Ahaan Panday and Aneet Padda celebrate Saiyaara first anniversary at Wembley Stadium; unveil exclusive Collectors Edition Vinyl LP

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A year after Saiyaara emerged as one of the biggest box office successes, Yash Raj Films marked the film's first anniversary with a special celebration at London's Wembley Stadium. Lead actors Ahaan Panday and Aneet Padda visited the iconic venue to unveil an exclusive Collector's Edition Vinyl LP, commemorating the film's music and its enduring popularity among audiences. The venue holds special significance in Saiyaara, as it serves as the backdrop for one of the film's most memorable moments, where Ahaan Panday's character Krish Kapoor recognises Vaani Batra through her eyes on the stadium's giant screen. The film's climactic reunion between Krish and Vaani also takes place at Wembley, making it a fitting location for the anniversary celebration. The newly launched Collector's Edition is a two-disc vinyl set featuring the complete musical experience of Saiyaara. The first LP includes all nine songs from the film's soundtrack, while the second...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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