EXCLUSIVE: Ali Fazal's fierce new poster from Mirzapur: The Movie raises anticipation ahead of teaser launch

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Ahead of the teaser launch tomorrow, the makers have just dropped a striking new poster featuring Ali Fazal, from the much-awaited Mirzapur: The Movie, and it is everything fans have been waiting for. With the teaser set to drop tomorrow, the buzz around the film has officially hit fever pitch. The poster showcases Ali Fazal in his iconic avatar, radiating intensity and power. With a fierce expression and commanding presence, the character's look hints at the high-stakes drama, revenge, and power battles that have become synonymous with the Mirzapur franchise. While the poster offers no clues about the storyline, it successfully reignites excitement among fans eager to witness the return of one of the most loved characters from the Mirzapur universe. The visual serves as a reminder that the battle for power is far from over and that the world of Mirzapur is gearing up for an even grander cinematic experience. As excitement builds, all eyes are now on the teaser, which promises to ...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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