Ronit Roy warns fans about online impostor using his name to target women and asking for money; says, “Cops are coming for you”

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Actor Ronit Roy has issued a strong public warning after discovering that an unidentified individual has allegedly been misusing his identity online to contact people, particularly women, and asking for money. The actor took to social media to alert fans and followers about the scam while also sharing screenshots and details connected to the alleged impostor. In a detailed note posted online, Ronit Roy revealed that the individual had allegedly been reaching out to people using his name and even attempting to take bookings fraudulently. Sharing specifics about the accounts involved, the actor wrote, “WARNING!!!! It has come to my notice that someone has been using my name and reaching out to people, especially girls and asking for money. This person has been trying to take bookings in my name. The number involved is a Zangi number 3318085685 The email id being used is ronitroybookings@hotmail.com. Everyone be careful. As for the perpetrator....."cops are coming for you”.” The act...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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