Timothée Chalamet puts alter-ego rumors to rest in remix with EsDeeKid

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After speculation actor was actually underground MC, pair join on remix to EsDeeKid’s 4 Raws It’s been arguably the most popular musical meme of the year: is masked Liverpudlian rapper EsDeeKid actually Hollywood actor Timothée Chalamet in disguise? Now the speculation has been put to bed, with Chalamet jumping on an unexpected remix of EsDeeKid’s track 4 Raws. Chalamet posted a clip of a video for the track to his social media, rapping alongside EsDeeKid in a series of scenes, from a cramped kitchen to a housing estate. Continue reading... from Film | The Guardian https://ift.tt/9sfMPY3 via IFTTT
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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