Court grants interim relief to Pooja Entertainment in ‘Chunari Chunari’ rights dispute with Tips Music

The ongoing legal dispute between producer Vashu Bhagnani’s Pooja Entertainment and Tips Music has reignited the long-standing debate over ownership of film music rights in the Indian film industry. The controversy erupted after Pooja Entertainment approached the court alleging that Tips recreated the iconic track ‘Chunari Chunari’ for the upcoming film Hai Jawani Toh Ishq Hona Hai without obtaining permission. The song originally featured in Biwi No.1 (1999), produced by Pooja Entertainment. The court has currently granted interim protection in favour of Vashu Bhagnani. While reacting to the matter on social media, Tips Music insisted that they remain to be “lawful owner” of the music rights and termed the allegations made by Pooja Entertainment as “malicious.” Responding to Tips’ statement, a legal spokesperson representing Vashu Bhagnani said that all music rights, songs, and films referred to in the suit are presently covered under the court’s “status quo” order. The spokesperson ...

Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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