The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

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Sundance film festival: Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping Not enough people managed to see last year’s self-billed “unromantic comedy” Splitsville , a shame for how tremendously entertaining it was and for what it represents at this given moment. A rigorously well-directed, genuinely funny, relatably messy look at two couples dealing with the maelstrom of non-monogamy, it was the kind of smart, well-crafted film for adults we are constantly complaining we don’t get enough of. I had a similar thrill watching The Invite at its sold-out Sundance premiere on Saturday night. Like that film, it is also about two adult couples negotiating anxieties surrounding sex with other people – and also like that film, it’s really, consistently funny and stylishly directed, made with the kind of care and rigidity that comedies just aren’t afforded now. It doesn’t have the same absurdist slaps...
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From White Mischief to Bill & Ted, Joss Ackland was an actor of rare poise, range and pathos

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Many will remember Ackland best on the big screen as plummy defenders of the realm, but this supremely polished star could also handle action, comedy – and a lot of cold war Soviets

Joss Ackland’s elegant bearing, natural aplomb and English theatrical training meant that he never lacked for work on stage or screen, largely playing authority and establishment figures — although these movie roles were a bit ironised and sent up in the parts he got offered in the 90s and 00s (to his reported chagrin).

But growing up, I was aware of him only via that rich, mellifluous voice of his, like melted butterscotch, in an inordinate number of TV ads: his tones were received pronunciation with a dash of naughtiness and insinuation, that of a TV newsreader or bishop who loved to savour a fine wine, or a decent cigar.

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