Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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‘Who doesn’t think they’re an outsider?’ David Fincher on hitmen, ‘incels’ and Spider-Man’s ‘dumb’ origin story

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The director is one of Hollywood’s most unpredictable film-makers. He discusses making a shamelessly pulpy ‘B-movie’, the misogynistic legacy of Fight Club – and the urge to film 100 takes

For anyone who thought David Fincher’s last film, Mank, was the beginning of a new highbrow phase for the director, his latest offering will be something of a jolt. Whereas Mank – on the writing of Orson Welles’ Citizen Kane – was a sumptuous, substantial, awards-friendly hymn to old Hollywood (it was nominated for 10 Oscars and won two), his new film, The Killer, is a pulpy, violent, almost wilfully two-dimensional hitman thriller adapted from a comic book. “I will never be a more mature film-maker. I will carry the 12-year-old me with me wherever I go,” he says proudly.

Rather than growing up, it looks like Fincher is having fun – albeit in a highly controlled, Fincheresque way. He is in a particularly relaxed mode when we meet at a hotel in London. He looks healthy and he is full of wit and energy, almost as if this isn’t the umpteenth interview he has done in his 40-year career.

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