The Running Man review – Glen Powell sprints through fun update of Stephen King future-shock sci-fi satire

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Full-tilt chase sequences, a punk aesthetic and a sugar-rush soundtrack, means there is plenty of enjoyment to be had as Edgar Wright goes back to King’s original 1982 novel Edgar Wright, that unstoppable force for good in cinema, has revived the sci-fi thriller satire last seen in 1987 with Arnold Schwarzenegger; it now stars Glen Powell and is adapted directly from the original 1982 novel written by Stephen King under his “Richard Bachman” pen-name, a futurist nightmare set in that impossibly distant year of 2025. The resulting film is never anything but likable and fun – though never actually disturbing in the way that it’s surely supposed to be and the ending is fudged and anticlimactic. Yet there’s plenty of enjoyment to be had. Wright accelerates to a sprint for some full-tilt chase sequences; there’s a nice punk aesthetic with protest ’zines being produced by underground rebels; and Wright always delivers those sugar-rush pop slams on the soundtrack, including, of course, the ...
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From White Mischief to Bill & Ted, Joss Ackland was an actor of rare poise, range and pathos

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Many will remember Ackland best on the big screen as plummy defenders of the realm, but this supremely polished star could also handle action, comedy – and a lot of cold war Soviets

Joss Ackland’s elegant bearing, natural aplomb and English theatrical training meant that he never lacked for work on stage or screen, largely playing authority and establishment figures — although these movie roles were a bit ironised and sent up in the parts he got offered in the 90s and 00s (to his reported chagrin).

But growing up, I was aware of him only via that rich, mellifluous voice of his, like melted butterscotch, in an inordinate number of TV ads: his tones were received pronunciation with a dash of naughtiness and insinuation, that of a TV newsreader or bishop who loved to savour a fine wine, or a decent cigar.

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