Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

-
Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
Post a Comment

Lost reels: 15 directors pick great films you won’t find on UK streaming

-

Many films – even classics such as Eraserhead and Chungking Express – remain surprisingly unavailable online to UK audiences. We asked film-makers from Martin McDonagh to Charlotte Wells to pick their favourites

In theory, there has never been a better time to be a movie fan. The ubiquity of streaming platforms means that films are more accessible than ever before. One click, and we can be transported to any country, genre or period. Or at least, that’s the idea. In practice, it’s not quite as simple as all that. Despite the wide choice of mainstream modern titles offered by big hitters such as Netflix, Disney+ and Prime Video; and the sterling work done by bespoke platforms such as Mubi, Curzon, BFI Player and regional specialist Klassiki, numerous films remain unavailable to be streamed by UK audiences (legally at least). And we’re not just talking about obscure arthouse titles (although my personal holy grail of missing movies, Alexei German Jr’s Paper Soldier, probably fits that description): a surprising number of high-profile pictures seem to have slipped through the streaming cracks. Jane Campion’s feature film debut, Sweetie, is currently unavailable to stream; so, remarkably, is David Lynch’s debut, Eraserhead.

Why is this? In the case of older titles, restoration and digitisation are key factors. Thousands of pictures exist as film prints, stored in canisters in archives and cinematheques, but not in the digital format that would be required for inclusion on a streaming platform. Or if they have been digitised in the past, the file doesn’t meet the quality standard that is now required, something that evolves increasingly rapidly as technology advances. It is an expensive and time-consuming process. Add to that the common problem of a “rights void”: when it is unclear who holds the rights to a film, licensing or restoring it becomes unviable.

Continue reading...

from Film | The Guardian https://ift.tt/qFhrCBy
via IFTTT

Comments

Post a Comment

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

-
Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together Who’s up for a golden-hued heartwarmer set in 60s Ireland starring Kathy Bates and Maggie Smith about women with secret fears and dreams going on a church trip to Lourdes and finally finding the real miracle is their new compassion for each other? The answer to this question could well have been … me. I have a liking for a gentle tale and there is nothing necessarily wrong with, just occasionally, showing Ireland and the church of this period with something other than outrage and horror. But The Miracle Club does not at any time, to use a discredited metaphor, throw away its crutches and walk. And it’s painful to note that this is largely because of the way film can’t convincingly use that estimable actor Laura Linney in a central role. She is upstaged by the older, fruitier performances and doesn’t hold her own with a more seri...
Read more

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

-
Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
Read more

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”

-
Bollywood diva Malaika Arora found herself at the center of an unexpected controversy during the filming of Hip Hop India Season 2. The popular dance reality show, judged by Arora alongside choreographer-director Remo D’Souza, took an awkward turn when a 16-year-old contestant made suggestive gestures toward her during his performance. The incident, which left Malaika visibly uncomfortable, was captured on video and has since gone viral. What Happened on Hip Hop India Season 2? The incident unfolded during a recent episode of Hip Hop India Season 2, which streams on Amazon MX Player and showcases India’s top hip-hop talent. While judging a contestant’s performance, Malaika noticed the young dancer directing inappropriate gestures her way, including winking and blowing flying kisses. Clearly taken aback, the actress and fitness icon didn’t hold back her disapproval. In the now-viral footage, she can be heard reprimanding the teenager, sternly demanding, “Mummy ka phone number do!” (Giv...
Read more