EXCLUSIVE: Sajid Khan’s horror flick Hundred goes on floors; stars Yashvardhan Ahuja, Nitanshi Goel

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Sajid Khan’s directorial journey began successfully and he delivered three back-to-back hits. After a hiatus, he has once again worn the director’s hat. Bollywood Hungama has learned that the filmmaker quietly began shooting for his next film, titled Hundred. Interestingly, while all his previous films were comic capers, Hundred is a horror flick. A source told us, “The makers of Hundred began the shoot of the film in Mumbai’s Film City on Friday, January 23. They purposely chose this day to coincide with the commencement of the filming on the occasion of Basant Panchmi.” Bollywood Hungama has further learned that Hundred marks the launch of Yashvardhan Ahuja, son of Govinda and Sunita Ahuja. Nitanshi Goel, of Laapataa Ladies (2024) fame, has come on board as the female lead. Hundred is produced by Amar Butala’s Guilty By Association Media and Ekta Kapoor and Shobha Kapoor’s Balaji Telefilms. Amar Butala has earlier produced Sidharth Malhotra-Rashmika Mandanna starrer Mission Majnu ...
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Band Four review – Hong Kong goes indie as musical family get the band back together

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Three generations of a talented family reunite unexpectedly, but there’s little surprising about their subsequent journey, despite its undeniable charms

You’d have to have a heart of brick to take against this earnest musical drama from Hong Kong about a single parent in an indie band dealing with her failed rocker dad suddenly walking back into her life (after leaving 20 years ago when she was little). It’s a warm and watchable valentine to music and starting afresh. But I did find something a bit make-believe and naive in its feelgood message about the power of music to heal old wounds; the idea that a sentimental chord or two could strum away the kind of pain and resentment it can take years of therapy to work through.

Cantopop star Kay Tse plays Cat, lead singer of Band Four, and single mum to pint-sized drumming prodigy Riley (Rondi Chan). Cat nursed her own mum through years of illness, and it’s at the funeral that her dad King makes an appearance – all of five foot nothing, a ponytail, rock star sunglasses and leather jacket. Real-life musician Teddy Robin Kwan plays it beautifully; beneath the swagger there’s an unmistakable air of genuine regret. King is back to make amends to Cat and he’s got a surprise: a teenage daughter, her half-sister. Cat is fuming but King shamelessly ingratiates himself with little Riley, who is delighted by his new grandpa and auntie.

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