King becomes a REUNION bonanza: Shah Rukh Khan to share screen with Anil Kapoor after 31 years, Rani Mukerji after 20 years and Jackie Shroff after 12 years

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It’s been almost six months since the first look teaser of King was unveiled on the occasion of Shah Rukh Khan’s 60th birthday. Yet, the excitement around the film has remained constant, even though its release is still nearly seven months away. Recently, we came across a tweet by an SRK fan that made an interesting observation – the superstar is collaborating with several members of King’s ensemble cast after a very long gap. While he is reuniting with some after a decade, others are sharing screen space with him after nearly 20 or even 30 years. In this article, Bollywood Hungama takes a closer look at this nostalgic reunion factor. Anil Kapoor will feature in a crucial role in King and he was last seen with Shah Rukh Khan in Trimurti (1995), which was released 31 years ago. This is the only film that featured both actors. With Saurabh Shukla, SRK has worked thrice — in Baadshah (1999), Hey Ram (2000) and Mohabbatein (2000). Hence, both will be seen together in a film after 26 years...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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