Saiee M Manjrekar begins shooting for new romantic drama in Italy; official announcement expected soon

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Saiee M Manjrekar has reportedly commenced work on yet another project, adding to her growing slate of films across multiple industries. The actress is currently in Italy, where she has begun shooting for what is being described as a romantic drama, although an official announcement regarding the film is still awaited. According to sources, Saiee has travelled to the picturesque European country to begin the first schedule of the yet-untitled project. The film is said to be helmed by a debutant director and is expected to be extensively shot across scenic locations in Italy, with the story unfolding against a summer backdrop. While the makers have remained tight-lipped about the project, the development has sparked curiosity among fans eager to know more about the actress' next outing. Details regarding the film's cast, title and production banner are currently under wraps, with an official announcement expected in the coming days. A source close to the development shared, ...
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Wish review – Disney’s throwback animation is missing some magic

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Oscar winner Ariana DeBose voices an all-singing heroine in an overstuffed yet underpowered attempt to replicate the success of Frozen

A decade ago, at a time when both Disney and Pixar’s animation output was not exactly unsuccessful but entirely unmemorable, Frozen became a sticky $1.2bn game-changer, a box office hit that turned into an all-consuming phenomenon. It won Oscars, produced earworms that burrowed (a little too) deep, spawned a $1.45bn sequel, led to a hit Broadway musical and showed Disney how to dust off the contemporarily critiqued princess narrative rather than throw it away completely.

Opening in the same Thanksgiving slot 10 years later, with a script co-written by Frozen’s Jennifer Lee, Wish is a bullishly positioned successor, another self-aware, formula-tweaking Disney Princess narrative with as many radio-friendly power ballads as there are Christmas-timed merchandising opportunities. But Wish feels less like Disney’s new Frozen and more like an off-brand rip-off, aesthetically inferior, hampered by a mostly uninspired and underpowered plot and, most deadeningly, lacking in magic. As grotesque as Disney might still be as one of the most effectively illustrative go-tos for the horrors of mass-market capitalism, it’s impossible not to feel that swell of wonder when the studio logo kicks in. While that feeling might have been more absent in recent films that follow, a lifetime of examples have taught us to naively hope for more of it and despite Wish serving us all of the old-fashioned trimmings, from storybook opener to soaring finale, there remains an absence.

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