Rise of the Conqueror review – Gladiator meets throat singing as Mongol hordes ride out

Christian Mortensen takes up arms as the 14th-century kingmaker Timur but could do with a stronger force behind him and a better beard in front The western-produced Greco-Judeo-Roman epic has been with us since early cinema, while the Chinese film industry kept the eastern end up with a string of recent historical pictures. But what about the lands in between? Apart from a smattering of pictures about Genghis Khan, including John Wayne’s regrettable appearance in 1956’s The Conqueror , the Mongol hordes have not exactly ravaged the box office. So it’s refreshing to see Rise of the Conqueror sally forth, with Christian Mortensen in the saddle as the 14th-century Turkic-Mongol chieftain Timur . This is basically Gladiator with added throat-singing. Man-at-arms Timur is a kingmaker caught between his native Barlas tribe, which includes his testy brother-in-law Hussayn (Mahesh Jadu) who’s eager to reclaim his family’s rule in Samarkand; on the other side is occupying Mongol warmonger Tuglu...

From White Mischief to Bill & Ted, Joss Ackland was an actor of rare poise, range and pathos

Many will remember Ackland best on the big screen as plummy defenders of the realm, but this supremely polished star could also handle action, comedy – and a lot of cold war Soviets

Joss Ackland’s elegant bearing, natural aplomb and English theatrical training meant that he never lacked for work on stage or screen, largely playing authority and establishment figures — although these movie roles were a bit ironised and sent up in the parts he got offered in the 90s and 00s (to his reported chagrin).

But growing up, I was aware of him only via that rich, mellifluous voice of his, like melted butterscotch, in an inordinate number of TV ads: his tones were received pronunciation with a dash of naughtiness and insinuation, that of a TV newsreader or bishop who loved to savour a fine wine, or a decent cigar.

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