Karisma Kapoor’s kids push for forensic review of Sunjay Kapur’s will; court seeks explanation from Priya Sachdev

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The legal battle over late businessman Sunjay Kapur’s estate—valued in thousands of crores—has intensified, with Karisma Kapoor’s children, Samaira and Kiaan, now questioning why their stepmother Priya Sachdev Kapur is opposing a forensic examination of their father’s alleged will. Siblings Seek Forensic Scrutiny of Will Earlier, Samaira and Kiaan moved the Delhi High Court asking for permission to inspect the original copy of Sunjay Kapur’s will. The document was submitted in a sealed cover by its named executor, Shradha Suri Marwah. The siblings have argued that the will is “forged and fabricated,” and claim it contains several inconsistencies that cannot be verified through the certified copy they were given. They also say the signature must be examined closely—which is why they sought a forensic inspection. Priya Sachdev Objects to Forensic Review The matter took a sharper turn when Priya Sachdev opposed the request for forensic analysis. This surprised many, because such scrutin...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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