Mark Kermode on… Kathryn Bigelow, a stylish ruffler of feathers

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From vampire noir to Bin Laden, Point Break to Detroit, the first woman to win an Oscar for best director has never pulled her punches Watching new Jeff Nichols release The Bikeriders , starring Austin Butler and Tom Hardy as 60s Chicago greasers, I was reminded of two other movies: László Benedek’s 1953 Marlon Brando vehicle The Wild One , explicitly cited as an inspiration, and The Loveless , the 1981 feature debut of Kathryn Bigelow , the American film-maker (b.1951) who would go on to become the first woman to win a best director Oscar with her 2008 war drama The Hurt Locker . A symphony of leather-clad posing (with just a touch of Kenneth Anger ), The Loveless was a staple of the late-night circuit in the 80s, often on a double bill with David Lynch’s Eraserhead . Sharing directing credits with Monty Montgomery, Bigelow playfully deconstructed masculinity and machismo in a manner that was one part wry to two parts relish. I remember seeing The Loveless at the Phoenix in East
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Elon Musk biopic to be directed by Black Swan film-maker Darren Aronofsky

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The Oscar-nominated director will adapt the recent biography by Walter Isaacson after independent studio A24 won a ‘heated’ bidding war for rights

A biopic of billionaire tech entrepreneur Elon Musk is now in the works after independent studio A24 won the adaptation rights to Walter Isaacson’s recent biography, with Black Swan’s Darren Aronofsky on board to direct.

Variety magazine reports that A24 triumphed in a “heated competition” bidding war to acquire Isaacson’s authorised biography Elon Musk, which was published in September. It was heavily criticised in some quarters, with the Guardian describing it as a “dull, insight-free doorstop of a book”, and it generated a number of controversies itself, with Isaacson forced to correct a suggestion that Musk had ordered his Starlink satellite communications network to be turned off to stop a Ukrainian drone attack on Russian warships.

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