Archana Puran Singh reveals why she hid her marriage for 4 years

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Indian actress and television personality Archana Puran Singh has revealed that she kept her marriage to actor Parmeet Sethi a secret for nearly four years, citing industry pressures that once discouraged married women from pursuing acting careers. Archana, known for her work in several iconic Bollywood films, married Parmeet Sethi in 1992. However, she chose not to make the marriage public at the time. Speaking recently, the actress said that during that phase in the film industry, marriage was often seen as a setback for female actors, leading to fewer opportunities. She described this mindset as a “nonsense trend” and said it played a major role in her decision to keep her marital status private while continuing to work. She also shared that the secrecy around the marriage was influenced by several personal and social challenges. Parmeet was younger than her, which contributed to resistance from family members, and there was disapproval from both sides regarding the relationship. ...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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