Priyanka Chopra, Varanasi and the question of a Telugu debut; was the Ram Charan starrer Thoofan forgotten?

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The Varanasi team’s widely circulated interview with Screen Rant features a rather awkward moment. When the interviewer asks Priyanka Chopra about her Telugu debut in Varanasi, the actor says she cannot remember when she last did a Telugu film. Mahesh Babu quickly steps in to add, “This is her first Telugu film.” But that is not entirely accurate. Priyanka Chopra had, in fact, featured in the Telugu version of the Amitabh Bachchan classic Zanjeer in 2013. Titled Thoofan, the Ram Charan starrer had Priyanka playing his love interest in what was admittedly a small role. At the time, Chopra had expressed considerable gratitude to the makers of Thoofan, as opportunities in Bollywood were scarce for her then. A senior member of the Thoofan team views her current statement as a case of selective amnesia. “When we signed her for Thoofan, nobody in the Hindi film industry was willing to sign her. We ourselves felt the role was not substantial enough for a future global star like her. But s...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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