Satluj row deepens: PIL filed in Punjab and Haryana High Court over Zee5 removal of Diljit Dosanjh film

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The controversy surrounding Diljit Dosanjh's Satluj continues to intensify. A public interest litigation (PIL) has now been filed before the Punjab and Haryana High Court, challenging the sudden removal of the film from streaming platform Zee5 and seeking its restoration across the country. The PIL has been filed by Sharwan Singh, with the Union Government, the Central Board of Film Certification (CBFC), the Punjab Government, Zee Entertainment Enterprises Limited, and ZEE5 named as respondents. The petition questions why the film, which is based on the life and work of human rights activist Jaswant Singh Kalra, was removed from the platform without any judicial, legal, or government directive. Filed under Article 226 of the Constitution of India, the petition argues that the removal of Satluj infringes upon the fundamental right to freedom of speech and expression. It further contends that the explanation citing only "current circumstances" is vague and fails to specify...
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Band Four review – Hong Kong goes indie as musical family get the band back together

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Three generations of a talented family reunite unexpectedly, but there’s little surprising about their subsequent journey, despite its undeniable charms

You’d have to have a heart of brick to take against this earnest musical drama from Hong Kong about a single parent in an indie band dealing with her failed rocker dad suddenly walking back into her life (after leaving 20 years ago when she was little). It’s a warm and watchable valentine to music and starting afresh. But I did find something a bit make-believe and naive in its feelgood message about the power of music to heal old wounds; the idea that a sentimental chord or two could strum away the kind of pain and resentment it can take years of therapy to work through.

Cantopop star Kay Tse plays Cat, lead singer of Band Four, and single mum to pint-sized drumming prodigy Riley (Rondi Chan). Cat nursed her own mum through years of illness, and it’s at the funeral that her dad King makes an appearance – all of five foot nothing, a ponytail, rock star sunglasses and leather jacket. Real-life musician Teddy Robin Kwan plays it beautifully; beneath the swagger there’s an unmistakable air of genuine regret. King is back to make amends to Cat and he’s got a surprise: a teenage daughter, her half-sister. Cat is fuming but King shamelessly ingratiates himself with little Riley, who is delighted by his new grandpa and auntie.

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