Infinite Icon: A Visual Memoir review – Paris Hilton’s act of self-love shows there’s nothing behind the mask

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A look behind the scenes of the star’s second album turns out to reveal exactly what you’d expect, at arduous length Paris Hilton here presents us with an unbearable act of docu-self-love, avowedly a behind-the-scenes study of her second studio album, Infinite Icon, and where she’s at as a musician, survivor and mom. But maybe there is, in fact, nothing behind the scenes; judging by this, the scenes are all there is: Insta-exhibitionism, empty phrases and show. Hilton’s second album no doubt has its admirers and detractors, and her fans are perfectly happy with it. But this film, for which she is executive producer, is an indiscriminate non-curation of narcissism and torpid self-importance that seems to go on and on and on for ever; the longest two hours of anyone’s life, finally signing off with a splodge of uninteresting and unedited concert footage. Continue reading... from Film | The Guardian https://ift.tt/BNvDRxa via IFTTT
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Family Switch review – Netflix yuletide body-swap comedy is overstuffed

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Jennifer Garner and Ed Helms can’t save a lukewarm family comedy that’s over-reliant on potty humor and eye-rolling contrivances

There comes a time, in just about any modern family, when the youngest member of the household is old enough to warrant the commencement of “movie night”. About midway through the pandemic, when our daughter’s tastes graduated from Australian mermaid dramas to more palatable fare like The Baby-Sitters Club and Gilmore Girls, my husband and I celebrated by screening Cary Grant and Alfred Hitchcock films for our kids, who loved them as much as we did! But then the world opened back up, and personal preferences splintered off. Our son now likes watching football games, and football dramas, and while I can stand the latter, it’s hard to imagine subjecting his little sister to Friday Night Lights’ tequila shots and threesomes. Besides, she’d much rather hide away in her room and watch some Netflix show about cake.

That same streamer’s Family Switch, out in time for the holidays, is an arrow that was unapologetically calibrated to hit straight at the heart of the multi-gen-viewing dilemma. Directed by McG and starring Jennifer Garner (who also produced, and is as plucky and puckered as ever), the yuletide drama takes a more-the-merrier approach to the trading-places trope, offering a smorgasbord of stock characters for couch-bound viewers to relate to: the Walker family has something for everyone – Sporty, Techy, Wistful and Work-Obsessed. And like so many family units who are no longer living in lockdown, the once tight-knit household is unraveling, everyone drifting off into their own private directions. Might some old-fashioned living in other people’s shoes be the portal back to together time?

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