Dada to release on May 14, 2027: Rajkummar Rao brings Sourav Ganguly's historic Lord's moment to life in first poster

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The makers of Dada: The Sourav Ganguly Story have unveiled the first-look poster of the much-awaited biographical drama on the occasion of former India captain Sourav Ganguly's birthday. Along with the poster, the team also confirmed that the film will release in theatres worldwide on May 14, 2027, during an extended holiday weekend. The first-look poster features Rajkummar Rao recreating one of the most memorable moments in Indian cricket history. The actor is seen portraying Ganguly during his iconic jersey-waving celebration from the Lord's balcony after India's memorable NatWest Trophy victory over England in 2002. The moment remains one of the defining images of Ganguly's captaincy and is widely remembered by cricket fans. The film will trace Ganguly's journey from a promising young cricketer to one of India's most influential captains. It aims to explore key moments from his personal and professional life while highlighting the leadership, determination a...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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