cantopop star Kay Tse plays Cat, lead singer of Band Four, and single mum to pint-sized drumming prodigy Riley (Rondi Chan). Cat nursed her own mum through years of illness, and it’s at the funeral that her dad King makes an appearance – all of five foot nothing, a ponytail, rock star sunglasses and leather jacket. Real-life musician Teddy Robin Kwan plays it beautifully; beneath the swagger there’s an unmistakable air of genuine regret. King is back to make amends to Cat and he’s got a surprise: a teenage daughter, her half-sister. Cat is fuming but King shamelessly ingratiates himself with little Riley, who is delighted by his new grandpa and auntie.

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