The Super Mario Galaxy Movie review – bland screensaver of a movie that’s actually worse than AI

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At this point, it’s trite to say that a bad film feels as if it’s been AI generated, but this simplistic sequel is next-level – it’s nothing more than an Easter holiday cash grab Here is an inert and uninteresting animated follow-up to The Super Mario Bros Movie , based on the legacy video game about two wacky Italian-Brooklyn plumbers Mario and Luigi, voiced here by Chris Pratt and Charlie Day; this kind of stereotype is evidently the last in mainstream entertainment to be considered offensive. Now they and mushroom-kingdom ruler Princess Peach (voiced by Anya Taylor-Joy) have to rescue Rosalina (Brie Larson), the adoptive mother of the faintly Minion-y creatures called the Lumas. She has been abducted by Bowser Jr (Benny Safdie), the son of wicked turtle Bowser (Jack Black), who did very much the same sort of thing in the previous film. Of course it’s intended for little kids, but it surely didn’t need to be such a visually dull screensaver of a movie, with even more of the cheesy,...
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Band Four review – Hong Kong goes indie as musical family get the band back together

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Three generations of a talented family reunite unexpectedly, but there’s little surprising about their subsequent journey, despite its undeniable charms

You’d have to have a heart of brick to take against this earnest musical drama from Hong Kong about a single parent in an indie band dealing with her failed rocker dad suddenly walking back into her life (after leaving 20 years ago when she was little). It’s a warm and watchable valentine to music and starting afresh. But I did find something a bit make-believe and naive in its feelgood message about the power of music to heal old wounds; the idea that a sentimental chord or two could strum away the kind of pain and resentment it can take years of therapy to work through.

Cantopop star Kay Tse plays Cat, lead singer of Band Four, and single mum to pint-sized drumming prodigy Riley (Rondi Chan). Cat nursed her own mum through years of illness, and it’s at the funeral that her dad King makes an appearance – all of five foot nothing, a ponytail, rock star sunglasses and leather jacket. Real-life musician Teddy Robin Kwan plays it beautifully; beneath the swagger there’s an unmistakable air of genuine regret. King is back to make amends to Cat and he’s got a surprise: a teenage daughter, her half-sister. Cat is fuming but King shamelessly ingratiates himself with little Riley, who is delighted by his new grandpa and auntie.

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