Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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Family Switch review – Netflix yuletide body-swap comedy is overstuffed

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Jennifer Garner and Ed Helms can’t save a lukewarm family comedy that’s over-reliant on potty humor and eye-rolling contrivances

There comes a time, in just about any modern family, when the youngest member of the household is old enough to warrant the commencement of “movie night”. About midway through the pandemic, when our daughter’s tastes graduated from Australian mermaid dramas to more palatable fare like The Baby-Sitters Club and Gilmore Girls, my husband and I celebrated by screening Cary Grant and Alfred Hitchcock films for our kids, who loved them as much as we did! But then the world opened back up, and personal preferences splintered off. Our son now likes watching football games, and football dramas, and while I can stand the latter, it’s hard to imagine subjecting his little sister to Friday Night Lights’ tequila shots and threesomes. Besides, she’d much rather hide away in her room and watch some Netflix show about cake.

That same streamer’s Family Switch, out in time for the holidays, is an arrow that was unapologetically calibrated to hit straight at the heart of the multi-gen-viewing dilemma. Directed by McG and starring Jennifer Garner (who also produced, and is as plucky and puckered as ever), the yuletide drama takes a more-the-merrier approach to the trading-places trope, offering a smorgasbord of stock characters for couch-bound viewers to relate to: the Walker family has something for everyone – Sporty, Techy, Wistful and Work-Obsessed. And like so many family units who are no longer living in lockdown, the once tight-knit household is unraveling, everyone drifting off into their own private directions. Might some old-fashioned living in other people’s shoes be the portal back to together time?

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