FWICE demands withdrawal of Ghooskhor Pandat title, warns of strict action

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The controversy around the upcoming Netflix film Ghooskhor Pandat, produced by Neeraj Pandey and starring Manoj Bajpayee, grew more intense this week after the Federation of Western India Cine Employees (FWICE) formally objected to its title and urged the makers to withdraw it, warning of significant industry action if the demand is not met. The dispute began soon after the film’s announcement and teaser release, with many viewers and various organisations criticising the title Ghooskhor Pandat as offensive and potentially derogatory toward a specific community. The title combines ghooskhor — a colloquial Hindi term for someone who takes bribes — with Pandat, commonly associated with the Brahmin community. Critics argued that this linkage could perpetuate stereotypes and hurt sentiments. FWICE’s Objection and Warning FWICE, a body representing workers, technicians and artists across more than three dozen affiliated associations, sent a letter to producers’ bodies and major OTT platfor...
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From White Mischief to Bill & Ted, Joss Ackland was an actor of rare poise, range and pathos

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Many will remember Ackland best on the big screen as plummy defenders of the realm, but this supremely polished star could also handle action, comedy – and a lot of cold war Soviets

Joss Ackland’s elegant bearing, natural aplomb and English theatrical training meant that he never lacked for work on stage or screen, largely playing authority and establishment figures — although these movie roles were a bit ironised and sent up in the parts he got offered in the 90s and 00s (to his reported chagrin).

But growing up, I was aware of him only via that rich, mellifluous voice of his, like melted butterscotch, in an inordinate number of TV ads: his tones were received pronunciation with a dash of naughtiness and insinuation, that of a TV newsreader or bishop who loved to savour a fine wine, or a decent cigar.

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