The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Most TV and film crews feel safety has been compromised, says survey

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Survey honouring cameraman who died filming a car stunt in 2017 has found safety protocols and training need to improve

Nearly three-quarters of UK film and TV crew feel their safety or that of a colleague has been compromised at work, according to a new survey.

On the sixth anniversary of the death of British camera operator Mark Milsome, and two years after the death of cinematographer Halyna Hutchins, a survey by Bectu and the Mark Milsome Foundation revealed a consensus that safety training and protocols need to be improved, and that production companies should take ultimate responsibility for issues affecting shooting crew.

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