SCOOP: Shah Rukh Khan injured on the sets of King; advised to take a one-month break from work

Shah Rukh Khan is one of the most hardworking actors in Indian Cinema, who has invested over 30 years of his life in entertaining the audience. With young blood finding him an inspiration icon, the superstar continues to work hard every day. At the age of 60, Shah Rukh Khan was shooting for some intense action sequences at the Golden Tobacco studio in Mumbai, where he met with an accident leading to an injury. “While exact details of the injury have been kept under wraps, Shah Rukh, along with his team, has travelled to the US for urgent medical attention. It’s nothing serious, but more of a muscular injury, as Shah Rukh over the years has injured multiple muscles of his body while performing stunts,” a source told Bollywood Hungama. The source informed that post the surgery, SRK is advised to be advised to take a one-month break from work. “The next schedule of King will now begin in September/October as SRK has been advised to take time off for recovery. On completely recovering fr...

Leave the World Behind review – Julia Roberts and Ethan Hawke’s apocalypto-paranoid thriller

Roberts and Hawke’s weekend getaway starts to go wrong when two mysterious strangers appear at the door. Then things get weirder

Julia Roberts, Mahershala Ali and Ethan Hawke star in this glossy, Shyamalan-level-10 apocalypto-paranoid conspiracy thriller, adapted from the 2020 bestseller by Rumaan Alam. It’s an example of a growing tendency in the movies: baggy, lengthy, episodic pictures which are starting to split the difference between feature film items and streaming TV. Amat Escalante’s Mexican thriller Lost in the Night is, I think, another example of this tendency: films that go on for a while and, like a shaggy-dog story, leave things open for the possibility of getting recommissioned for season two. (Ridley Scott’s Napoleon epic for Apple TV also straddles film and TV, with extra content for the small screen iteration – although, admittedly, he can hardly be accused of leaving things open at the end.)

Roberts and Hawke play Amanda and Clay, well-off Brooklynites with two teen children; she’s a cynical ad exec, he’s a laidback humanities college professor. On a whim, they decide to take a luxurious weekend break in a luxury Airbnb mansion outside the city. But things get weird; there are storms outside, problems with the phone signal and the wifi and they witness something very disturbing at the beach. That evening, two strangers show up at the door – an elegant sophisticated man and his college age daughter, very well played by Mahershala Ali and Myha’la Herrold – with a very plausible explanation as to who they are and why Amanda and Clay should let them in. Things go terribly wrong.

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