Breakfast with Gosling, grilled by Spielberg, burned by Star Wars: Lord and Miller are cinema’s hottest duo

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From directing The Lego Movie to becoming a single entity, Phil Lord and Chris Miller have had quite the ascent. Now, sending one of the globe’s best actors to his cosmic doom in Project Hail Mary, they’re aiming for the stars When Phil Lord and Christopher Miller were starting out in Hollywood – long before they became a popcorn-flick industry unto themselves with The Lego Movie, the Jump Street films, the Spider-Verse franchise and their latest, Project Hail Mary – the duo found themselves summoned before a panel at the formidable Directors Guild of America (DGA). Lord and Miller wanted to be credited, as they would be for the rest of their career, as co-directors, and that was something the DGA – which, as Miller puts it, prefers “one set of hands on the steering wheel” – was uneasy about. In order to get approval, the pair would have to plead their case to some very famous peers. “It was like a Senate hearing,” says Miller, his eyes widening at the memory. “Steven Spielberg and J...
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Band Four review – Hong Kong goes indie as musical family get the band back together

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Three generations of a talented family reunite unexpectedly, but there’s little surprising about their subsequent journey, despite its undeniable charms

You’d have to have a heart of brick to take against this earnest musical drama from Hong Kong about a single parent in an indie band dealing with her failed rocker dad suddenly walking back into her life (after leaving 20 years ago when she was little). It’s a warm and watchable valentine to music and starting afresh. But I did find something a bit make-believe and naive in its feelgood message about the power of music to heal old wounds; the idea that a sentimental chord or two could strum away the kind of pain and resentment it can take years of therapy to work through.

Cantopop star Kay Tse plays Cat, lead singer of Band Four, and single mum to pint-sized drumming prodigy Riley (Rondi Chan). Cat nursed her own mum through years of illness, and it’s at the funeral that her dad King makes an appearance – all of five foot nothing, a ponytail, rock star sunglasses and leather jacket. Real-life musician Teddy Robin Kwan plays it beautifully; beneath the swagger there’s an unmistakable air of genuine regret. King is back to make amends to Cat and he’s got a surprise: a teenage daughter, her half-sister. Cat is fuming but King shamelessly ingratiates himself with little Riley, who is delighted by his new grandpa and auntie.

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