The man who saw the future: the legacy of cultural theorist Mark Fisher

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Touching on everything from late-stage capitalism to Adele, the work of the late writer is proving increasingly influential. Now a documentary on him is looking to live up to his ideals Capitalist Realism: Is There No Alternative? was published in 2009 to critical silence. Journalists and academics initially dismissed Mark Fisher’s book, ignoring the cultural theorist’s requests for coverage and interviews, and even the then owner of his publisher, Zer0 Books, lamented that it was unmarketable. Fisher, also prone to self-doubt, questioned the relevance of his thesis and the gravitas of his personal approach after attempting, and failing, to write a traditional systematic work of theory. As of December 2025, more than 250,000 English-language versions of Capitalist Realism have been sold, with translations available in Spanish, Italian, Arabic Mandarin, German, Portuguese, Polish, Japanese, Hebrew, Korean and Danish. Fisher, unassumingly, had aspired to sell a few hundred. Revered for...
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Band Four review – Hong Kong goes indie as musical family get the band back together

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Three generations of a talented family reunite unexpectedly, but there’s little surprising about their subsequent journey, despite its undeniable charms

You’d have to have a heart of brick to take against this earnest musical drama from Hong Kong about a single parent in an indie band dealing with her failed rocker dad suddenly walking back into her life (after leaving 20 years ago when she was little). It’s a warm and watchable valentine to music and starting afresh. But I did find something a bit make-believe and naive in its feelgood message about the power of music to heal old wounds; the idea that a sentimental chord or two could strum away the kind of pain and resentment it can take years of therapy to work through.

Cantopop star Kay Tse plays Cat, lead singer of Band Four, and single mum to pint-sized drumming prodigy Riley (Rondi Chan). Cat nursed her own mum through years of illness, and it’s at the funeral that her dad King makes an appearance – all of five foot nothing, a ponytail, rock star sunglasses and leather jacket. Real-life musician Teddy Robin Kwan plays it beautifully; beneath the swagger there’s an unmistakable air of genuine regret. King is back to make amends to Cat and he’s got a surprise: a teenage daughter, her half-sister. Cat is fuming but King shamelessly ingratiates himself with little Riley, who is delighted by his new grandpa and auntie.

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