BREAKING: Dhurandhar The Revenge beats highly anticipated Hollywood film Ready Or Not 2 overseas; brings Bahar to Mumbai’s Bahar cinema

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Dhurandhar The Revenge is unstoppable; the film was expected to break records, and yet, the trade and industry are stunned by how it's performing at the box office. On Saturday, March 21, it set a new record by collecting Rs. 100 crore in a day. On Saturday, March 21, the film created history by collecting Rs. 100 crore in a single day. And now, its dominance is being felt in the Overseas market as well, where it has managed to outgross a much-awaited Hollywood sequel. According to a report in Deadline, Ready or Not 2: Here I Come, a highly anticipated sequel, opened with $9 million. On the other hand, Dhurandhar The Revenge collected a huge $10.5 million. Dhurandhar’s sequel was always set to open big, considering the response of the first part, which was released in December 2025. However, Ready Or Not 2: Here I Come, released by Fox Searclight Pictures, should have ideally opened bigger in foreign territories, considering the star cast (Sarah Michelle Gellar, Elijah Wood and Ka...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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