Good Luck, Have Fun, Don’t Die review – AI is the bad guy in lively yet overstuffed caper

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There’s fun to be had in Pirates of the Caribbean director Gore Verbinski’s satisfyingly tech-fearing adventure – but some restraint wouldn’t have gone amiss Despite directing a phenomenally successful franchise starter (Pirates of the Caribbean), two of its sequels (Dead Man’s Chest and At World’s End), a smash-hit horror remake (The Ring), an Oscar-winning animation (Rango), and films starring Brad Pitt and Julia Roberts (The Mexican) and Nicolas Cage and Michael Caine (The Weather Man), Gore Verbinski never quite broke through as a name the average cinemagoer would instantly recognise. There are some through-lines in his work – a dark sense of humour, an ease with pushing megastars past their limits – but he was mostly there in service of something or someone else, whether it be IP or an A-lister. After both consumed him in 2013’s loathed flop The Lone Ranger, Verbinski went away and returned three years later with an extravagant “one for me”, the ambitious throwback horror A Cure...
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From White Mischief to Bill & Ted, Joss Ackland was an actor of rare poise, range and pathos

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Many will remember Ackland best on the big screen as plummy defenders of the realm, but this supremely polished star could also handle action, comedy – and a lot of cold war Soviets

Joss Ackland’s elegant bearing, natural aplomb and English theatrical training meant that he never lacked for work on stage or screen, largely playing authority and establishment figures — although these movie roles were a bit ironised and sent up in the parts he got offered in the 90s and 00s (to his reported chagrin).

But growing up, I was aware of him only via that rich, mellifluous voice of his, like melted butterscotch, in an inordinate number of TV ads: his tones were received pronunciation with a dash of naughtiness and insinuation, that of a TV newsreader or bishop who loved to savour a fine wine, or a decent cigar.

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