The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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‘We are heartbroken’: Coober Pedy loses its famous drive-in – but the opal town has plans for take two

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It was South Australia’s last drive-in cinema – a scene in Priscilla was even filmed there. The historic screen lasted 50 years but couldn’t survive furious winds

The closure of a drive-in rarely makes the news, but Coober Pedy’s is no ordinary drive-in. Since it was constructed by volunteers in 1965, it has served as a meeting point for the remote opal mining community, itself immortalised on film in The Adventures of Priscilla, Queen of the Desert and Mad Max Beyond Thunderdome. For decades, miners turned up in their utes, still filled with mining equipment and gelignite; as beer was sold at the drive-in, the operators had to ban patrons from bringing along explosives.

But curtains have now closed on South Australia’s last drive-in after furious winds reaching almost 120 km an hour ripped through the town on 15 November, leaving the screen in tatters. More than half the panels and the underlying structure were ripped away by the wind.

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