Ramayana trailer FINALLY out: Sunny Deol missing but Yash AMAZES as Ravana; Ranbir Kapoor and Sai Pallavi IMPRESS in the grand 3D spectacle

In recent times, very few films have managed to generate as much excitement as Ramayana. The promotional campaign began nearly a year and a half before its release, in July 2025. Since then, the makers have organised events across the world, with several more expected to follow. Finally, the keenly awaited trailer was unveiled online on the morning of July 30. Bollywood Hungama got a sneak peek at the promo 10 days earlier at a multiplex in Mumbai, and it was evident that the experience was on another level when viewed on the big screen in 3D. The earlier promotional asset focused on Lord Rama, played by Ranbir Kapoor, while the trailer introduces several other characters. However, the character which dominates the proceedings is Ravana, played by Yash. The trailer opens with him, and the manner in which he has been presented is sure to amaze viewers. His ferocious avatar and action sequences particularly stand out. Several actors have portrayed Ravana in the past, but Yash’s interpre...

Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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