Infinite Icon: A Visual Memoir review – Paris Hilton’s act of self-love shows there’s nothing behind the mask

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A look behind the scenes of the star’s second album turns out to reveal exactly what you’d expect, at arduous length Paris Hilton here presents us with an unbearable act of docu-self-love, avowedly a behind-the-scenes study of her second studio album, Infinite Icon, and where she’s at as a musician, survivor and mom. But maybe there is, in fact, nothing behind the scenes; judging by this, the scenes are all there is: Insta-exhibitionism, empty phrases and show. Hilton’s second album no doubt has its admirers and detractors, and her fans are perfectly happy with it. But this film, for which she is executive producer, is an indiscriminate non-curation of narcissism and torpid self-importance that seems to go on and on and on for ever; the longest two hours of anyone’s life, finally signing off with a splodge of uninteresting and unedited concert footage. Continue reading... from Film | The Guardian https://ift.tt/BNvDRxa via IFTTT
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Santa Claus: The Movie review – Dudley Moore sparkles like a bauble in Elf prototype

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Playing an early iteration of the fish-out-of-water elf in the corporate world of New York, Moore has just enough perky charm to redeem an otherwise forgettable seasonal offering

Frankly, I would whisper a tiny humbug to a good deal of this gloopy Christmas movie from 1985, directed by Jeannot Szwarc and now rereleased; and only a sentimental loyalty to the seasonal spirit prevents me from demanding to know if there are no workhouses for the people who made it. The whole thing only comes to something resembling life halfway through, when Dudley Moore’s perky elf takes centre-stage.

There are many other and more deserving yuletide films which should be ahead of this one in the queue for a revival, but my own sweet tooth for Christmassy schmaltz won’t allow me completely to reject this admittedly eventful and bizarre origin myth for Santa Claus, starring David Huddleston as the chortling, bearded present-giver himself. He is a kind of vaguely Euro-Scandinavian guy called Claus, much given to distributing gifts to village children, called to his mythic destiny in a fatal snowstorm like Superman arriving at the Fortress of Solitude. Dudley Moore is his devoted elf Patch who suffers a profound vocational crisis, and Burgess Meredith is the ancient chief elf (mysteriously possessed of full human adult height) who in a very peculiar elf ceremony decrees that Claus is “the chosen one”.

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