Ranveer Singh starrer Dhurandhar heads to Japan after blockbuster run; actor shares special message ahead of July 10 release

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After emerging as one of the biggest theatrical successes in Hindi cinema, Dhurandhar is now set to continue its global journey. The Ranveer Singh-starrer will release in theatres across Japan on July 10, 2026, marking another milestone in the film's successful international run. Ahead of the release, Ranveer Singh recorded a special video message for Japanese audiences, inviting them to experience the action-packed entertainer on the big screen. Calling Dhurandhar an immersive cinematic spectacle, the actor highlighted the film's blend of drama, intensity, scale and emotion while expressing his excitement about the movie reaching a new audience. The Japan release comes months after the film enjoyed a phenomenal worldwide run following its theatrical release in India on December 5, 2025. Backed by strong box office numbers and positive audience response, Dhurandhar went on to establish itself as one of the biggest commercial successes in recent Hindi cinema.   View this post ...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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