Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...

Leave the World Behind review – Julia Roberts and Ethan Hawke’s apocalypto-paranoid thriller

Roberts and Hawke’s weekend getaway starts to go wrong when two mysterious strangers appear at the door. Then things get weirder

Julia Roberts, Mahershala Ali and Ethan Hawke star in this glossy, Shyamalan-level-10 apocalypto-paranoid conspiracy thriller, adapted from the 2020 bestseller by Rumaan Alam. It’s an example of a growing tendency in the movies: baggy, lengthy, episodic pictures which are starting to split the difference between feature film items and streaming TV. Amat Escalante’s Mexican thriller Lost in the Night is, I think, another example of this tendency: films that go on for a while and, like a shaggy-dog story, leave things open for the possibility of getting recommissioned for season two. (Ridley Scott’s Napoleon epic for Apple TV also straddles film and TV, with extra content for the small screen iteration – although, admittedly, he can hardly be accused of leaving things open at the end.)

Roberts and Hawke play Amanda and Clay, well-off Brooklynites with two teen children; she’s a cynical ad exec, he’s a laidback humanities college professor. On a whim, they decide to take a luxurious weekend break in a luxury Airbnb mansion outside the city. But things get weird; there are storms outside, problems with the phone signal and the wifi and they witness something very disturbing at the beach. That evening, two strangers show up at the door – an elegant sophisticated man and his college age daughter, very well played by Mahershala Ali and Myha’la Herrold – with a very plausible explanation as to who they are and why Amanda and Clay should let them in. Things go terribly wrong.

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