‘It’s the best monster ever invented’: Noah Hawley on bringing Ridley Scott’s Alien to TV

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The writer-director defied expectations to turn the film Fargo into one of the best TV shows of the decade. Now he’s taking on an even bigger franchise. Can lightning strike twice? When it was first announced in 2013, the thought of Fargo being reimagined as a TV miniseries felt practically sacrilegious. The 1996 neo-noir starring Frances McDormand as a kindly Minnesota police chief was a singular film that had won two Oscars. Surely its distinctive Coen brothers vibe would get shredded in the woodchipper of TV adaptation? Back then, Noah Hawley, the screenwriter who took on the job, would have agreed. “It seemed like such a terrible idea,” he says via video call from a Long Island holiday bolthole. “Which is sort of why I liked it. The risk/reward was really high.” Continue reading... from Film | The Guardian https://ift.tt/yFGRncx via IFTTT
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Santa Claus: The Movie review – Dudley Moore sparkles like a bauble in Elf prototype

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Playing an early iteration of the fish-out-of-water elf in the corporate world of New York, Moore has just enough perky charm to redeem an otherwise forgettable seasonal offering

Frankly, I would whisper a tiny humbug to a good deal of this gloopy Christmas movie from 1985, directed by Jeannot Szwarc and now rereleased; and only a sentimental loyalty to the seasonal spirit prevents me from demanding to know if there are no workhouses for the people who made it. The whole thing only comes to something resembling life halfway through, when Dudley Moore’s perky elf takes centre-stage.

There are many other and more deserving yuletide films which should be ahead of this one in the queue for a revival, but my own sweet tooth for Christmassy schmaltz won’t allow me completely to reject this admittedly eventful and bizarre origin myth for Santa Claus, starring David Huddleston as the chortling, bearded present-giver himself. He is a kind of vaguely Euro-Scandinavian guy called Claus, much given to distributing gifts to village children, called to his mythic destiny in a fatal snowstorm like Superman arriving at the Fortress of Solitude. Dudley Moore is his devoted elf Patch who suffers a profound vocational crisis, and Burgess Meredith is the ancient chief elf (mysteriously possessed of full human adult height) who in a very peculiar elf ceremony decrees that Claus is “the chosen one”.

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