A Gangster’s Life review – funny in parts, but not always deliberately

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Despite some interesting visuals, not even Tony Cook and Jonny Weldon can lift this poorly produced tale of a pair of dodgy lads hiding in Greece from a gangster Here is an odd film about a couple of dodgy lads who get on the wrong side of a bona fide gangster and have to hide out in Greece. It’s not thoughtless per se; rather, it lacks the resources to bring its vision successfully to screen. Its quirks are sometimes appealing and sometimes amateurish and, while a mixture of influences swirl about, from Bond to Kingsman to Guy Ritchie and even Mission: Impossible, the film-makers don’t have the necessary budget, meaning that it feels at times like a TikTok parody of more expensive films. It is a shame, because there are some interesting visual ideas that go beyond route one filming. Example: a goon beating a man tied to a chair on a crispy manicured lawn is filmed in a lovely wide shot, with a guy in the far distance calmly clipping the hedge. But it’s the post-production that is th...
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Band Four review – Hong Kong goes indie as musical family get the band back together

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Three generations of a talented family reunite unexpectedly, but there’s little surprising about their subsequent journey, despite its undeniable charms

You’d have to have a heart of brick to take against this earnest musical drama from Hong Kong about a single parent in an indie band dealing with her failed rocker dad suddenly walking back into her life (after leaving 20 years ago when she was little). It’s a warm and watchable valentine to music and starting afresh. But I did find something a bit make-believe and naive in its feelgood message about the power of music to heal old wounds; the idea that a sentimental chord or two could strum away the kind of pain and resentment it can take years of therapy to work through.

Cantopop star Kay Tse plays Cat, lead singer of Band Four, and single mum to pint-sized drumming prodigy Riley (Rondi Chan). Cat nursed her own mum through years of illness, and it’s at the funeral that her dad King makes an appearance – all of five foot nothing, a ponytail, rock star sunglasses and leather jacket. Real-life musician Teddy Robin Kwan plays it beautifully; beneath the swagger there’s an unmistakable air of genuine regret. King is back to make amends to Cat and he’s got a surprise: a teenage daughter, her half-sister. Cat is fuming but King shamelessly ingratiates himself with little Riley, who is delighted by his new grandpa and auntie.

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