Valentine's Day 2026: Dilwale Dulhania Le Jayenge, Veer-Zaara, and Saiyaara among 12 films in PVR INOX Valentine’s special showcase

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PVR INOX, one of India’s leading multiplex chains, has announced its ‘Valentine’s Special Showcase’, a curated re-release of 12 popular romantic films across Hindi, Tamil, Telugu, and Malayalam. The initiative aims to bring timeless love stories back to the big screen, offering both nostalgia for long-time viewers and discovery for younger audiences. The line-up features a mix of Hindi blockbusters and regional classics, including Dilwale Dulhania Le Jayenge, Veer-Zaara, Mohabbatein, Saiyaara, Devdas, Sanam Teri Kasam and Yeh Dil Aashiqanaa. The Tamil titles include Minnale, Mounam Pesiyadhe, Kadhalar Dhinam and Uyirullavarai Usha, while the Telugu romantic drama Love Story and the Malayalam hit Premam complete the pan-Indian selection. Shah Rukh Khan’s romance returns to theatres Several films in the showcase prominently feature Shah Rukh Khan, whose performances in Dilwale Dulhania Le Jayenge, Veer-Zaara, Mohabbatein, and Devdas have played a defining role in shaping mainstream Hin...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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