After Naagzilla with Kartik Aaryan, Karan Johar sets up another creature universe with Rajkummar Rao

Rajkummar Rao is on a roll, signing films left right and centre after the success of Stree 2. While Maalik is all set to release on July 12, we have exclusively learnt that Rajkummar Rao has signed a one of its kind creature film for Karan Johar to be directed by Sandeep Modi. Reliable sources confirm that the film will go on floors towards the end of 2025, with a start-to-finish schedule. "Rajkummar Rao has signed on for Karan Johar's next with director Sandeep Modi. It's a creature-based thriller, to be mounted on a big scale and the makers are looking to create a franchise out of the same," a source shared with Bollywood Hungama. The source further informed us that the film will go on floors around November 2025, and the director, Sandeep Modi, has already begun pre-production. “Rajkummar Rao has signed the film for an agreed sum of Rs. 12 crores, which is his biggest pay cheque to date. He is excited to partner with Karan Johar on the project,” the source added....

‘Who doesn’t think they’re an outsider?’ David Fincher on hitmen, ‘incels’ and Spider-Man’s ‘dumb’ origin story

The director is one of Hollywood’s most unpredictable film-makers. He discusses making a shamelessly pulpy ‘B-movie’, the misogynistic legacy of Fight Club – and the urge to film 100 takes

For anyone who thought David Fincher’s last film, Mank, was the beginning of a new highbrow phase for the director, his latest offering will be something of a jolt. Whereas Mank – on the writing of Orson Welles’ Citizen Kane – was a sumptuous, substantial, awards-friendly hymn to old Hollywood (it was nominated for 10 Oscars and won two), his new film, The Killer, is a pulpy, violent, almost wilfully two-dimensional hitman thriller adapted from a comic book. “I will never be a more mature film-maker. I will carry the 12-year-old me with me wherever I go,” he says proudly.

Rather than growing up, it looks like Fincher is having fun – albeit in a highly controlled, Fincheresque way. He is in a particularly relaxed mode when we meet at a hotel in London. He looks healthy and he is full of wit and energy, almost as if this isn’t the umpteenth interview he has done in his 40-year career.

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