June Lockhart obituary

American stage and screen actor who enjoyed huge success on the television shows Lassie and Lost in Space June Lockhart, who has died aged 100, started her career in films, but made her name after switching almost exclusively to television. Having been given little chance to scintillate in the movies from her debut as a child in 1938 until 1947, she shone on the small screen in scores of popular series, above all in Lassie. Taking over from Cloris Leachman in 1958, Lockhart continued in the show until 1964. She played Ruth Martin, married to the farmer Paul Martin (Hugh Reilly), and the adoptive mother of seven-year-old Timmy Martin (Jon Provost), whose collie was the titular hero of the series. Continue reading... from Film | The Guardian https://ift.tt/D6ISrno via IFTTT

Control review: Kevin Spacey’s sarky GPS wants to kill the Home Secretary for sleeping with the PM

Spacey’s first film since he was cleared for sexual assault makes effective use of his silken voice, but that’s not enough to rescue this wooden and occasionally deranged sci-fi thriller

Kevin Spacey’s redemptive journey of uncancelling steps another millimetre forwards, or sideways, with his somewhat bizarre new role in this low-budget British indie in which, as a disembodied voice, he plays the implacable punisher of other people’s sexual misdemeanours.

It’s actually a decent idea for a single location cat-and-mouse thriller set in a car – similar to, actually maybe better than the idea behind the recent Liam Neeson thriller Retribution. And it was a smart entrepreneurial idea to create a role which Spacey could conveniently record in a studio anywhere in the world. Spacey’s silky, sulky voice saves the film from disaster, just slightly, although there’s nothing he can do about the terribly clunky direction and torpid line-readings from other people.

We are apparently in a future world where tech and AI have made great strides. A besuited man described by other characters as the “British Prime Minister David Addams” gives a speech in a weirdly inexpensive looking function room to a group of people who look as if they have just appeared in The Office Christmas Special. His theme is the overwhelming importance of privacy and afterwards with some bafflingly indiscreet and explicit dialogue makes it very clear to anyone within earshot that he is having a passionate affair with someone described as “the Home Secretary” – whose name is Stella Simmons.

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