Handcuffs, dog bites and avian warfare: how personal grudges sullied Alfred Hitchcock’s reputation

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The director liked to create tension on-set to draw out stronger performances. But have stories about his psychological tricks been inflated in the retelling? In 1978, shortly after publishing The Art of Alfred Hitchcock, biographer Donald Spoto met the director one last time. At one point, Hitchcock appeared to fall asleep mid-conversation, signalling the end of his involvement with the author. On another occasion, Spoto recalled being bitten by Hitchcock’s West Highland terrier, Sarah, leaving a bruise on his hand. When Hitchcock admonished the dog, Spoto noted it was the first time in four years the director had addressed him by name. These accounts have surfaced in an unearthed transcript of a previously forgotten interview between Spoto and the actor Tippi Hedren in 1980, six months after Hitchcock’s death. But they also suggest something else: an uneasy relationship from the outset, shaped by misreading, distrust and a degree of personal grievance. Continue reading... from F...
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Band Four review – Hong Kong goes indie as musical family get the band back together

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Three generations of a talented family reunite unexpectedly, but there’s little surprising about their subsequent journey, despite its undeniable charms

You’d have to have a heart of brick to take against this earnest musical drama from Hong Kong about a single parent in an indie band dealing with her failed rocker dad suddenly walking back into her life (after leaving 20 years ago when she was little). It’s a warm and watchable valentine to music and starting afresh. But I did find something a bit make-believe and naive in its feelgood message about the power of music to heal old wounds; the idea that a sentimental chord or two could strum away the kind of pain and resentment it can take years of therapy to work through.

Cantopop star Kay Tse plays Cat, lead singer of Band Four, and single mum to pint-sized drumming prodigy Riley (Rondi Chan). Cat nursed her own mum through years of illness, and it’s at the funeral that her dad King makes an appearance – all of five foot nothing, a ponytail, rock star sunglasses and leather jacket. Real-life musician Teddy Robin Kwan plays it beautifully; beneath the swagger there’s an unmistakable air of genuine regret. King is back to make amends to Cat and he’s got a surprise: a teenage daughter, her half-sister. Cat is fuming but King shamelessly ingratiates himself with little Riley, who is delighted by his new grandpa and auntie.

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