Mohammed Zeeshan Ayub distances himself from Shraddha Kapoor starrer Eetha; says his voice was used without context

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Actor Mohammed Zeeshan Ayub has publicly distanced himself from the upcoming Shraddha Kapoor-starrer Eetha, claiming that his voice was used in the film's teaser without his knowledge of the context. The actor took to social media to issue a detailed clarification, asserting that he has no association with the project and had objected to the use of his voice immediately after the teaser was released. Although Zeeshan Ayub did not explicitly mention the name of the film in his note, it was widely inferred that he was referring to Eetha, whose teaser had opened with a narration in his voice. According to the actor, he had agreed to dub a single line months ago after being approached by people he knew personally, without being informed about the larger context in which it would eventually be used. Sharing his statement on X aka Twitter, Mohammed Zeeshan Ayub wrote, “Few weeks back, a film teaser released with the opening line in my voice. I wish to put on record that I am not part of...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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